Jun 202016
Chicago Tribune: Palmer’s most innovative strategy isn’t futuristic technology but rather the archaic and digressive 18th-century voice in which she (or Canner) has chosen to tell the tale. The result is a richly detailed, very odd future couched in language that recalls Henry Fielding more than Robert Heinlein (though there are occasional nods to science fiction along the way).
Read the Chicago Tribune‘s full review of Too Like the Lightning here.