Publishers Weekly: Nine perspectives interweave in a novel composed of divergent, unsettling stories from authors that include Brandy Colbert, Justina Ireland, Alaya Dawn Johnson, and Stephanie Kuehn. A group of delinquent teens is sent to Zeppelin Bend, an outdoor education program that dumps them in the wilderness to teach lessons about hard work and connection. There, they take turns recounting maybe-true stories in an effort to win a promised $100 from Hutchinson’s character, who guides readers through their haphazard three-day trip. The kids are considered “human garbage,” as Hutchinson’s character puts it, but their choices and situations are born of sharp, complicated moments and realities. Though the voices are distinct, it’s the overall experience of disparate people finding common understanding that lingers.
Czech rights to Robert Jackson Bennett’s CITY OF MIRACLES, Book 3 of The Divine Cities series, to Host, by Milena Kaplarević at Prava I Prevodi, in association with Katie Shea Boutillier at Donald Maass Literary Agency on behalf of Cameron McClure.
Rights to Hugo and John W. Campbell Award Finalist and Compton Crook Award Winner Ada Palmer’s TOO LIKE THE LIGHTNING, to Edesviz Kiado in Hungary, at auction; and to Mag Jacek Rodek in Poland, in a two-book deal, by Milena Kaplarevic at Prava I Prevodi in association with Katie Shea Boutillier at Donald Maass Literary Agency.
Spanish rights to Patricia Anthony’s HAPPY POLICEMAN, to Gigamesh, by Maru de Montserrat at International Editors’, in association with Katie Shea Boutillier at Donald Maass Literary Agency.
Polish audio rights to NYT bestselling author Jim Butcher’s STORM FRONT, FOOL MOON, GRAVE PERIL, SUMMER KNIGHT, and DEATH MASKS, to Storytel, by Milena Kaplarevic at Prava I Prevodi in association with Jennifer Jackson and Michael Curry.
German rights to Daniel Stashower’s THE ADVENTURE OF THE ECTOPLASMIC MAN, to Luebbe, by Sarah Knofius at Thomas Schlueck Agency in association with Katie Shea Boutillier at Donald Maass Literary Agency.
Hungarian rights to World Fantasy Award winner Nnedi Okorafor’s WHO FEARS DEATH to Agave Konyvek, by Milena Kaplarevic at Prava I Prevodi in association with Katie Shea Boutillier at Donald Maass Literary Agency.
Spanish rights to New York Times bestselling author Jim Butcher’s STORM FRONT and FOOL MOON, the first and second books in the Dresden Files series, to Nosolorol, in a two-book deal, by Maru de Montserrat at International Editors’ Co. in association with Jennifer Jackson.
Spanish rights to New York Times bestselling author Jim Butcher’s and Evil Hat LLC’s Dresden Files RPG Accelerated to Francisco Castillo at Nosolorol by Jennifer Jackson.
Kirkus: A husband and father has a very, very special weekend planned for his wife in this creepy little chiller. Ohio couple Paul and Mia Strom are heading up to their lake house on the shores of Lake Erie for the perfect weekend, and Paul is determined to make it the best day ever. Their two young sons are with a babysitter, and Mia, who has been struggling with a mysterious illness, is feeling better. And why shouldn’t it be a perfect day? Paul and Mia have a perfect family, and Paul is the perfect husband (he even says so) and Mia, the perfect housewife. All is…well, perfect.
Or so Paul would have everyone think. After 10 years, the shine has worn off for Paul…Paul’s skeletons are falling out of the closet in droves, and Mia isn’t the wilting housewife he thought she was. The Stroms seems to have it all and are a king and queen of their suburban domain, but there’s a creeping rot underneath, and his name is Paul. Rouda’s (The Goodbye Year, 2016) choice to have Paul narrate is a compelling one…He laces his narrative with just enough snippets about his fraught childhood to give his warped pathology some psychological heft. The conclusion even leaves a little bit of uncertainty for readers to chew on. Darkly funny, scandalous, and utterly satisfying.
Kirkus: Ten teenagers have been blindfolded by their camp counselors, taken into the woods, and left to find their way back to the main camp, in three days. Camp Zeppelin Bend isn’t a fun summer camp. It’s a mandatory camp created for teens whose lives have led them there as a last stop before jail or juvie. As a coping strategy, each teen takes a turn to tell a story, and no one knows what is true and what isn’t.
The main character who carries the narration of this book, Gio, prompts the storytelling challenge. In alternating chapters, written by different authors, each teen shares the disturbing experiences that led them to Zeppelin Bend. Wealthy, white Georgia shares a ghost story connected to being bullied. Jenna, also rich and white, reveals the deteriorating mental state that led her to pyromania. Tino, who’s Mexican, like Gio, boasts of the actions he took to avenge his father’s death in a haunting tale set in a small California college town.
As the collection progresses, each story grows more fantastical, with many that allude to mythology and fairy tales. From the first sentence (“I’m not a liar”), collection editor Hutchinson grabs readers with a raw, spot-on monologue that invites readers into heavy issues teens are struggling to navigate, many with distant or absent parents. Due to the mature, often raw content, this is a book that would also be valuable for adult readers who have the courage to face the darker things teens don’t tell them. A compelling, uncomfortable narrative that lets readers know that the tragedy the world can bring to teens transcends socio-economics, gender, and race.
German rights to Shaun David Hutchinson’s THE FIVE STAGES OF ANDREW BRAWLEY, to Arena, by Anna Diekmann at Thomas Schlück Agency in association with Katie Shea Boutillier and Michael Curry.
French pocket paperback rights to Ekaterina Sedia’s THE ALCHEMY OF STONE, to PocketSF (Univers Poche) via Le Belial, by David Camus at Anna Jarota Agency in association with Jennifer Jackson and Michael Curry.
French pocket paperback rights to Ada Palmer’s TOO LIKE THE LIGHTNING and SEVEN SURRENDERS, to J’ai Lu via Le Belial, by David Camus at Anna Jarota Agency in association with Katie Shea Boutillier and Michael Curry.
Spanish rights to the Nebula and Hugo Award winner for Best Novella, Nnedi Okorafor’s BINTI, to Crononauta, in a two-book deal, by Maru de Montserrat at International Editors’ in association with Katie Shea Boutillier and Michael Curry.
Author of THE GRAVE TENDER and forthcoming THE UNREMEMBERED GIRL, Eliza Maxwell’s THE WIDOW’S WATCHER, about a woman who loses her entire family and is ready to end it all when an unlikely savior gives her reason to live again as she untangles the mystery of his children’s disappearance, to Chris Werner and Danielle Marshall at Lake Union Publishing, by Katie Shea Boutillier.
Spanish rights to Nalo Hopkinson’s Locus Award-winning BROWN GIRL IN THE RING, to Apache Libros, by Maru de Montserrat at International Editors in association with Katie Shea Boutillier and Michael Curry.
French rights to USA Today bestselling author Kaira Rouda’s forthcoming BEST DAY EVER, to Charleston Noir, a new imprint of Leduc, at auction, by Victoria Villemur at Anna Jarota Agency in association with Katie Shea Boutillier.
German renewal rights to New York Times bestselling author Jim Butcher’s CURSOR’S FURY and CAPTAIN’S FURY, the 3rd and 4th books in the Codex Alera series, to Blanvalet, by Bastian Schlück at the Thomas Schlück Agency in association with Jennifer Jackson.
German rights to NYT bestselling author Annika Martin’s “The Ski Mask,” to Lyx, by Julia Aumüller at Thomas Schlück Agency in association with Katie Shea Boutillier and Michael Curry.
Publishers Weekly: A tensely written, shocking book that will hold readers on the edge of their seats to the very last page.
Endless questions from a shadow-filled East Texas childhood haunt Hadley Dixon. People said her mother, Winnie, was never quite right, but with one single, irreparable act, life as Hadley knew it was shattered. The aftershocks of that moonlit night left her reeling, but the secrets and lies had started long before.
When a widowed and pregnant Hadley returns years later, it’s not the safe harbor she expects. The mysteries surrounding a local boy’s disappearance remain, and the townspeople still whisper about Hadley’s strange and reclusive Uncle Eli—whispers about a monster in their midst.
But Hadley’s father and grandmother, the cornerstones of everything safe in her world, avoid her questions. If Hadley stays here, will she be giving her children the family they need, or putting their lives in danger?
The hunt for answers takes a determined Hadley deep into the pine forests, in search of sunlight that will break through the canopy of lies long enough to reveal the truth
Kristen Pettit at Harper Teen, with Catherine Wallace editing, has bought Reel One Entertainment and screenwriter Christine Conradt’s MISSING AT 17, the first novelization of the “at 17” TV movie series executive produced by Pierre David and Tom Berry released on Lifetime, about a teen who runs away after finding out she is adopted and right into the arms of an irresistible bad boy who draws her into his dangerous world. Publication is set for trade paperback release during the Summer 2018 season; Katie Shea Boutillier at Donald Maass Literary Agency and Ken Sherman at Ken Sherman & Associates negotiated the six-figure, three-book deal for North American rights.