Publishers Weekly: Inspired by Christina Rossetti’s “Goblin Market,” this delightful fantasy from Hackwith (Toto) plunges readers into a memorable and wonderfully off-kilter magical world. A decade after goblin changeling Toast was retrieved from the mortal world, where she spent her childhood believing herself to be human, she’s reluctantly made a life in the Goblin Market, helping human visitors find the right merchant or perfect deal. Everything’s for sale in the Goblin Market, which is ruled by “the cosmic concept of fair trade.” Then Sam, the human Toast was raised alongside, shows up seeking her long-lost sister and setting off a series of calamitous events, starting with the Market’s guardian, an ancient bear spirit, reincarnating as a cub. With the Market’s magic failing and an ambitious fey prince plotting a ruthless political move, it’s up to Toast, Sam, and a ragtag band of allies—including flirtatious fey knight Valora d’Vespertine—to restore the balance of power. As Toast and her companions face the Market’s many perils, she’s forced to reexamine her approach to family, relationships, and the idea of fair trade. Toast’s emotional journey serves as the heart of this sweet yet nerve-jangling tale of belonging and companionship. With a feral undertone, a swoony queer romance, and a captivating lead, this is sure to charm.
Saeldian has sworn never to fall in love. That oath isn’t just a personal promise, but rather a magical pact, granting them powerful abilities. The only catch? They must never give their heart away—a deal that Saeldian is perfectly content with. They’ve seen firsthand how messy love can get.
Saeldian prefers their no-strings-attached life as a con artist, pulling off heists and leaving a trail of broken hearts behind them. But when a grift goes horribly wrong, they catch the eye of a mysterious patron with a job offer they can’t refuse.
The mission? Steal a gem called “The Kiss of Enduring Love” and return it to the Feywild. Simple enough, until Saeldian discovers their ex-partner, Kell—a charming bard—is part of the team.
The last time Saeldian saw Kell, things hardly ended on good terms. A kiss became a betrayal, leaving Kell hurt and confused for almost a decade. But Kell can’t just walk away—not when this job might finally be his ticket back to the Feywild.
Forced to work together again, their adventure takes them from high-society parties to Feywild couple’s therapy. But as Saeldian and Kell rekindle their chemistry, they realize the gem is much more than a fey bauble, and their simple heist has summoned powerful enemies. . . .
It’s an incredible honor to see so many DMLA authors on the Locus 2025 Recommended Reading List! Congratulations all around!
SCIENCE FICTION NOVELS
- The Folded Sky, Elizabeth Bear (Saga; Gollancz)
FANTASY NOVELS
- The Tomb of Dragons, Katherine Addison (Tor; Solaris UK)
- Angel Maker, Elizabeth Bear (Sobbing Squonk)
- A Drop of Corruption, Robert Jackson Bennett (Del Rey; Hodderscape)
- Queen Demon, Martha Wells (Tor)
HORROR NOVELS
- The Library at Hellebore, Cassandra Khaw (Nightfire; Titan UK)
FIRST NOVELS
- A Song of Legends Lost, M.H. Ayinde (Orbit UK; Saga)
COLLECTIONS
- Uncertain Sons and Other Stories, Thomas Ha (Undertow)
- One Message Remains, Premee Mohamed (Psychopomp)
NOVELLAS
- The Orb of Cairado, Katherine Addison (Subterranean)
- The Oblivion Bride, Caitlin Starling (Neon Hemlock)
NOVELETTES
- “The Witch and the Wyrm“, Elizabeth Bear (Reactor 2/26/25)
- “Uncertain Sons“, Thomas Ha (Uncertain Sons)
- “The City of Tears“, Molly Tanzer (Beneath Ceaseless Skies 4/3/25)
SHORT STORIES
- “In My Country“, Thomas Ha (Clarkesworld 4/25)
Arabic rights to New York Times bestselling author Jim Butcher’s FURIES OF CALDERON, the first book in the Codex Alera series, to Aser Al-Kotob, by Ruqaya Tareq at Bears Factor in association with Michael Curry for Jennifer Jackson.
Arabic rights to Robert McCammon’s STINGER, to Aser Al-Kotob by Ruqaya Tareq at Bears Factor Literary Agency, on behalf of Katie Shea Boutillier for Cameron McClure.
Arabic rights to Brent Weeks’ THE BLACK PRISM, to Aser Al-Kotob by Ruqaya Tareq at Bears Factor Literary Agency, on behalf of Katie Shea Boutillier for Cameron McClure.
Czech rights to Kel Kade’s DRAGONS AND DEMONS and KNIGHT OF SHADOWS, to Fantom Print, in a two-book deal, by Nada Popovic at Prava I Prevodi, on behalf of Katie Shea Boutillier for Cameron McClure.
Hebrew rights to New York Times bestselling author Anne Bishop’s LAKE SILENCE and WILD COUNTRY, both set in the world of the Others series, to Alma Books, by Beverley Levit at The Israeli Association Of Book Publishers Ltd in association with Michael Curry for Jennifer Jackson.
Hungarian rights to New York Times bestselling author Martha Wells’ FUGITIVE TELEMETRY and SYSTEM COLLAPSE, the sixth and seventh books in The Murderbot Diaries, to Fumax, by Nada Popovic at Prava i prevodi in association with Michael Curry for Jennifer Jackson.
Italian rights to Caitlin Starling’s THE STARVING SAINTS, to La Bottega dell’Invisibile by Stefania Fietta at Donzelli Fietta, on behalf of Katie Shea Boutillier for Caitlin McDonald.
Italian rights to Melissa K. Roehrich’s TEMPEST OF WRATH AND VENGEANCE and DAWN OF CHAOS AND FURY, to Sperling & Kupfer, in a two-book deal, by Stefania Fietta at Donzelli Fietta, on behalf of Katie Shea Boutillier.
Spanish rights to Melissa K Roehrich’s Legacy series, to Atico de los Libros, in a three-book deal, by Elena Rodriguez at International Editors & Yanez, on behalf of Katie Shea Boutillier.
UK and Commonwealth rights for JM Kearl’s vampire romance, THE ASSASSIN’S WAY, in a three-book deal, acquired by Rachel Winterbottom at Wayward TxF, excluding Canada, and exclusive Europe rights, from Katie Shea Boutillier.
Arabic rights to New York Times bestselling author Jim Butcher’s FURIES OF CALDERON, the first book in the Codex Alera series, to Aser Al-Kotob, by Ruqaya Tareq at Bears Factor in association with Michael Curry for Jennifer Jackson.
Czech rights to Kel Kade’s DRAGONS AND DEMONS and KNIGHT OF SHADOWS, to Fantom Print, in a two-book deal, by Nada Popovic at Prava I Prevodi, on behalf of Katie Shea Boutillier at Donald Maass Literary Agency, for Cameron McClure.
Hungarian rights to New York Times bestselling author Martha Wells’ FUGITIVE TELEMETRY and SYSTEM COLLAPSE, the sixth and seventh books in The Murderbot Diaries, to Fumax, by Nada Popovic at Prava i prevodi in association with Michael Curry for Jennifer Jackson.
Italian rights to Caitlin Starling’s THE STARVING SAINTS, to La Bottega dell’Invisibile, by Stefania Fietta at Donzelli Fietta, on behalf of Katie Shea Boutillier at Donald Maass Literary Agency, for Caitlin McDonald.
Italian rights to Melissa K. Roehrich’s TEMPEST OF WRATH AND VENGEANCE and DAWN OF CHAOS AND FURY, to Sperling & Kupfer, in a two-book deal, by Stefania Fietta at Donzelli Fietta, on behalf of Katie Shea Boutillier at Donald Maass Literary Agency.
Congratulations to all the DMLA authors selected to be on Library Journal’s Stellar Selections Best Books of 2025!
SUSPENSE
Thompson, Aggie Blum. You Deserve To Know. Forge. Mar. 2025.
HORROR
Starling, Caitlin. The Graceview Patient. St. Martin’s. Oct. 2025.
Starling, Caitlin. The Starving Saints. Harper Voyager. May 2025.
SCIENCE FICTION
Bear, Elizabeth. The Folded Sky. (White Space, bk. 3). Saga. Jun. 2025.
FANTASY
Addison, Katherine. The Tomb of Dragons. (Chronicles of Osreth, bk. 3). Tor. Mar. 2025.
Bennett, Robert Jackson. A Drop of Corruption: An Ana and Din Mystery. (Shadow of the Leviathan, bk. 2). Del Rey. Apr. 2025.
Bishop, Anne. Turns of Fate. (Isle of Wyrd, bk. 1). Ace. Nov. 2025.
Margaret’s rare autoimmune condition has destroyed her life, leaving her isolated and in pain. It has no cure, but she’s making do as best she can―until she’s offered a fully paid-for spot in an experimental medical trial at Graceview Memorial.
The conditions are simple, if grueling: she will live at the hospital as a full-time patient, subjecting herself to the near-total destruction of her immune system and its subsequent regeneration. The trial will essentially kill most of, but not all of her. But as the treatment progresses and her body begins to fail, she stumbles upon something sinister living and spreading within the hospital.
Unsure of what’s real and what is just medication-induced delusion, Margaret struggles to find a way out as her body and mind succumb further to the darkness lurking throughout Graceview’s halls.
Library Journal: Margaret Culpepper has a rare, incurable autoimmune disorder that has isolated her from her friends and family and is close to costing her her job. When she is offered a paid spot in an experimental medical trial at Graceview Memorial, Margaret jumps at the chance for a better life. She’ll stay in the hospital for several months while her immune system is almost completely destroyed and then rebuilt. Once the treatment begins, though, Margaret begins to suspect that she isn’t there for a cure. Instead, she seems to be a test subject for something far more sinister. Graceview’s patients either emerge as entirely new people or die trying. Struggling to determine what is real, Margaret fights to find a way out before it’s too late. The unreliable narrator, questionable medical practices, and eerie atmosphere combine for an intricate, well-written story.
VERDICT: Starling’s (The Starving Saints) newest novel is the kind of genre-bending tour de force that fans have come to expect from her. Equal parts medical drama, psychological thriller, and gothic horror, the book pulls readers in and refuses to let them go.
Bookpage: The grimdark wave of fantasy fiction went mainstream when Game of Thrones hit big on HBO, and now even casual readers of the subgenre can get bogged down in its conventions. Yes, morally gray characters, graphic violence and the cruelty of medieval Europe-style worlds are all rich storytelling veins, but they only get you so far, which means when an author comes along and seeks to reshape that darkness into something unique, it’s worth paying attention.
With her latest novel, The Starving Saints, Caitlin Starling does not seek to subvert the conventions of grimdark fantasy, nor does she aim to overturn or look past them. What the novel delivers is something more transformative, a melding of fantasy and horror so smooth that it defies both easy categorization and easy dismissal as another traveler of a well-worn path. Like the characters at its core, it’s a hard novel to pin down.
Set in a castle now in its sixth month under siege, The Starving Saints follows three desperate women all trying to save themselves. Phosyne, a former nun turned sorceress, labors in her tower laboratory to magically create food for the starving populace. Ser Voyne, a war hero and the king’s closest guardian, is tasked with protecting the castle while also making sure Phosyne isn’t just wasting everyone’s time. And in the bowels of the keep, serving girl-turned-ratcatcher Treila is biding her time until she can escape, even as she plots revenge against Voyne for a long-ago atrocity.
All three of their already challenging lives are upset by the sudden and mysterious arrival of the Constant Lady, the deity worshiped by the people of the castle, and her three attendant Saints. Beautifully dressed, hypnotic and incomprehensible, these Saints supply the castle with a sudden influx of much-needed food, but at a tremendous cost, sending all three protagonists into a spiral of shifting loyalties, desires and desperation.
Starling quickly and vividly lays the foundation of a classic fantasy setting, her prose rich with descriptions that’ll make you feel grit under your fingernails and sense magic around the darkest, dampest corners of the castle, but what makes The Starving Saints so remarkable is what Starling does next. There’s a sense that “weird fiction” is invading the fantasy setting, unnameable and unknowable things slithering (often literally) through the stone and wood of the keep. Through prose that’s as rich in mystery and desperation as the lives of her characters, Starling weaves in elements that keep the reader constantly off balance, yet she never leaves us feeling lost. There’s always the sense of something darker and more uncanny looming over the castle, closing in as its entire state of being shifts. This is a novel that doesn’t just creep into your mind, it chills you to your core and dares you to keep reading.
The Starving Saints is that rare book that gives fantasy and horror readers what they want in equal measure—a remarkable, strange, unsettling ride that will bewitch you on every page.
Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration.
Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin. The war hero Ser Voyne gives her allegiance to the Constant Lady. Phosyne, a disorganized, paranoid nun-turned-sorceress, races to unravel the mystery of these new visitors and exonerate her experiments as their source. And in the bowels of the castle, a serving girl, Treila, is torn between her thirst for a secret vengeance against Voyne and the desperate need to escape from the horrors that are unfolding within Aymar’s walls.
As the castle descends into bacchanalian madness—forgetting the massed army beyond its walls in favor of hedonistic ecstasy—these three women are the only ones to still see their situation for what it is. But they are not immune from the temptations of the castle’s new masters… or each other; and their shifting alliances and entangled pasts bring violence to the surface. To save the castle, and themselves, will take a reimagining of who they are, and a reorganization of the very world itself.