In the midst of this misery, some folks explored unscrupulous ways to make money. Angel-faced John Partlow and carnival huckster Ginger LaFrance are among the worst of this lot. Joining together they leave their small time confidence scams behind to attempt an elaborate kidnapping-for-ransom scheme in New Orleans.
In a different part of town, Curtis Mayhew, a young black man who works as a redcap for the Union Railroad Station, has a reputation for mending quarrels and misunderstandings among his friends. What those friends don’t know is that Curtis has a special talent for listening… and he can sometimes hear things that aren’t spoken aloud.
One day, Curtis Mayhew’s special talent allows him to overhear a child’s cry for help (THIS MAN IN THE CAR HE’S GOT A GUN), which draws him into the dangerous world of Partlow and LaFrance.
This gritty depression-era crime thriller is a complex tale enriched by powerfully observed social commentary and hints of the supernatural, and it represents Robert McCammon writing at the very top of his game.