Kirkus: An Afrofuturist love story, set inside a giant space-creature, about two women of different castes.
In a far distant future, humans left Earth behind generations ago in a mass exodus. The survivors now travel inside enormous beasts that trek across the vacuum of space; human societies carve out spaces inside the living leviathans that carry them. Seske, the daughter of the clan matriarch, is being groomed for her eventual position of power, but she’d much rather spend her time with Adalla, her best friend since childhood; however, Adalla’s a beastworker who toils in the space beast’s organs and arteries. The chapters alternate between the first-person perspectives of the two young women, and it quickly becomes clear that Seske and Adalla are very much in love—but a beastworker isn’t considered a suitable mate for the heir apparent. When Seske suddenly becomes the clan matriarch, her title is threatened by another claimant—her own sister. Meanwhile, Adalla, heartbroken over losing Seske, is demoted until she’s a lowly boneworker. Soon the two women each uncover shocking truths about their society and how it operates—and, more importantly, about the beast that keeps them all alive. The plot twists that follow are surprising but mostly plausible, and it culminates in a gratifying finish. Everything about the Afrofuturistic worldbuilding is exquisitely imaginative, and the characters are three-dimensional, occasionally offering flashes of dark humor. The spacefaring beast is a marvel, containing a whole ecosystem with microclimates and other organisms living within it alongside humans. Although the relationship between the two young women is perpetually hampered by circumstance, as most good love stories are, it’s palpable and vibrant. One hopes to read more about Seske and Adalla’s further adventures.
SFX Magazine: Shadows Of The Short Days offers something old and something new. Set in an alternative Iceland, it follows Smundur and Garün, former lovers turned dissidents against a repressive regime. Smundur’s experiments with magic have outraged the respectable magic institutions, but he’s determined to push ever further. Garün, meanwhile, is taking the law into her own hands. Part human, part-huldufólk (a race of extradimensional beings), she’s using magic to sow sedition in the city.
Library Journal: In her first novel, Hall surprises and perplexes with spellbinding yet simple dialogs that raise more questions than they give answers. The mysterious, dark, and often violent worlds envelop readers in a cacophony of mystery and fantasy. Even the identity of the female lead is foggy as her form shifts over time, taking possession of new bodies. As the title reveals, someone protects the border, and from the first few chapters we glimpse demons reminiscent of Haitian worshippers possessed by Gede, the spirit of the dead. Shapeshifting and underworld realms take center stage. The characters eventually grow, becoming stronger as plots progress, expressing extreme power and weakness. Life and death feel mutable in the imaginary arena of Mkalis. Points of contact are elaborately visualized, boundaries normally fixed dissolve within the pages, terrifying and wild apparitions manifest and recede just as quickly as they appear, resulting in wonder. VERDICT For fans of occult-tinged speculative fiction.
Audio rights to Kerstin Hall’s THE BORDER KEEPER plus an untitled book, at auction, to Brian Sweany at Recorded Books, by Michael Curry for Jennifer Jackson.
Italian rights to Margaret Doody’s untitled short story collection, to Mondadori, by Stefania Fietta at Donzelli Fietta, on behalf of Katie Shea Boutillier for Donald Maass.
Congratulations to our DMLA authors for their