Kirkus: The story swiftly knots itself into steampunk-ishly surreal complications, with dauntless (and, by this point, love-stricken) Karen in the thick of the action. Supplies all the Bear necessities: strong female characters, existential threats, intriguing developments and a touch of the light fantastic. Steampunk: Something of a new venture for Bear, whose previous output (Steles of the Sky, 2014, etc.) has ranged from heroic fantasy to science fiction, often with an embedded murder mystery. By the late 19th century, airships ply the trade and passenger routes, optimistic miners head in droves for the Alaskan gold fields, and steam-powered robots invented by licensed Mad Scientists do much of the heavy (and sometimes delicate) work. In Rapid City on the U.S. northwest coast, Madame Damnable operates the Hôtel Mon Cherie, a high-class bordello, paying a hefty “sewing machine tax” for the privilege. Here, orphaned horse-breaker and narrator Karen Memery (Bear doesn’t tell us why the book’s title is spelled differently) works among similarly lively, engaging and resourceful girls. One night, Priya, a malnourished but tough young woman, arrives at the door carrying the badly wounded Merry Lee, who escaped from one of the grim brothels operated by brutal gangster Peter Bantle [and has since made a career of rescuing other indentured girls from Bantle’s clutches. Madame Damnable’s steam-powered mechanical surgeon saves Merry’s lifebut not before Bantle himself shows up, wearing, Karen notes, a peculiar glove that somehow can compel others to obey his commands. Worse, the following night the girls discover the body of a murdered prostitute nearby. U.S. Deputy Marshal Bass Reeves arrives with his Comanche sidekick, Tomoatooah; they’re tracking a serial killer who seems to have made his way to Rapid City.