Publishers Weekly: The morally gray heroes of this urban fantasy anthology refute the idea that all magic users are either good or evil. Butcher opens with his own “Cold Case,” the heart-wrenching story of a young woman trying to reconcile her new and terrible power with the duty she must perform. Seanan McGuire’s “Sleepover” follows nicely, revealing a world where magical people are reviled and unwelcome. Tanya Huff’s “If Wishes Were,” the grim story of a vampire holding desperately to her humanity through the man she loves, rounds out a powerful opening, but from here the anthology begins to lose momentum. Several stories are amusing but not exceptional. Kristine Kathryn Rusch’s “Sales. Force.” revives the flagging collection, but the final story, “Impossible Monsters” by Rob Thurman, falls flat, adding an incidental magical element to the tired trope of a serial killer who goes after evildoers. Not every story will appeal to every reader, but the best of them truly shine.
Booklist: The universe isn’t expanding anymore—it’s actually shrinking, and Florida high-school senior Ozzie is the only one who remembers it differently. He’s also the only one who remembers Tommy, his best friend since childhood and boyfriend since the eighth grade. Tommy has vanished, both from Ozzie’s life and from the memories of everyone around him. As graduation approaches and Ozzie’s world becomes literally smaller, he struggles to find Tommy with increasing desperation, even as he grows closer to Calvin, the quiet, elusive boy in his physics class. Occasionally nihilistic but never completely hopeless, the narrative supports multiple topics with grace: gender and sexual identities, mental illness, and the inevitable grief that comes with learning to move from one phase of life to another. A few familiar faces from Hutchinson’s We Are the Ants (2016) make cameo appearances, and fans will recognize similar motifs—Hutchinson writes variations on a theme, to be sure, but it’s a rich theme. Wrenching and thought-provoking, Hutchinson has penned another winner.
Tor.com: Jim Butcher is one of the biggest names in urban fantasy (maybe the biggest, considering his novels tend to debut at the top spot on the New York Times bestseller list), and Kerrie Hughes is one of the most accomplished anthologists in SFF. The two combine their estimable skills for Shadowed Souls, an anthology of urban fantasy stories whose theme focuses on the line dividing black from white, good from evil, and what lies in the shadows. The anthology is a good mix of stories, mixing contemporary settings, superheroes, and low-tech pre-industrial settings…. Every anthology will feature stories that work better for a one particular reader, than other stories would.. In this case, I found the Butcher, McGuire, and de Bie stories the most effective and enjoyable.
RT Book Reviews: Most times heroes/heroines are in the good-rather-than-evil camp, but what if behavior that is considered “good vs. evil” is in the eye of the beholder? Eleven of today’s most talented authors take on this theme and serve up a variety of intriguing, if sometimes dark, short stories. Most of the stories feature characters from the various author’s ongoing series, so readers will enjoy another glimpse into the worlds they have created. A must-read anthology for UF fans!
Locus: This anthology of 11 original stories explores the “idea that good and evil are just two aspects of a complicated and very human story.” The authors all bring their own notions of what that means, with rather varied results, though overall the stories are on the dark side. Among the standout stories is Butcher’s own “Cold Case”, which finds Harry Dresden’s former apprentice Molly Carpenter, now a Queen of Faerie as the Winter Lady, on a mission for Mab to Alaska where her heroic efforts to help the local fae end up having an unexpected result that really mixes good and evil. […T]his is a solid selection for those who like their urban fantasy a little on the dark side.
Kirkus: Packed with action and mystery, this is a good Dresden story with plenty for new and old fans alike. Molly’s power is growing, and if you’ve read the books, you know where that is heading, and it adds tension to those scenes. Murphy, too, is growing and we get to see a lot of her in this installment. The art is amazing, per usual – done by Carlos Gomez and Sean Izaakse.
Kirkus: If your boyfriend is erased from history, is it because the universe is shrinking, or have you totally lost your mind?
During senior year in high school, college applications and prom dates are the stresses du jour. But Oswald “Ozzie” Pinkerton’s also include trying to convince anyone (family, friends, an alphabetical string of therapists) that his boyfriend, Tommy, ever existed. They theorize that Ozzie is obsessive and slightly touched; he theorizes that the universe is shrinking and that Tommy was a casualty of restricting astral girth. As Ozzie tracks the solar system’s diminishing waist size, his still-existing world unravels and conversely weaves new chapters. One of these chapters is Calvin, a once-golden, now-reclusive student. When the two are paired for a physics project, Ozzie weighs his loyalty to absent Tommy against his growing attraction to present Calvin. A varied cast of characters populates the pages: there’s a genderqueer girl who prefers masculine pronouns, a black boyfriend, an Asian/Jewish (by way of adoption) best friend, and a bevy of melting-pot surnames. Ozzie is a white male, and he is respectfully called out on underestimating the privilege he enjoys for being just that. Though Ozzie primarily narrates in the past tense (with sex, drugs, and rock ’n’ roll drifting through the background), intermittent flashbacks in the present tense unveil the tender, intimate history of Ozzie’s relationship with Tommy. An earthy, existential coming-of-age gem.
Congratulations to Mary Robinette Kowal on winning a 2016 Earphones Award for Ghost Talkers!
Imagine that the British military of the Great War utilized intelligence gleaned in their soldiers’ final moments by having the dead “report in” for debriefing with spiritualists. Kowal spins this idea into a thoroughly satisfying and believable novel blending fantasy, history, and suspense. The story is peopled with mediums, officers, servants, and gossips–some American, most English, and a few German–and with a plot that makes fine use of action as well as emotions. Kowal goes a giant step further with her narration, which is fully voiced, perfectly smooth, and paced with spot-on accuracy to invest every passage with compelling listening. With such a unique and thoroughly developed story, and a performance that brings it as fully to life, this is a must-listen for everyone.
B&N: A ghost story lives or dies on its creep factor, and Priest absolutely nails it, spinning a Southern Gothic tale of family secrets and avenging spirits with just enough humor sprinkled throughout to break the tension before racheting the suspense back up to heart-pounding levels.
Tor.com: Priest has a striking prose style–she’s immensely readable–and a chilling ability to write really unnerving scenes. […] The pace is tight the whole way through, with tension that rises peak on peak up to the climactic crisis. […] The house itself is an incredible character. Place matters, here: matters deeply. One of the most notable things about The Family Plot, as a southern Gothic haunted house horror novel, is the sense of ever-increasing claustrophobia. It’s about interiors, both literal and metaphorical: the interior of the house, and the inside of a person’s mind and/or emotions. The inside of the home turned strange and threatening: the inside of the self exposed and forced into the light.