Kirkus: When death stops working, avoiding a dead ex-best friend becomes impossible. Dino DeLuca and July Cooper were best friends. Then Dino started dating perfect—and perfectly handsome—Rafi Merza, and their duet dissolved, an end punctuated by July’s unexpected death. Kind of. As Dino is grieving privately by her corpse (the DeLuca’s have a funeral home) July wakes up from death as vocal as ever. Tandem with trying to keep her revenant status secret is analyzing why their once strong pact devolved into dislike. His answer: her jealousy. Her answer: his boyfriend. The truth: somewhere in the middle. Rafi is trans and has a group of friends diverse in ethnicity and sexual orientation who school brash, brassy July on sensitivities to marginalized people (her struggle with being labeled without nuance as “dead” lightheartedly mirrors that of the LGBTQ+ community). The quasi-linear overlap of Dino’s and July’s narratives demonstrate the difficulty in finding the reality between the two sides. Their voices (him: think the dry intellect of Juno circa 2007, her: the audience who rolled their eyes at Juno circa 2007) are as distinctly different as their perceived versions of the truth. Dino and July are both white, while Rafi is of Pakistani descent. The explanation of why deaths cease is underdeveloped but doesn’t stop this from being a decent romp. Unfortunately for Dino, Rafi outranks him in narrative allure. The dissection of a fractured friendship with a pretty fun post-mortem.