Jul 312021
 

Bulgarian rights to British Fantasy Award finalist Cassandra Khaw’s NOTHING BUT BLACKENED TEETH, to Ciela Norma, by Nada Popovic at Prava i prevodi in association with Michael Curry.

German rights to New York Times Bestselling author Jim Butcher’s and Evil Hat LLC’s Dresden Files RPG Accelerated to Dominik Pielarski at Polyarchische Bruderschaft der Schwarzen Bibliothek by Jennifer Jackson.

German rights to New York Times bestselling author Tamsyn Muir’s HARROW THE NINTH, the second book in the Locked Tomb series, to Heyne, by Sarah Knofius at the Thomas Schlueck Agency in association with Michael Curry for Jennifer Jackson.

Portuguese rights to New York Times bestselling author Anne Bishop’s THE QUEEN’S WEAPONS, the latest book in her Black Jewels series, to Saída de Emergência, by Amaiur Fernández at International Editors’ Co. in association with Michael Curry for Jennifer Jackson.

Russian rights to Katherine Addison’s THE GOBLIN EMPEROR and THE WITNESS FOR THE DEAD, to AST, by Igor Korzhenevski at Alexander Korzhenevski Agency, on behalf of Katie Shea Boutillier for Cameron McClure.

Spanish rights to Nnedi Okorafor’s short story SACRED FIRE, to Crononauta, by Amaiur Fernanadez at International Editors, on behalf of Katie Shea Boutillier for Donald Maass.

Jul 202021
 

In a far future city, where you can fall to a government cull for a single mistake, And What Can We Offer You Tonight tells the story of Jewel, established courtesan in a luxurious House. Jewel’s world is shaken when her friend is murdered by a client, but somehow comes back to life. To get revenge, they will both have to confront the limits of loyalty, guilt, and justice.

Jul 192021
 

Kirkus: A 16-year-old Lipan Apache girl from Texas and a cottonmouth person from the spirit world connect when both need help.

When Nina was 9, her Great-Great-Grandmother Rosita told her a story in Spanish and Lipan Apache. Using dictionaries to painstakingly make sense of the garbled transcription app results, Nina uncovers a mysterious story about Rosita’s sighting of a fish girl in her well, long after the joined era when animal people still lived on Earth. Nina uploads her musings about her family’s stories to the St0ryte11er video platform. In the Reflecting World, innocent Oli, a cottonmouth snake person, reluctantly leaves home, settling down and befriending ancient toad Ami, two coyote sisters, and a hawk. Animal people can shift between their true and false (humanoid) forms and are able to visit Earth; Nina’s and Oli’s lives intertwine when he and his friends travel to Texas seeking help after learning that Ami is dying because the earthly population of his toad species faces extinction due to human environmental destruction. They in turn help Nina with the suspicious man lurking near her Grandma’s home, an impending tornado, and her Grandma’s unexplained illness whenever she leaves her land. Little Badger (Lipan Apache) alternates between two distinct, well-realized voices—Nina’s third-person and Oli’s first-person perspectives—highlighting critical issues of language revitalization and climate change. The story leads readers through two richly constructed worlds using a style that evokes the timeless feeling of listening to traditional oral storytelling. A coming-of-age story that beautifully combines tradition and technology for modern audiences

Jul 082021
 

Library Journal: The universe is controlled by the Conversation, a hive of AI minds who refuse to let what’s left of humanity take it back. The planet of Dimmuborgir is mostly legend, hiding a secret superweapon that will make whoever controls it supremely powerful. The Dirty Dozen, a diverse mercenary group, was once feared throughout the universe, but 40 years ago their last mission ended in a tragedy that still binds them together, yet apart. Now Rita and Maya are bringing the Dozen back together—kicking, screaming, dying, reviving—for one last mission: to find the secret of Dimmuborgir before the sentient spaceships do. They also need to recover one of their own who’d been thought dead. But when you’re made of clone tissue, uploaded sequences, and modified tech, can you ever die? Filled with emotional trauma, some body horror, and abusive relationships, this can be a difficult read. Yet it’s enthralling too, as it mashes and blurs the lines separating human from machine; the commanding prose brings to mind Tamsyn Muir’s “Locked Tomb” trilogy. VERDICT Khaw’s (Hammers on Bone) first full-length novel is a sensory deluge of language and action that will sweep readers away in a flood of joyful, violent abandon.

Jun 282021
 

Publishers Weekly: In gorgeous prose, Mohamed (Beneath the Rising) conjures a post–climate apocalypse future in which “the chain of knowledge and study” has broken and humanity “live[s] in the scattered links that remain.” With few resources left, survival hinges on collective collaboration. So when 19-year-old Reid receives an acceptance letter from a college many believe to be a myth, she’s equally elated and guilt-ridden: how can she leave her community and ailing mother for a place that may not even be real? Complicating her decision is the Cad, a “semi-sapient” fungal parasite that lives beneath her skin. It lies dormant for years before “going off,” and there’s no cure for it and no guarantee as to how it will affect those infected. As Reid argues with her mother about her future and navigates her changing relationship with her best friend, she begins to fear that the Cad is controlling her actions. Mohamed grounds her complex, chilling vision of the future in accessible human drama, keeping a tight focus on Reid’s difficult decision and the tension it creates in her relationships. It’s an impressive feat of worldbuilding made stronger by the sensitive, nuanced characters and urgent questions about what people owe to each other. This packs a punch.

Jun 172021
 

Publishers Weekly: Moody and atmospheric, this dystopian novella from Mohamed (A Broken Darkness) skillfully turns a murder mystery into a scathing examination of what life might be like in even later stage capitalism. Narrator Jewel and the other courtesans of the House of Bicchieri, an elite brothel, are holding a secret wake for one of their number, Winfield, in the abandoned church that is their place of worship, when Winfield suddenly comes back to life. The undead Winfield recalls being murdered—a fact the owners of the House covered up—and seeks revenge for her death and all the other injuries and injustices meted out to her fellow courtesans by the House’s über-wealthy clientele. Jewel hungers for revenge herself, but is kept in such purposeful and permanent precarity that she can’t act out. Then the owners profane the courtesans’ church, and Jewel must make a choice between protecting Winfield’s plans or her place in the House of Bicchieri. The lush prose, rife with classical allusions, captivates, echoing the brothel’s penchant for containing horrors but covering them up in a wealth of gilded detail. Mohamed’s fans won’t want to miss the mesmerizing lyricality of her latest.

Jun 072021
 

Locus and Aurora Award finalist Premee Mohamed’s THE VOID ASCENDANT, the highly anticipated conclusion to the Beneath the Rising trilogy, and an additional novel, to David Moore at Solaris Books, for publication in Spring 2022, by Michael Curry.

May 312021
 

French rights to British Fantasy Award finalist Cassandra Khaw’s NOTHING BUT BLACKENED TEETH and THE ALL-CONSUMING WORLD, to Pygmalion, by Zuzanna Brzezinska at Anna Jarota Agency in association with Michael Curry.

French rights to Robert Jackson Bennett’s CITY OF STAIRS and LOCKLANDS, to Gilles Dumay at Albin Michel, by Zuzanna Brzezinska at Anna Jarota Agency, on behalf of Katie Shea Boutillier for Cameron McClure.

German rights to Annika Martin’s JUST NOT THAT INTO BILLIONAIRES to Lyx, by Sarah Knofius at Thomas Schlueck Agency, on behalf of Katie Shea Boutillier for Cameron McClure.

Russian rights to Robert McCammon’s THEY THIRST, STINGER, THE QUEEN OF BEDLAM and MR.SLAUGHTER to Azbooka-Atticus , in a four-book deal, by Igor Korzhenevski at Alexander Korzhenevski Agency, on behalf of Katie Shea Boutillier for Cameron McClure.