Donald Maass Literary Agency

Publishers Weekly: This entertaining collection assembles 11 reprints and one brand new novella, all set in the world of Butcher’s popular Chicago based wizard PI, Harry Dresden (last seen in 2014’s Skin Game).

In a trio of lighthearted Bigfoot-centric stories, Harry helps out an erudite Sasquatch named River Shoulders on behalf of his half-human son, Irwin. In “Bombshells,” Harry’s apprentice, the quick-thinking Molly Carpenter, goes up against a powerful foe (while wearing a little black dress, no less), and in “Even Hand,” Harry’s sworn enemy, dapper crime boss John Marcone, takes drastic steps to protect an innocent child. The Wild West–set crowd-pleaser “A Fistful of Warlocks” features White Council Warden Anastasia Luccio, who teams up with Wyatt Earp to put a stop to some very dark deeds. The standout is the tender original novella, “Zoo Day,” in which Harry takes his 10-year-old daughter, Maggie, to the zoo. First they encounter a young warlock in need of Harry’s help, and then Maggie is attacked by a group of haunts.

Locus: This new collection in the Dresden Files series offers 12 entertaining stories, some real gems. Three of my favorites, previously collected as Working for Bigfoot, are relatively light stories about Harry and a sasquatch who needs help for his half-human son. Several take the viewpoint of characters other than Harry Dresden, with a couple of standouts featuring Harry’s apprentice Molly, who gets all dressed up to rescue Harry’s brother Thomas from svartalves and Fomor in “Bombshells” and then gets sent off to Alaska in her role as Winter Lady of the Fae for the more harrowing “Cold Case” with Lovecraftian overtones. “Day One” finds medical examiner Waldo Butters on his first mission as a Knight of the Cross, battling necromancers in ways that involve his love of gaming and polka.

The collection wraps up with the one original tale, the charming novella “Zoo Day”, about Harry trying to be a dad, with a day at the zoo with his daughter Maggie and his magical dog Mouse, with everyone doing their best to make it a good outing until magical threats interfere. First Harry narrates, as he goes off to deal with a teen warlock, then Maggie takes over in an encounter with “creeps” only kids can see, and then Mouse tells about a battle of his own – and only Mouse is really aware of what the others are doing, too, providing a charmingly different viewpoint that sums it all up nicely.

Butcher adds some insight into his process with amusing and revealing notes on the stories and characters.

RT Book Reviews: Much like the anxiety-ridden but good-hearted Murderbot itself, this series is a delight, carefully balancing snark and other humor without ever concealing (or even really trying to conceal) the real and serious character work and emotional intensity that’s at work here.

Wells doesn’t downplay the trauma and existential questions [that] underpin parts of the story, but also keeps it swift-moving and delightful, partly by respecting those aspects of the story instead of trying to gloss over them.

As before, Murderbot makes for a wonderful protagonist and narrative voice, one of the most compelling reluctant heroes science fiction has seen in a while.

Locus: The need for understanding between humans and Others remains the crux of this first volume in a new arc in Bishop’s world of the Others.

There are definite similarities with the previous volumes, such as the focus on bemused Others learning from a human female needing protection from bad men, but new characters and the small-town setting offer intriguing differences. Vicki DeVine got the run-down lakeside resort called The Tumble as part of her divorce settlement, and though she knows the land itself is controlled by the Others, she doesn’t come face-to-face with the fact until she catches her only lodger, Aggie Crowe, microwaving a human eyeball. Aggie’s one of the shapeshifting Others, a crow, who stumbled across a human body.

Misunderstandings continually crop up, often with amusing results, but also with an edge of fear, since some of the Others have great power, no tolerance for human stupidity, and no compunction about killing. 

The tone edges towards horror at points, though it’s frequently defused as things go amusingly over-the-top. The bad guys are loathsome, some of the locals are delightful, and new types of Others help keep things fun.