Aug 212015
 

Cover for Violent Ends edited by Shaun David Hutchinson. An empty high school hallway in stark black and white when the title in bold red letters.Publishers Weekly: Seventeen young adult writers including Steve Brezenoff, Beth Revis, Cynthia Leitich Smith, and Courtney Summers contribute to this powerful project—a single story told through multiple perspectives—to provide insight into what drove Kirby Matheson, an imagined school shooter, to kill five classmates, a teacher, and himself. The voices include those of Kirby’s girlfriend, childhood neighbor, and even the gun he used, creating an external portrait of a complex character who “did some good things and some monstrous things in life.” There are hints at Kirby’s motivation—he saves a suicidal student, kills helpless bugs, gets bullied, is preyed on by a teacher—but, as is often the case in real life, the killer never explains himself. In the aftermath, Kirby’s younger sister realizes that the shooting “doesn’t define her” or even tell Kirby’s whole story, while a school bully wonders why when Kirby “had a shot at me… he didn’t take it.” These stories humanize a troubled teenager, as well as the people who hurt him along the way, but the authors don’t let anyone off the hook, Kirby least of all.

 August 21, 2015  Tagged with: ,
Aug 202015
 

Cover for Zer0es by Chuck Wendig. A red human face spelled out in code of ones and zeroes on a black background.Wall Street Journal: Five low-level hackers are forcibly recruited by an anonymous three-letter government agency to work on a mysterious project. When these “zeroes” can’t resist using their access to hack the government itself, they uncover something downright diabolical. This taut thriller will reinforce your paranoia about big government, big data, and that big, nerdy barista who just seems to know too much.

 

 August 20, 2015  Tagged with: ,
Aug 192015
 

Cover for NEED by Joelle Charbonneau. Intense close up of an angry white girl with blue eyes and blond hair, with NEED on the side in pixels and lists of what people need faded in the background.Booklist: Best-selling Charbonneau’s newest thriller examines the dark side of social media. When 16-year-old Kayla’s friend introduces her to NEED, a new social networking site that’s giving teens exactly what they say they need in exchange for them completing a task, Kayla is quick to participate. What she needs is a new kidney for her brother, who won’t live long without one. But things quickly escalate to a fever pitch. Told in first-person chapters from Kayla’s point of view and alternating with third-person chapters focused on other teens in her community, this is a fast-paced read that teens antsy to untangle the mystery will devour. At times, the premise stretches plausibility, particularly when only Kayla seems to grow suspicious as the body count ramps up. Some teens may be turned off by the portrayal of their generation as having so little conscience, while others may find it right on the mark. Hand to teens looking for a thought-provoking, timely thriller. Charbonneau has an ample audience, and odds are good they will be eager for this one, which has all the excitement of a summer blockbuster.

 August 19, 2015  Tagged with: ,
Aug 172015
 

Cover for Violent Ends edited by Shaun David Hutchinson. An empty high school hallway in stark black and white when the title in bold red letters.Booklist: What must it be like to know, even tangentially, a shooter who kills 6 teens? This is the horrible realization of 16 young people (and a gun), all of whom have at least a vague memory of, if not a direct link to, highschool junior Kirby Matheson, the strange, quiet “good” kid who kills 6 and wounds 5 of his fellow students one morning at Middleborough High School. Some of the memories are sweet and poignant, others harsh. Many are guilt-ridden sins of commission or omission. Editor Hutchinson has gathered 16 of his fellow YA authors, from Neal Schusterman to Kendare Blake to Trish Doller, to collaborate on a set of perspectives, with each writer challenged to create a different picture of an average teen gone wrong—and the young people who knew him. They have no answers, of course, only insights that may serve as a wakeup call to readers regarding the consequences of their actions or inactions, intended or unintended, on their fellow teens during that difficult time we call adolescence.

 August 17, 2015  Tagged with: ,
Aug 142015
 

Cover for Zer0es by Chuck Wendig. A red human face spelled out in code of ones and zeroes on a black background.Each new novel has seen Wendig’s talents become more finely honed, and Zer0es is his most focused and best-written book to date.

Like Stephen King, Wendig has the ability to put you inside a character’s head with just a couple of sentences […] As Zer0es progresses, a mythological element starts to come into play, before the novel explodes into conflict on a level far beyond what you might expect from the early part. It’s all told in a slightly breathless style that gives you what you need to know and keeps you turning the pages.

Verdict: Zer0es will grab you from the first page for Chuck Wendig’s finest story so far. 9/10

 August 14, 2015  Tagged with: ,
Aug 132015
 

Cover for All the Difference by Leah Ferguson. Two engagement rings with boxes, one sitting upright in its box, the other sideways and fallen out.Ferguson offers women’s fiction a fresh new voice with her first novel, a delightful tale about the roads we choose in life. Readers will enjoy following Molly Sullivan from one New Year’s Eve to the next, the chapters (each a different month between the bookend holidays) cleverly alternating between “if she said no” and “if she said yes.” The brilliant epilogue ties it all together perfectly. This is a unique take on a familiar plot!

Read the full review of All the Difference at RT Book Reviews.

 August 13, 2015  Tagged with: ,
Aug 102015
 

Cover for Zer0es by Chuck Wendig. A red human face spelled out in code of ones and zeroes on a black background.B&N SF&F Blog: Add to the ranks of these Chuck Wendig’s new thriller Zeroes, which proves he knows exactly to how to turn sitting at a computer into an experience that’s somehow fun, action-packed, and violent all at once.

Wendig weaves together genre tropes like a madman, mixing sci-fi tech, frenetic chases, and elements of horror into a brash, apocalyptic thriller with a wide stroke of black humor, shuffling and juggling a comfortable setup—a ragtag band of five colorful hackers recruited against their will by a shadowy wing of the government to put down a menace that makes Skynet look like a kid’s toy—into something altogether original….

Read the full Barnes & Noble Sci-fi/Fantasy Blog review of Zeroes here.

 August 10, 2015  Tagged with: ,
Aug 072015
 

Cover for The Traitor Baru Cormorant by Seth Dickinson. A realistic porcelain mask of a feminine mask hits the ground, starting to shatter.Library Journal: VERDICT: This is an accomplished debut, with a heroine whose motives are murky, seemingly even to herself. The twists and turns our unreliable narrator takes as she pushes the Aurdwynn nobles to rebel reveal her goals yet also expose her loneliness. We’ve only seen a fraction of the world of the Masquerade and a glimpse of Baru’s plans, setting the stage for a compelling series.

Read the full review of The Traitor Baru Cormorant at Library Journal.

 August 7, 2015  Tagged with: ,
Aug 062015
 

Cover for Violent Ends edited by Shaun David Hutchinson. An empty high school hallway in stark black and white when the title in bold red letters.School Library Journal: A fresh and thought-provoking take on a disturbing but relevant topic. Seventeen chapters, each from a different point of view, tell the story of Kirby Matheson, a teenager who walks into school and opens fire on a pep rally before committing suicide. Narrators vary from those close to Kirby, like his sister, to more removed observers, such as his childhood next-door neighbor. While readers never enter Kirby’s mind, his environment, upbringing, family, and social interactions breathe life into his character. He is dynamic, at times sympathetic and loyal, while also angry, lashing out or isolating himself. Kirby’s various relationships emphasize his humanity and help to avoid stereotyping him as a pure villain. Each chapter becomes a window, slowly revealing what, perhaps, could have driven him to such a heinous act. Ultimately, no concrete reason is defined. Motive is left for teens to determine after exploring Kirby’s experiences with bullying, family drama, and the suggestion of a predatory teacher. Although each chapter is written by a different already established YA author, the narrative is cohesive. Using different voices opens a dialogue on a topic that is too often prevalent in young people’s lives. Kirby’s story is one of how instead of why.

 August 6, 2015  Tagged with: ,
Aug 052015
 

Cover for Chapelwood by Cherie Priest. An older Lizzie Borden stands looking out a darkened window in a dark purple gown, holding a bloody ax.RT Book Reviews: In Chapelwood, Priest manages the very difficult task of jumping decades ahead — with a cast winnowed by the events of the previous novel in the series and the passing of years — and writing an equally gripping Lovecraftian thriller where our heroes are nearing or at retirement age and are pitched fully out of their normal settings. In some ways, this book is even scarier than the first, with their monstrous opponents coming to almost total power through good old-fashioned prejudice and hate; it feels very much like Borden, Wolf and their few allies are the last decent people in town. It’s a shame this feels like it must be the end of the series because readers will want more adventures with Borden and Wolf.

 August 5, 2015  Tagged with: ,