Oct 212026
 

Cover for the novel JUST IN TIME by Emily Wibberley and Austin Siegemund-Broka. Cover features a man and a woman facing each other, standing on opposite sides of a yellow taxi cab in Times Square.Publishers Weekly: In this enchanting, lightly speculative outing from married coauthors Wibberley and Siegemund-Broka (The Roughest Draft), two lonely New Yorkers must navigate tangled relationships with family, work, and friends before they can trust each other enough to fall in love. Gwen is a hardworking lawyer who achieves career perfection by using a unique ability she discovered as a teen: she can ask any taxi to take her back in time. This comes in handy for fixing mistakes and catching up on assignments when there is not enough time in the present. Gwen doesn’t realize how isolated her workaholic tendencies have left her until she encounters another time traveler, Ian, who shares the same taxi talent and uses it to protect those around him from harm. A valued friendship turns into a strong attraction-until their time-traveling abilities deteriorate and Gwen worries that their budding relationship is the cause. The authors masterfully balance the magical trips to the past with the everyday challenges of the present while developing a heartwarming and convincing connection between the leads. These two are made for each other. (Dec.)

 October 21, 2026  Tagged with: ,
Oct 152026
 

Cover for the novel FIND ME WHERE IT ENDS by Cassandra Khaw. Cover features a black dog on a grey background. The dog is fuzzy, almost as if it is made of ash, or smoke made solid.Library Journal: In Khaw’s latest novella, gut-wrenching emotion flows off every page, as readers are introduced to Antigone on the day her black dog of death arrives, enters her home, and makes itself comfortable. Antigone’s family members have a history of understanding when their deaths are coming. When Antigone’s mother knew, eight years ago, she decided to die by suicide. Now living in her mother’s former home and still actively navigating her grief, Antigone helps others with their own ghost problems, reminding them that hauntings aren’t only about the dead; the living must choose to let go. After a particularly difficult and angry interaction with a mother haunting her daughter, Antigone begins to plan her own suicide, counting down the days, black dog by her side. With a plot both deceptively simple and extremely deep, language that’s precise and lyrical, and a tone both dreamlike and realistic, Khaw steeps readers in a tale overshadowed by death but bursting with life.

VERDICT: Khaw writes another stunningly evocative and compelling story. Suggest this modern myth to fans of Helen Oyeyemi and readers who enjoyed the equally brilliant Our Wives Under the Sea by Julia Armfield or Coup de Grâce by Sofia Ajram.

 October 15, 2026  Tagged with: ,
Oct 142026
 

Cover for the novel THE SHADOW QUEEN by Mark Latham. The cover features a man crouched, bracing himself against the ground with the tip of a sword, and a woman standing behind him in white robes, holding a scepter atop of which perches a crow. Behind them is the dark silhouette of a castle, which itself is blocking the full moon.Booklist: After the events of the first book in the Kingdom of Oak series (The Last Vigilant, 2025), Hawley, still serving the formidable Enelda Drake, has made a somewhat awkward home for himself in a bustling city where he soon finds himself shielding Enelda from too many visitors, who are eager to see the only living True Vigilant and request her help. Against Hawley’s advice, Enelda takes on a seemingly straightforward case brought to her by a young man who is desperate to prove that his grandfather is innocent of treason. At the same time, nobles are being mysteriously murdered across the city, and when the two dangers intersect, Enelda and Hawley find much more than they bargained for. Leaving behind the lore and magic of Majestics and Riftborn for political machinations, Latham’s second book is a deep dive into the motivations of those who think they run the world and the true objectives of those who know they do. With the same vibrant world building and skillful character development of The Last Vigilant, Latham takes readers on a whole new journey, sure to reach an explosive and satisfying conclusion with the proposed third novel of the trilogy.

 October 14, 2026  Tagged with: ,
Oct 052026
 

Cover for the novel JUST IN TIME by Emily Wibberley and Austin Siegemund-Broka. Cover features a man and a woman facing each other, standing on opposite sides of a yellow taxi cab in Times Square.Library Journal: Lawyer Gwen Bailey’s nearly inhuman ability to consistently turn in perfect work in practically no time has elevated her to the status of legend at her firm. No one else in the office knows that Gwen uses time travel to get her work done and fix her mistakes. Jumping in the back of any New York City yellow cab, Gwen tells the driver where and when she wants to go, and poof, she’s there. She has never told anyone about her ability and didn’t realize anyone else could do it until she meets a man in a café who is wearing merch from a concert that hasn’t happened yet. Cardiac nurse Ian Knox realized he could time travel the day his father and brother nearly died; he has used this ability ever since to make sure that his loved ones are safe and happy. As they continue to run into each other, Gwen and Ian start to see alarming anomalies in their abilities and have to consider if an imperfect future together could be enough.

VERDICT: Wibberley and Siegemund-Broka follow up Seeing Other People with this unique take on a time travel romance that will appeal to readers who enjoy magical realism, opposites-attract romances, and stories that make one wonder “what if?”

 October 5, 2026  Tagged with: ,
Sep 252026
 

Cover for the novel CHILDREN OF OWL by Darcie Little Badger. Cover features a young person standing centered in front of a distant mountain. Above the person is the title, and above that is a person looking right at the viewer. To the right and left of this person are a massive pair of eyes, which almost look as if they're peering out from the inside of a pair of wings that this person may have.Shelf Awareness: The fourth solo novel for young readers from Newbery Honor-winning author Darcie Little Badger (A Snake Falls to Earth; Elatsoe) is a fairytale, a ghost story, and a striking narrative about trauma, community, and what we owe to the dead.

In a desert trailer park in Mockingtown, Tex., three Lipan Apache cousins battle with both personal and real ghosts. Sixteen-year-old Maisie’s grief over the death of her best friend, Mara, follows like a specter; Joel becomes the unwitting guardian of a lost animal child disguised as a kitten; and Verona is haunted by the very literal ghost that her non-native employers have unearthed by stealing from an ancient burial site.

Hovering above them all is Owl, a spirit only Maisie can see. Owl’s presence brought doom to her family’s doorstep once before, and he has arrived with vague news of more to come. Maisie, determined to avoid catastrophe, enlists her cousins to help her reverse the tides of fate, and she vows to make amends with whatever forces threaten their family.

Children of Owl is a dreamlike and sophisticated piece of genre fiction that is rooted both in Little Badger’s Lipan Apache traditions and the wider well of fantasy. Throughout, Little Badger uses a distinctly native lens to subvert horror and fantasy tropes–such as the haunted Indian burial ground and human transformation into animals and beasts–expanding on Lipan spiritual beliefs around ancestral traditions and animal people. The novel’s format fits the author’s tone, alternating between third-person narration, diary entries, and comic book pages. Artist Abigail Rajunov’s illustrations provide atmosphere, her scratchy, broken line depicting emotive figures with giant eyes. Her art shines in the colors of desert dawns and dusks, featuring golden skies bruised a cool purple and shadows taking on the dark rust of sandstone.

This YA novel contains complexly layered symbolism and figurative storytelling, but Little Badger’s prose is strikingly clear, making a somewhat obscure story feel accessible. Owl’s presence often acts as a proxy for Maisie’s post-traumatic hypervigilance, while Verona becomes a literal voice for her people when the ghost speaks and acts through her. Little Badger’s ability meticulously to meld fantastical worlds with Indigenous traditions is what gives this speculative work its satisfying weight and makes it feel entirely, magically possible.

 September 25, 2026  Tagged with: ,
Sep 242026
 

Cover of the book: HELP! I'M BEING EATEN BY A BEAR! by Neil Sharpson. Cover image features a cartoon man with a scared expression looking out from inside the mouth of a bear.Publishers Weekly: A hapless traveler, an unhelpful safety pamphlet, and one very persistent bear collide in this adroitly constructed comedy from collaborators Sharpson and Santat (Don’t Trust Fish). Upon arriving at an airport information desk in Alaska, the dark-haired, tan-skinned protagonist—sporting bright orange cargo pants and narrating in a confiding voice—receives a welcome pamphlet called WHAT TO DO IF YOU MEET A BEAR. Moments later, the visitor has a chance run-in with a huge and hungry ursine figure. When the pamphlet fails to mention that “you should never EVER run from a bear,” a chase escalates at length over mountains and rivers, up elevators and down escalators, across alligators—“he even followed me online.” Digitally finished pencil-and-watercolor art balances poker-faced characterizations and matter-of-fact narration with pure Keystone Cops slapstick, resulting in readily ratcheting mayhem. Finally—but only partially—eaten, the narrator is saved when hibernation suddenly kicks in. Months later, the human protagonist collaborates with the former pursuer on a new pamphlet-turned-picture-book, a meta-joke that doubles as the origin story for this extended raucous yarn. Ages 3–7. (Nov.)

 September 24, 2026  Tagged with: ,
Sep 162026
 

Book cover for WHAT A NIGHTMARE by Rebekah Faubion. Cover features a young woman standing in front of a background of flames. The image is rendered in a style somewhat similar to a Sunday comic like Archie.Library Journal: Haven has been shutting down all strong emotions and blending into the scenery for years. When she lets herself feel anger at her boss, he turns up dead, and she knows she caused it. News of her dying father drags her back to her hometown and the family she left behind. Only being perfect is acceptable there, and Haven breaks the rules just by existing. As her emotions get stronger while the town celebrates the harvest festival, she worries that those around her might not survive it. Faubion’s (The Sun and the Moon) deftly paced horror is a slow drip of information that urges readers forward. The tying of deadly power to strong feelings is a genius way to hold back context until the emotional stakes are high enough to warrant using it. The abuse of power, both interpersonally and institutionally, fuels the storyline, and the reactions to it are naturally messy and personal. Side characters are complicated, and morality is deeply gray. VERDICT: A brutally drawn and chilling examination of misogyny, power, abuse, and what happens when the powerless suddenly aren’t. Recommended for every horror collection.

 September 16, 2026  Tagged with: ,
Sep 142026
 

Cover for the book WRITE A NOVEL IN 100 DAYS: THE BUSY WRITER'S GUIDE TO FINISHING YOUR BOOK FAST by Kim Purcell. The cover features a typewriter with a scroll of paper emerging from the top, upon which has been typed the title of the book.Library Journal: YA novelist Purcell’s (Trafficked) first foray into nonfiction is a dependable road map for all those who want to take the ultimate leap and write a novel. She doesn’t shy away from the fact that the act of writing a novel can be tied up in so many real-life obstacles. Purcell outlines the process by breaking the steps down into a tangible timeline and manageable exercises. Purcell uses bestselling books, such as Rebecca Yarros’s Fourth Wing and Gillian Flynn’s Gone Girl, to showcase examples of planning out a novel from start to finish. Purcell’s method is extremely detailed and relatable overall, and she explores what to do if would-be authors only have 15 minutes a day to write. She calls them “Fifteen Magic Minutes” and offers some thought-provoking prompts to get the writing flowing, such as laying out every aspect of the world and characters so that at the end of each exercise there are no doubts about the characters or the story. VERDICT: A great book for writers who are at the beginning of their journey and don’t know where to start.

 September 14, 2026  Tagged with: ,
Sep 102026
 

Cover for the book COLD EMPTY ROOMS by Andy Marino. The cover features the title, with the word "Empty" appearing as if behind a thin layer of fog. The cover also shows a house made of mostly wood. It appears as if it may be small like a doll house, sitting on the floor and in front of a dull green wallpaper. Yet the house itself is in the style of a real house, not the cartoonish or cute aesthetic of a typical dollhouse. It is faded, weather-beaten wood. The interior lights shine through the windows of the house.Publishers Weekly: Impossible shadows visible even in darkness, a Friends rerun that diverges creepily from the episode that originally aired, and reflections in a mirror that lag behind reality—these are just some of the unsettling phenomena that Marino (The Swarm) lobs at lovers Mara and Soren after they move into an old house in the Catskills in this masterful work of subtle horror. The couple connected instantly during their first meeting at a bar, especially bonding over their mutual conception of a mysterious “higher power” unattached to any church. Now they intend to set up their new home as an informal commune, advertising to “Dreamers, Seekers, Charlatans, Theorists, Dropouts, Lovers, Runaways, Fiends, Misfits, and everyone in between (but please, no poets, we have to draw the line somewhere): You are cordially invited to a new evolution. Live how you want to live with room to grow wild and free in all directions.” Gradually, the house fills up with a motley group of strangers, even as Soren’s efforts to connect with the Great Other, the entity he credits with inspiring his social experiment, yield more than the desired transcendence. Marino’s prose is striking and evocative, elevating haunted house tropes and creating an undeniable sense of creeping dread. This is a stunner.

 September 10, 2026  Tagged with: ,
Sep 092026
 

Cover of the book: HELP! I'M BEING EATEN BY A BEAR! by Neil Sharpson. Cover image features a cartoon man with a scared expression looking out from inside the mouth of a bear.School Library Journal: Collaborators Sharpson and Santat take on another suspicious species in this follow-up to their 2025 picture book Don’t Trust Fish. Here, a pair of fancy traveling pants leads a man from his Ireland home to the Alaskan wilderness. Upon arrival, the man receives an important—but unfortunately unhelpful—pamphlet explaining what to do if he encounters a bear. The bear arrives, seemingly while the man is still in the airport; misunderstandings and ill-advised survival attempts ensue, ultimately changing the course of man and bear’s futures forever. This unpredictable, entertaining story is outlandish and poignant. The somewhat anthropomorphic bear and man’s misguided attempts to coexist will amuse children and adult readers alike. Their story is a delight to read aloud, but the lengthy narrative and nuanced storytelling make this a story best suited for sharing with elementary-age readers. Award-winning Santat’s iconic, energetic art style is well matched with Sharpson’s sarcastic adventure; each image provides plenty of visual details and jokes for readers to giggle over. With a resolution that is as surprising as the rest of this offbeat story, this laugh-out-loud book will leave a positive mark on readers’ minds once it concludes. VERDICT Unexpected turns and irreverent humor mark this entertaining man vs. nature story; hand this to fans of picture books with advanced storytelling and dry wit.

 September 9, 2026  Tagged with: ,