Kirkus: An Afrofuturist love story, set inside a giant space-creature, about two women of different castes.
In a far distant future, humans left Earth behind generations ago in a mass exodus. The survivors now travel inside enormous beasts that trek across the vacuum of space; human societies carve out spaces inside the living leviathans that carry them. Seske, the daughter of the clan matriarch, is being groomed for her eventual position of power, but she’d much rather spend her time with Adalla, her best friend since childhood; however, Adalla’s a beastworker who toils in the space beast’s organs and arteries. The chapters alternate between the first-person perspectives of the two young women, and it quickly becomes clear that Seske and Adalla are very much in love—but a beastworker isn’t considered a suitable mate for the heir apparent. When Seske suddenly becomes the clan matriarch, her title is threatened by another claimant—her own sister. Meanwhile, Adalla, heartbroken over losing Seske, is demoted until she’s a lowly boneworker. Soon the two women each uncover shocking truths about their society and how it operates—and, more importantly, about the beast that keeps them all alive. The plot twists that follow are surprising but mostly plausible, and it culminates in a gratifying finish. Everything about the Afrofuturistic worldbuilding is exquisitely imaginative, and the characters are three-dimensional, occasionally offering flashes of dark humor. The spacefaring beast is a marvel, containing a whole ecosystem with microclimates and other organisms living within it alongside humans. Although the relationship between the two young women is perpetually hampered by circumstance, as most good love stories are, it’s palpable and vibrant. One hopes to read more about Seske and Adalla’s further adventures.