Dec 312024
 

Chinese (complex) rights to Nebula Award winner Vajra Chandrasekera’s THE SAINT OF BRIGHT DOORS, to Faces, by Gray Tan at Grayhawk Agency in association with Michael Curry.

German rights to New York Times bestselling author Anne Bishop’s DAUGHTER OF THE BLOOD, HEIR TO THE SHADOWS, and QUEEN OF THE DARKNESS, the first three books in The Black Jewels series, to Heyne, by Sarah Knofius at the Thomas Schlueck Agency in association with Michael Curry for Jennifer Jackson.

Hungarian rights to Robert Jackson Bennett’s SHOREFALL, to Fumax, by Prava I Prevodi, on behalf of Katie Shea Boutillier for Cameron McClure.

Hungarian rights to Melissa K. Roehrich’s RAIN OF SHADOWS AND ENDINGS and STORM OF SECRETS AND SORROWS, books one and two of The Legacy series, to Maxim, in a two-book deal, by Milena Kaplarevic at Prava I Prevodi, on behalf of Katie Shea Boutillier.

Italian rights to Peter Watts’s BLINDSIGHT, to Mondadori, by Stefania Fietta at Donzelli Fietta, by Katie Shea Boutillier for Donald Maass.

Spanish rights to Ronald Malfi’s MR. CABLES, to Dimensiones Ocultas, by Amaiur Fernandez at International Editors & Yanez, on behalf of Katie Shea Boutillier for Cameron McClure.

Dec 182024
 

Excited to see so many DMLA titles on the New York Times Best Science Fiction and Fantasy for 2024! Check out these spotlights!

Rakesfall
By Vajra Chandrasekera
Chandrasekera’s second novel shifts wildly in structure and narration to dazzling result. Souls recur in various combinations and circumstances, organized around how to endure fascism and kill kings. A TV show that is perhaps reality gives way to a play about beings who reincarnate over thousands of years, which gives way to a murder mystery involving a cybernetically enhanced near-immortal who wakes from an ancient sleep. Ambitious and kaleidoscopic.

Exordia
By Seth Dickinson
Dickinson’s science-fiction debut is a first-contact story about a Kurdish war orphan and the warmongering six-headed snake alien she meets in Central Park. Scrutinizing ethics, theoretical physics and the military-industrial complex, “Exordia” is so brilliant that I’m including it in this list despite its decidedly non-stand-alone ending, for which I feel the publisher owes me either an apology or the next two volumes in quick succession.

Those Beyond the Wall
By Micaiah Johnson
This is a stand-alone sequel to “The Space Between Worlds,” Johnson’s postapocalyptic debut. Here, travel through the multiverse is possible but comes with the risk of being crushed to death by a cosmic “backlash.” But someone has figured out how to shift that risk from the traveler to others, and innocent people are being killed. Stopping this will require old nemeses and unlikely friends to unite against a common enemy.

The Tainted Cup
By Robert Jackson Bennett
Bennett’s perfectly executed fantasy mystery novel introduces two dynamic detectives in a strange world, as if Nero Wolfe were solving mysteries in Area X. Dinios Kol is an “engraver,” able to remember crime scenes in perfect detail; his employer, Ana Dolabra, is an ostracized investigator whose sensory sensitivity often requires her to wear a blindfold. When a wealthy man is spectacularly murdered, Ana and Din are called in to solve the crime.

Dec 162024
 

We are so thrilled to see so many DMLA titles on NPR’s Best Books of 2024! Huge shoutout and many congratulations to Vajra Chandrasekera (RAKESFALL), Micaiah Johnson (THOSE BEYOND THE WALL), Robert Jackson Bennett (THE TAINTED CUP), Premee Mohamed (THE BUTCHER OF THE FOREST), Nalo Hopkinson (BLACKHEART MAN), Darcie Little Badger (SHEINE LENDE), and august clarke (METAL FROM HEAVEN)!

Cover images for 7 books: Rakesfall by Vajra Chandrasekera, THose Beyond the Wall by Micaiah Johnson, The Tainted Cup by Robert Jackson Bebbett, The Butcher of the Forest by Premee Mohamed, Blackheart Man by Nalo Hopkinson, Sheine Lende by Darcie Little Badger, Metal from Heaven by August Clark

Dec 032024
 

It is August of 1704, and Matthew Corbett and his companions have narrowly escaped the island of Golgotha and are recuperating in the town of Alghero on the northwestern coast of Sardinia, currently under Spanish rule. Hudson Greathouse is at his limits, both mentally and physically, after their harrowing ordeal.

Their respite is short-lived when the Spanish authorities learn of their abandoned quest for Brazio Valeriani and the mirror created by his father, Ciro. This mirror is rumored to have the power to summon demons from the underworld, and the Spanish authorities are eager to possess it. Consequently, a professional witch-hunter and soldiers are assigned to accompany Matthew, Hudson, Professor Fell, and Cardinal Black as they resume their quest.

Nov 302024
 

Arabic rights to World Fantasy Award winner Premee Mohamed’s THE BUTCHER OF THE FOREST, to Dawen Publishing House, by Gana Galal at Bears Factor Literary Agency, in association with Michael Curry.

French rights to Tashan Mehta’s MAD SISTERS OF ESI, to L’Atalante, by Sarah Dray at Anna Jarota Agency on behalf of Katie Shea Boutillier for Cameron McClure.

French rights to Miranda Lyn’s THE UNMARKED TRILOGY, to City Editions in a three-book deal, by Sarah Dray at Anna Jarota Agency, on behalf of Katie Shea Boutillier.

Greek rights to New York Times bestselling author Tamsyn Muir’s GIDEON THE NINTH, the first book in the Locked Tomb trilogy, to Philip Psihalos and Co Publishing, by Sanja Stefanjesko at Prava i prevodi in association with Michael Curry for Jennifer Jackson.

Russian omnibus rights to Martha Wells’ ALL SYSTEMS RED, ARTIFICIAL CONDITION, ROGUE PROTOCOL, and EXIT STRATEGY, the first four installments in the New York Times bestselling Murderbot Diaries series, to Eksmo, by Igor Korzhenevski at Alexander Korzhenevski Agency in association with Michael Curry for Jennifer Jackson.

Nov 052024
 

It begins with cicadas. It will end with the swarm.

When a bizarre murder case lands on the desk of Detective Vicky Paterson, it’s just the start of her nightmare. On the same day, her young daughter, Sadie, is swarmed by cicadas emerging off-cycle from their seventeen-year pattern. Sadie barely survives, and her condition is critical.

Across town, Will and Alicia, two dysfunctional private investigators, are on the trail of a missing girl and the shadowy cult involved in her disappearance. But after the first wave of insects hit, they are forced to barricade themselves in a motel where they must work together with a group of strangers to outlast the invasion.

Soon the infestation is impossible to contain. Humanity rests on the knife’s edge of extinction. And there is a terrible purpose behind the emergence – one that Vicky, Will, Alicia, and a small group of unlikely allies must unravel if they are to survive.

Nov 052024
 

Stepping off a long-haul star freighter from Earth, Saras Kaveri has one bag of clothes, her little flying robot Kili… and an invitation to compete in the galaxy’s most watched, most prestigious cooking show. Interstellar MegaChef is the showcase of the planet Primus’s austere, carefully synthesised cuisine. Until now, no-one from Earth—where they’re so incredibly primitive they still cook with fire—has ever graced its flowmetal cookstations before, or smiled awkwardly for its buzzing drone-cams.

Corporate prodigy Serenity Ko, inventor of the smash-hit sim SoundSpace, has just got messily drunk at a floating bar, narrowly escaped an angry mob and been put on two weeks’ mandatory leave to rest and get her work-life balance back. Perfect time to start a new project! And she’s got just the idea: a sim for food. Now she just needs someone to teach her how to cook.

A chance meeting in the back of a flying cab has Saras and Serenity Ko working together on a new technology that could change the future of food—and both their lives—forever…

Oct 312024
 

a pair of black ear budsAudio rights to J Sydney Jones’ THE CRY OF THE CICADAS and BIGOT LIST, to Kim Budnick at Tantor Media, in an exclusive submission, by Katie Shea Boutillier for Anne Tibbets (World English).

Audio rights to Molly Tanzer’s THE PLEASURE MERCHANT, RUMBULLION, and A PRETTY MOUTH, to Kim Budnick at Tantor Media, in a three-book deal, by Katie Shea Boutillier for Cameron McClure (world English).

Oct 312024
 

Chinese (complex) renewal rights to New York Times bestselling author Martha Wells’ ALL SYSTEMS RED, ARTIFICIAL CONDITION, ROGUE PROTOCOL, and EXIT STRATEGY, the first four books in The Murderbot Diaries series, to Global Group, by Lucy Su at Grayhawk Agency in association with Michael Curry for Jennifer Jackson.

Czech rights to Katherine Addison’s THE GOBLIN EMPEROR, to Dobrovsky (Czech Republic), by Milena Kaplarevic at Prava i Prevodi, on behalf of Katie Shea Boutillier for Cameron McClure.

Danish rights to Vonda N. McIntyre’s DREAMSNAKE, to A Mock Book (Denmark), by Vere Bank at Sebes & Bisseling on behalf of Katie Shea Boutillier for Jennie Goloboy.

French rights to Miranda Lyn’s TILL DEATH, to Eilean Books, in a preempt, by Sarah Dray at Anna Jarota Agency, on behalf of Katie Shea Boutillier.

French renewal rights to New York Times bestselling author Anne Bishop’s MURDER OF CROWS, the second book in the Others series, to Bragelonne, by Sarah Dray at Anna Jarota Agency in association with Michael Curry for Jennifer Jackson.

French rights to LJ Andrews’s THE EVER QUEEN and THE MIST THIEF, to City Editions, in a two-book deal, by Sarah Dray at Anna Jarota Agency, on behalf of Katie Shea Boutillier.

German rights to Margaret Doody’s ARISTOTLE DETECTIVE, to Kampa, by Bastian Schluck at Thomas Schlueck Agency on behalf of Katie Shea Boutillier for Donald Maass.

Italian rights to New York Times bestselling author Tamsyn Muir’s PRINCESS FLORALINDA AND THE FORTY-FLIGHT TOWER, to Mondadori, by Stefania Fietta at Donzelli Fietta Agency in association with Michael Curry for Jennifer Jackson.

Swedish audio rights to New York Times bestselling author Martha Wells’ ALL SYSTEMS RED, ARTIFICIAL CONDITION, ROGUE PROTOCOL, EXIT STRATEGY, NETWORK EFFECT, FUGITIVE TELEMETRY, and SYSTEM COLLAPSE, the first seven books in The Murderbot Diaries series, to Recorded Books, by Vere Bank at Sebes & Bisseling in association with Michael Curry for Jennifer Jackson.

Oct 302024
 

Wall Street Journal: A peculiarity of American fiction is that it is filled with visions of the apocalypse yet lacking in explorations into the experience of death. Writers can imagine the end as a collective catastrophe but rarely as something intimate and individual. A clever, genre-blending book by Eden Robins, “Remember You Will Die” illustrates the paradox. The novel is written as a collection of obituaries of deceased characters from the distant past to the speculative future. Its title derives from the ancient Roman custom of employing slaves to remind triumphant generals of their mortality. Yet the ultimate impression is one of continuity and perpetuation. It’s real interest is in the ingenious ways that humans try to erase death. The novel’s many obituaries—some written in the standard newspaper template, some more informally—hopscotch across time periods, projecting as far ahead as the 22nd century. Gradually the passages create a mosaic of future pandemics and climate crises, as well as of controversial new developments in artificial life and interplanetary colonization. One story outlines the adventures of an outlaw artificial intelligence called Peregrine who, through a process of “in-vitro gametogenesis,” bears a human child. The obituaries dwell on the innovators of these death-defying advances or on avant-garde artists—or both at once, such as Aristotle Williams, a sculptor who invented Peregrine’s “neo-skin.” “Art is emergent, art is a living thing,” declares the maker of huge art installations involving nature. The persistent idea in this book is that life and art are conjoined creative ventures driven by an opposition to death—and often, as in the case of the poppy flower, which flourished on World War I battlefields, growing out of death’s physical residue.  Poppies are one of many recurring motifs in this wild, exfoliating book, which jumps around so frantically and contains so many intertextual references that readers will need to take notes to have any chance of keeping up. Ms. Robins has clearly enjoyed herself designing this vast network of connections, which often resembles the art installations it commemorates, full of patterns and puzzles and messages. Its excess and energy make it less a memento mori than a reminder, spelled out in boldface, of the remarkable tenacity of life.