Publishers Weekly: The prolific Lake’s death in 2014, after a long, harrowing, and very public battle with cancer, gives extra weight to these 32 epitaphs. Lake’s command of language is strong and sincere, and his stories of everyday heartaches, filled with secret fears and self-delusion, whisk readers from inner geographies of mind to limitless gulfs of space. Lake’s characters emotionally embody the doomed heroism of Nordic gods sneering at grim fates, finding bittersweet redemption in dark byways of human ignorance. Reality is shattered when an alien controls a hardened mercenary’s dreams in the darkly romantic “Last Plane to Heaven: A Love Story.” Cynical humor greets oblivion in “The Speed of Time.” In surprisingly intelligent space opera (“Permanent Fatal Errors”) and a visit to the City Imperishable (“Promises”), revelations eschew oversentimentality for moral complexity. “Such Bright and Risen Madness in Our Names” injects pathos into the Cthulhu mythos, questioning identity and raising hackles. Malevolent faeries face metaphysical annihilation in a dying young woman’s cancer cells in “Her Fingers Like Whips, Her Eyes Like Razors.” And in “The Cancer Catechism,” Lake discovers faith in the inevitability of death. As he states, “In the end, words are all that survive us”; his fans and friends may find some comfort in the hope that his words will live on forever.