May 042021
 

Martha Wells, author of the bestselling and beloved Murderbot Diaries, which has won the Hugo, Nebula, Locus, and Alex Awards, sold world English rights for six books to Tordotcom’s Lee Harris.The new deal covers three more books in that series, as well as three unrelated novels.The six-figure acquisition, which the imprint said is its largest to date, was brokered by Jennifer Jackson. The first new (non-Murderbot) book, WITCH KING, will be published in Fall 2022, with the rest following yearly.

Apr 302021
 

Chinese rights to Robert McCammon’s THE LISTENER, to Yilin Press, in a nice deal, by Gray Tan at The Grayhawk Agency, on behalf of Katie Shea Boutillier for Cameron McClure.

Czech rights to Skye Warren’s THE PAWN, THE KNIGHT and THE CASTLE, to Dobrovsky, in a three-book deal, by Milena Kaplarevic at Prava I Prevodi, on behalf of Katie Shea Boutillier.

Danish rights to New York Times bestselling author Jim Butcher’s STORM FRONT, FOOL MOON, and GRAVE PERIL, the first three books in the Dresden Files series, to Superlux, by Elin Rydner at Lennart Sane Agency AB in association with Michael Curry for Jennifer Jackson.

Hungarian rights to New York Times bestselling author Jim Butcher’s WHITE NIGHT and SMALL FAVOR, books 9 and 10 in the Dresden Files series, to Delta Vision, by Milena Kaplarević at Prava i prevodi in association with Michael Curry for Jennifer Jackson.

Apr 272021
 

The New York Times bestselling security droid with a heart (though it wouldn’t admit it!) is back in Fugitive Telemetry!

Having captured the hearts of readers across the globe (Annalee Newitz says it’s “one of the most humane portraits of a nonhuman I’ve ever read”) Murderbot has also established Martha Wells as one of the great SF writers of today.

No, I didn’t kill the dead human. If I had, I wouldn’t dump the body in the station mall.

When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people―who knew?)

Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans!

Again!

A new standalone adventure in the New York Times-bestselling, Hugo and Nebula Award winning series!

Apr 162021
 

Congratulations to all our DMLA authors who have been chosen as 2021 Hugo Award finalists!

Best Novel

Harrow the Ninth, Tamsyn Muir (Tor.com)

Network Effect, Martha Wells (Tor.com)

Best Series

The Murderbot Diaries, Martha Wells (Tor.com)

Best Editor, Short Form

S.B. Divya

Best Semiprozine

S.B. Divya, as co-editor for Escape Pod

Elsa Sjunneson, as non-fiction editor for Uncanny Magazine

Best Fan Writer

Elsa Sjunneson

Lodestar Award for Best Young Adult Book

Elatsoe, Darcie Little Badger (Levine Querido)

Astounding Award for Best New Writer

Micaiah Johnson (1st year of eligibility)

Apr 092021
 

Library Journal: Preservation Station was supposed to be a low threat-assessment, but the SecUnit named Murderbot finds itself standing in front of a dead body, facing a mysterious murder. Mensah asks Murderbot to help investigate the death and find out if GrayCris was involved, even though both sides have little trust for each other. Murderbot attempts to work with Senior Officer Indah and her agents, but identifying the dead is the least of their problems. Deceptions and more deaths lead them to smuggling secrets that could expose Preservation to more problems, so of course Murderbot will have to help the humans deal with it. Except this murderer may be as smart as Murderbot, or—Murderbot would never admit—even smarter. Wells’s (Network Effect) flair for balancing Murderbot’s at-length internal monologues with its external voice and decisive actions creates a main character who is addictive. VERDICT Back in novella form for a sixth outing, Murderbot continues to bring intelligence and acerbic commentary on humanity to the forefront.

Apr 052021
 

Booklist: In Drayden’s Escaping Exodus series, humans carve out lives in the bodies of space creatures called the Zenzee, capturing a new home whenever an old one wears out. In the first volume ( Escaping Exodus, 2019), the matriarchal, polyamorous society realized their Zenzee had consciousness, and committed to respecting and restoring their world as much as possible, living with minimum negative impact. This second volume starts with now-ruler Doka and his wife, Seske, fighting for this new reality, which has made many unhappy, leading to political stagnation. Meanwhile, they are uncovering new secrets and issues that introduce even more turbulence. Drayden’s novel trades off humor with dark reality, connecting this sf world to our own questions of cooperation, gender inequality, and, most of all, our relationship to our planet. While some major plot points or character developments can feel rushed, Escaping Exodus: Symbiosis is, at its core, rooted in a fascinating world that presents intriguing questions to its readers, as well as driven, complex, and often queer characters.

Apr 022021
 

Sharon Lee and Steve Miller sold CONSTELLATION FIVE, a new volume collecting recent short stories set in their nationally best-selling Liaden Universe® series, to Toni Weisskopf at Baen Books via Jennifer Jackson.

Mar 312021
 

a pair of black ear budsAudio rights to New York Times bestselling author Martha Wells’s three new untitled Murderbot Diaries books, to Brian Sweany at Recorded Books, in an exclusive submission, by Michael Curry for Jennifer Jackson.

Mar 312021
 

Chinese rights to James Scott Bell’s SUPER STRUCTURE, to China Renmin University Press in a renewal, by Yijhen Lee at The Grayhawk Agency, on behalf of Katie Shea Boutillier for Donald Maass.

Czech rights to Emily Wibberley and Austin Siegemund-Broka’s WHAT’S NOT TO LOVE, to Albatros Media by Milena Kaplarevic at Prava I Prevodi, on behalf of Katie Shea Boutillier.

Danish rights to Nnedi Okorafor’s AKATA WITCH, to Delphiki, by Philip Sane at The Lennart Sane Agency on behalf of Katie Shea Boutillier for Donald Maass.

Danish rights to Emily Wibberley and Austin Siegemund-Broka’s TIME OF OUR LIVES, to Palatium, by Philip Sane and Elin Rydner at Lennart Sane Agency, on behalf of Katie Shea Boutillier.

Japanese rights to New York Times bestselling author Tamsyn Muir’s GIDEON THE NINTH, the first book in the Locked Tomb trilogy, to Hayakawa, by Kohei Hattori at the English Agency (Japan) Ltd. in association with Michael Curry for Jennifer Jackson.

Polish rights to Robert McCamon’s BOY’S LIFE, SWAN SONG, USHER’S PASSING and THE LISTENER, to Vesper, in a four-book deal, by Milena Kaplarevic at Prava i Prevodi on behalf of Katie Shea Boutillier for Cameron McClure.

Turkish rights to New York Times bestselling author Tamsyn Muir’s HARROW THE NINTH, the second book in the Locked Tomb trilogy, and also PRINCESS FLORALINDA AND THE FORTY-FLIGHT TOWER, to Ithaki, by Merve Öngen at ONK Agency in association with Michael Curry for Jennifer Jackson.

Turkish rights to Brent Weeks’s THE BURNING WHITE, to Ithaki, by Merve Ongen at ONK Agency, on behalf of Katie Shea Boutillier for Donald Maass.

Mar 302021
 

Caught between who she is…and who she was.

Lauren Nolt hasn’t forgiven the Amish community of Lancaster County for shunning her parents. But returning as a successful Englischer working for large developers is just what she needs to get a promotion and give her parents the life they deserve. Coming face-to-face with her childhood bully, Amish widower Adam Hershberger, is the last thing she wants. Yet when her world’s shaken by a shocking discovery, Adam’s the only one she can confide in…

Adam’s never forgiven himself for the part he played in Lauren’s past, nor what drove him to do it. But as developers threaten his great-grossdawdi’s farm, she’s the only one who can help. And with his little girl determined to bring him and Lauren together at every turn, keeping his distance is impossible. Now they must learn to trust each other—even as their secret feelings grow stronger. But is love enough to bridge the gap between their very different worlds?