The Guardian: There are no everyday elements to Kerstin Hall’s debut novella The Border Keeper. It begins on the outskirts of the spirit world, before moving to the weird realm of the underworld, Mkalis, where demon beasts and macabre gods are in constant battle. The grieving Vasethe has come to petition the eponymous border keeper: he wants her to guide him through Mkalis in search of his dead lover’s soul. What follows is a phantasmagorical picaresque through a lushly realised underworld, populated by a grotesque bestiary of fantastical creatures, with danger dogging our protagonists’ every step. This twisty example of the new weird genre examines love, loss and loyalty, packing skilful world-building and a powerful emotional punch into a little over 200 pages.