Dec 212015
 

Cover for Winterwood by Jacey Bedford. A lady pirate with long brown hair and a sensible green coat holds a small wooden box, a white wolf looking on and the sea in the distance.Publishers Weekly: Swashbuckling adventure collides with mystical mayhem on land and at sea in this rousing historical fantasy series launch set in a magic-infused England in 1800. Rossalinde Tremayne has done well for herself as a privateer in Mad King George’s service, using her abilities as a witch and the ever-present ghost of her long-dead husband (whose reputation and identity she’s borrowed) to claim other ships for profit and the Crown. Her estranged mother’s dying request is for Rossalinde to take a mysterious box, drawing her into a deadly mystery. In order to harness the power within the box, she has to unravel the secrets of a family she never knew existed, all while eluding those who want her dead. When her quest takes her into the hidden land of the Fae, she’ll be forced to make a choice that could alter the fate of an empire. Bedford (Crossways) adeptly weaves together romance, action, and fantastical elements, all set against a richly realized series of far-flung locations. Conflict both nautical and emotional keeps things exciting.

Dec 182015
 

Cover for We Are The Ants by Shaun David Hutchinson. A photo of a yellow sunrise, the sky going from teal to navy as the stars blur in a their circular rotation.Publishers Weekly: Henry Denton’s life is in tatters—he was abandoned by his father; his boyfriend, Jesse, hanged himself; and he is regularly abducted by aliens who have put Earth’s very fate in his hands. The 16-year-old, nicknamed “Space Boy” by his tormentors, is self-destructing until he finds a friend in new kid Diego and an ally in Jesse’s former pal Audrey. In a style reminiscent of Slaughterhouse-Five, Hutchinson (The Five Stages of Andrew Brawley) intersperses Henry’s experience aboard the “slugger” spaceship with his trials on Earth, where he’s “a punch line at school, a ghost at home.” The extraterrestrial scenes are less the makings of a SF novel than a metaphor for Henry’s isolation and alienation from his family and peers, including a gang of bullies who brutally assault him in a shower and then publicly shame him. Hutchinson has crafted an unflinching portrait of the pain and confusion of young love and loss, thoughtfully exploring topics like dementia, abuse, sexuality, and suicide as they entwine with the messy work of growing up.

Dec 162015
 

Cover for Holly Messinger's The Curse of Jacob Tracy. The title on paper like an Old West wanted poster. Above, bats flying in front of a full moon. Below, the silhouettes of two cowboys surrounded by ghostly figures.Library Journal: Jacob “Trace” Tracy and Boz, his African American partner, are looking for jobs to tide them over until they get hired for their usual work of guiding wagon trains West. Wealthy Miss Fairweather of St. Louis employs them for what looks like an easy task: retrieving a box from a nearby town. Miss Fair- weather didn’t choose the duo by chance. She wants Trace for his ability to see the spirit world, a talent he has possessed (and hidden) since he was injured on the battlefield at Antietam. This first trip entangles Trace and Boz with the interests of a man of unusual talents and evil intent named Mereck, and even as Trace continues to take jobs for Miss Fairweather, Mereck’s attentions grow more dangerous. VERDICT Combining well-wrought historical fiction with just the right amount of scenic details and horror with its tense atmosphere, Messinger’s debut hits on a winning formula. The novel is structured almost like a serial, with different adventures and monsters in each section, but tied together by the friendship of Trace and Boz, and the continuing threats that the spirits pose for the relatively untrained Trace.

Dec 112015
 

Cover for We Are The Ants by Shaun David Hutchinson. A photo of a yellow sunrise, the sky going from teal to navy as the stars blur in a their circular rotation.VOYA: Believe it or not, Henry’s main problem is not that he gets repeatedly abducted by aliens—it is that the aliens have given him the choice to save Earth from complete destruction or not. Back on Earth things get even harder. Henry is barely holding it together at home and school. His family is broken and troubled. At school, his problems increase. Henry is constantly reminded of his boyfriend Jesse’s suicide, and he avoids his and Jesse’s mutual friend. Then a group of popular guys decide to make it their mission to torture Henry. In the midst of all the pain and drama in his life, Jesse meets Diego. He begins to take a serious look at the people and situations on Earth in order to decide if Earth and humanity are worth saving.
We Are the Ants is a very complex story about serious subjects; however, the writing is not preachy or condescending. The voices of each character are strong and unique. As the characters in the story interact with one another, their language and actions match the situations in which they find themselves. The bullying scenes in the book are intense, violent, and often graphic. Therefore, because Henry experiences so many bad situations, the language that he uses is very explicit. The relationships between Henry and Jesse and Henry and Diego are handled delicately, but the relationship between Henry and Marcus is more shocking. This title is recommend for mature readers.

Dec 022015
 

Cover for Holly Messinger's The Curse of Jacob Tracy. The title on paper like an Old West wanted poster. Above, bats flying in front of a full moon. Below, the silhouettes of two cowboys surrounded by ghostly figures.Booklist: Messinger successfully sets Catholic theology and the occult against an authentic Old West backdrop to create a richly detailed, suspenseful debut. Jacob “Trace” Tracy nearly died in the Civil War, but with his recovery came the ability to see and talk to the dead, a most unwelcome curse as far as he is concerned. The cowboy life suits him, since the dead are more bountiful in large cities, and he and his capable partner, Boz, make a living doing ranch work and guiding homesteaders out West. When Trace takes on a seemingly simple job to retrieve an item from nearby Missouri, he is unaware that his employer, an eccentric Englishwoman named Sabine Fairweather, knows about Trace’s psychic abilities and has more than a passing interest in him. As the novel unfolds, Trace battles demonic beasts, spirits, and sundry other creatures, all the while trying to understand and control his own burgeoning powers. The indefatigable Boz is the perfect sidekick: at once supportive, chastising, and supremely protective (Trace and Boz squabble like an old married couple). Fans of horror and the Weird West will want more of Jacob Tracy, and while Messinger wraps up the ending nicely, there are plenty of dark forces lurking in the shadows suggesting that sequels could be in the offing

Dec 012015
 

Cover for Holly Messinger's The Curse of Jacob Tracy. The title on paper like an Old West wanted poster. Above, bats flying in front of a full moon. Below, the silhouettes of two cowboys surrounded by ghostly figures.St. Louis in 1880 is full of ghosts, and Jacob Tracy can see them all. Ever since he nearly died on the battlefield at Antietam, Trace has been haunted by the country’s restless dead. The curse cost him his family, his calling to the church, and damn near his sanity. He stays out of ghost-populated areas as much as possible these days, guiding wagon trains West from St. Louis, with his pragmatic and skeptical partner, Boz.

During the spring work lull, Trace gets an unusual job offer. Miss Fairweather, a wealthy English bluestocking, needs someone to retrieve a dead friend’s legacy from a nearby town, and she specifically wants Trace to do it. However, the errand proves to be far more sinister than advertised. When confronted, Miss Fairweather admits to knowing about Trace’s curse, and suggests she might help him learn to control it—in exchange for a few more odd jobs. Trace has no interest in being her pet psychic, but he’s been looking twenty years for a way to control his power, and Miss Fairweather’s knowledge of the spirit world is too valuable to ignore. As she steers him into one macabre situation after another, his powers flourish, and Trace begins to realize some good might be done with this curse of his. But Miss Fairweather is harboring some dark secrets of her own, and her meddling has brought Trace to the attention of something much older and more dangerous than any ghost in this electrifying and inventive debut.

Dec 012015
 

Cover for Shadow's End by Thea Harrison.For Beluviel, consort to the Elven High Lord, and Graydon, gryphon and First Sentinel of the Wyr, even the slightest desire for each other is forbidden. But two hundred years ago, after a desperate play to save Beluviel’s stepson left them indebted to the cruel Djinn Malphas, they found their fates inexorably linked together—and the hunger between them growing too strong to ignore…

Two centuries later, with their debt to Malphas coming due, Beluviel and Graydon realize that, if they are to stand any chance of saving their souls, they must once again work together—this time more closely than ever before. But every moment they spend with each other brings them nearer to losing something even more vital—their hearts…

Nov 122015
 

Cover for Thea Harrison's Shadow's End.RT Book Reviews: Remarkable Harrison pulls out all the stops for this amazing new novel. This is a fantastic tale of friendship, love, loyalty and sacrifice that you won’t soon forget. Make sure you have a Kleenex nearby, for sometimes tragedy and loss are unavoidable. Without question, Harrison should be an auto-buy!

Nov 102015
 

Cover for We Are The Ants by Shaun David Hutchinson. A photo of a yellow sunrise, the sky going from teal to navy as the stars blur in a their circular rotation.School Library Journal:  Henry’s life is complicated. His previous boyfriend committed suicide without warning or explanation. His jerk brother’s girlfriend is pregnant. His nana has Alzheimer’s. And his new boyfriend refuses to acknowledge their relationship, instead humiliating and attacking him publicly. Henry is also haunted by questions about why his father left and if Henry himself is culpable. This is all further complicated by the fact that he is regularly abducted by aliens who drop him off naked in various locations throughout the city. The aliens offer Henry the opportunity to save the world from obliteration by simply pressing a red button. The catch? Henry isn’t so sure it’s worth saving. Hutchinson’s voice rings true. This work effectively combines the best of elements of Nick Burd’s The Vast Fields of Ordinary (Dial, 2009) with hints of Kurt Vonnegut’s Slaughterhouse Five. VERDICT Angst-loving teens will devour this lengthy tome, yearning to see if Henry can consummate a new romance. Highly recommended.

Oct 312015
 

a pair of black ear budsBased on the New York Times Bestselling Dresden Files series by Jim Butcher, a cooperative card game from the minds behind the Dresden Files Roleplaying system, to Evil Hat Productions LLC by Jennifer Jackson.

Audio rights to Ada Palmer’s forthcoming TOO LIKE THE LIGHTNING, Book 1 of the Terra Ignota series, to Brian Sweany at Recorded Books, in a four-book deal, for simultaneous publication with the hardcover in May, by Katie Shea Boutillier on behalf of Amy Boggs.

Audio rights to World Fantasy Award nominee Yoon Ha Lee’s debut novel NINEFOX GAMBIT plus two sequels, to Brian Sweany at Recorded Books, by Michael Curry, on behalf of Jennifer Jackson.