AudioFile: Author Jim Butcher made the right choice in performing his latest work himself. It’s a masterpiece. He said that his usual narrator, James Marsters, has nothing to fear, but Butcher’s first attempt at narration is an unqualified success. He has a great speaking voice and truly relates to his characters. The emotion he puts into the work comes across in the wide variety of characters, who include an elderly magician/lawyer, a stupidly stubborn antagonist, and various creatures that inhabit the world of wizard/private investigator Harry Dresden. The brief work is a delight from start to finish, and Butcher’s youthful satisfaction comes across on every page. This may be Butcher’s first attempt at performing his own work, but let’s hope it won’t be his last.
Publishers Weekly: Political infighting and battles between gods dog the Kencyrath people as they continue their 3,000-year war against Perimal Darkling in Hodgell’s byzantine 10th Kencyrath epic fantasy (after 2019’s By Demons Possessed). Jame, the lone female Highborn of House Knorth, takes command of the house troops to fulfill mercenary contracts with the native Rathillien king, Mordaunt, who schemes to raise himself to godhood. Meanwhile, Jame’s brother, Torisen, Highlord of the Kencyrath, worries that a poor harvest and a lack of payments from the Rathillien will leave his people fighting over food, and fears he’ll be left unable to help as the larger Houses push for more prestige and power on the High Council. Throughout, both siblings continue to manifest the power of the Tyr-ridan, avatars of the Three-faced God who abandoned the Kencyr ages ago. Hodgell’s intricate web requires careful reading—and extensive knowledge of the previous books—to follow, but the author repays her fans with a saga that flows neatly between the mythic and the mundane. There’s plenty of life left in this series.
Publishers Weekly: The four horror novellas of this wonderfully meta collection from Malfi (Come with Me) all turn on a vibrantly imagined theme that fans of macabre fiction will easily relate to: books as agents of horror….Malfi makes reading about the perils of reading a terrifying delight.
Library Journal: Auditors, the most skilled magical beings, are enforcers of the magical community in Boston for The Department of Unorthodox Affairs. Grimshaw Griswald Grimsby spent his youth training to become one of those elite, only to be dismissed by Samantha Mansgraf, one of the most powerful witches in the Department. When Mansgraf is found murdered, Grimsby becomes a suspect. Clearing his name will take all of Grimsby’s talent, along with some assistance from the legendary Huntsman and an unusual resident of Elsewhere, the magical space that overlays the regular world. As Grimsby searches for the truth, he will discover a complex plot that would not only take away his freedom, but impact both the supernatural Unorthodox and common Usual residents of his city. Butcher’s outcast protagonist and city setting ground the prose even as the mysterious Elsewhere introduces even more unusual action and questions for the future.
VERDICT: This debut from Butcher (son of “Dresden Files” novelist Jim Butcher) hits all the right notes for an entertaining urban fantasy series. Readers will want to see what happens next.
Kirkus: There’s a lived-in sensibility to much of this novel that makes the horrific elements stand out even more, and Marino has a good eye for genuinely disturbing imagery…. this novel hums with a terrifying momentum…. A memorably visceral take on art, family, and power.
Locus: …if you’re not already a fan, this is not the place to start. Go directly to Gideon the Ninth. If you love it, read Harrow the Ninth, and then read this. If you don’t love it, Nona the Ninth is not for you. Also, we can’t be friends. (Actually, let me dial that back – for all I know this is a valid place to start. Given Muir’s astonishing skill, I wouldn’t be a bit surprised if it turned out the books had been painstakingly constructed so you could read them in any order and be equally bewildered and delighted….)
So, the bottom-line question that confronts a reviewer of this book is, if you loved Gideon and Harrow, will you love Nona? And: obvs. You already know.
Nona the Ninth is very on brand in that it completely scraps the previous book. That’s right: all that painstaking lore and the complex relationships and shifting webs of allegiances you spent hundreds of pages learning? Right out the window. And – still on brand – it works, somehow.
Bottom line: Tamsyn Muir can do anything. Like Gideon the Ninth and Harrow the Ninth, Nona keeps on attempting the most audacious, ridiculous, awe-inspiring feats of storytelling – and nailing it every single time. As an author I’d be nauseous with jealousy, if I wasn’t having such an ecstatic, blissful time. Nona the Ninth manages to be non-stop fun–and hilariously funny – and deeply, painfully, blisteringly moving. Sometimes all in the same paragraph.
The New York Times: It’s so rare to love every single book in a trilogy, to admire the aim, precision and storytelling stamina of an author this much. The fatal flaws of trilogies are plentiful: an explosive but overpromising beginning, a sagging middle, an insufficient end; characters whose arcs aren’t sustained; dropped threads, rushed acts. There’s none of that here — just the sense of a careful, experienced hand at the rudder, navigating the story home.
Booklist: Marino draws readers in quickly, creating sympathy for the characters, unveiling the necessary details to immerse them in a world of art, siblings, deadly intrigue, and a centuries-long nefarious quest. Dread is present from the start, but it quickly escalates into a disorienting cosmic terror that touches everyone. Booktalk it to readers as The Twisted Ones, by T. Kingfisher (2019) meets Slade House, by David Mitchell (2015) with a touch of Lovecraft Country, by Matt Ruff (2016).
Library Journal: Nona feels she has a pretty good life: she loves her family, works with alot of people her age, gets to be around a nice dog almost every day, and hopes to celebrate her birthday with a party on the beach. Of course, all of this is overshadowed by the facts that her city—and the entire planet—is under threat of destruction; that the Emperor Undying may be coming; and that Pyrrha, Camilla, and Palamedes may care about her, but Nona is actually an intruder in someone else’s body. Everyone seems to think Nona can save them from the Nine Houses, but she knows that to do that may mean she has to give up everything, including her own existence. This uniquely poignant arc of a young woman’s search for an ordinary life within a very extraordinary world is both stunning in its simpler moments and shocking in its reveals. Readers get lost in the story lines, but Muir’s clever prose always provides a path to the end.
VERDICT Muir’s third entry in “The Locked Tomb” series (after Harrow the Ninth) is as immersive and original as its predecessors.
Shelf Awareness: A Taiwanese American teen stumbles through the confusions of choosing a college, interpreting sexual interest from young men and asserting her desires in this refreshingly sex-positive coming-of-age YA novel.