RT Book Review: Bishop’s Novel of the others series has truly been one of the most original and phenomenal UF series out there, so this fifth book is a bit bittersweet. While Bishop’s worldbuilding is second to none, it has been the characters and their relationships that elevate these stories into masterpieces. It appears that this will be the final Simon and Meg book (at least for now), since in her next book Bishop will turn to new characters in a different part of Thaisia. Bottom line, this is once again an epically amazing and thrilling story, but I really hope Bishop returns to continue Simon and Meg’s unforgettable journey because this didn’t feel like a finale.
Kirkus: A unique collection of 15 wrongful conviction sagas bound to shake faith in the American criminal justice system. In the past three decades, books about wrongful convictions have become so numerous that they form their own genre. The advent of DNA testing for law enforcement purposes validated the previously discredited statement that American prisons are filled with innocent inmates while the actual perpetrators remain unpunished. Few of the books, however, match this skillful anthology, assembled by Life After Innocence founder Caldwell (The Dog Park, 2014, etc.) and Edgar Award-winning mystery editor Klinger (editor: In the Shadow of Edgar Allan Poe: Classic Tales of Horror, 1816-1914, 2015, etc.), in which exonerated individuals tell their stories to high-profile authors, most of them known for their fast-paced crime novels. While the names of the exonerees may be unfamiliar to general readers, the names of the authors are better known: Sara Paretsky, Lee Child, Laurie King, and more. Scott Turow and Barry Scheck provide the introduction. […] A searing, unforgettable anthology, with valuable insights provided at the end of each chapter by the editors.
Publishers Weekly: The universe appears to be literally shrinking around Ozzie Pinkerton: erasing people, obliterating the stars, and reducing the world to little more than his town of Cloud Lake, Fla. Ozzie alone remembers the world as it was […] As in We Are the Ants, Hutchinson uses a science fiction overlay to explore important topics, including self-mutilation, gender identity, and child abuse. Ozzie’s friends remind him that the world doesn’t revolve around him, but Hutchinson playfully disagrees, turning the literal shrinking of the universe into a smart metaphor for Ozzie’s introversion and alienation. Ozzie’s wit and concern for his friends make him a captivating narrator frozen by the changes and choices he faces. The conceit also works as a powerful parable for victimization, as everything Ozzie knows is stolen and the people he should be able to trust constantly undermine him—or disappear altogether.
Shelf Awareness: Any breakup can make a person feel like the world has just ended, but high school senior Ozzie Pinkerton of Florida feels even worse: as far as the universe is concerned, his ex-boyfriend Tommy never existed.
While Shaun David Hutchinson is a master of fusing the bizarre with the mundane, and the plot is delightfully constructed, it is Ozzie’s pained, sardonic voice that steals the spotlight. Hutchinson’s authentic characters, exploring their gender and sexuality with equal parts confusion and confidence, will resonate with many teens who no longer see their identity as binary or unchanging. Ozzie’s story may be fantastical, but its emotional honesty renders the whole complicated story believable, and readers will flock to its central truths.
Discover: Shaun David Hutchinson’s smart YA novel finds authenticity in the weirdest of places.
Locus: The fifth book in the urban fantasy world of the Others picks up shortly after the Elders, particularly powerful and deadly forms of the Others, stopped an attempt by humans to kill off the shapeshifting Others and take over. Having wiped out much of humanity in this world’s version of Europe, the Elders, who have little experience with humans, want to know what makes some humans so much trouble. They decide to invisibly observe Lakeside Courtyard, where humans and Others have learned to co-exist. Unfortunately, the Elders turn up just as a particularly bad human arrives the brother of police lieutenant Crispin James Montgomery, one of the cops who helped defend the Courtyard, and brought most of his family there to live. That brother, Cyrus, is totally different, a self-absorbed petty criminal who manipulates others to avoid the repercussions of his actions, with a troubled wife and two children already imitating their abusive father’s bad behavior. Cyrus makes a fascinating villain, too stupid or lazy to learn what’s really going on, making plans that fail because of his ignorance which has its funny moments but also causing a lot of pain for those around him. The leaders of the Courtyard, aware that the Elders are watching, keep a close eye on him, but his plans suddenly take a far more dangerous turn, leading to some serious thrills. As always, Bishop spins an engrossing tale and ultimately we get a sweet ending that those who’ve been following the series should really appreciate, as the story arc involving Meg and Simon Wolfguard concludes.
Library Journal: Palmer’s sequel to Too Like the Lightning brings the next phase of Mycroft and Bridger’s journey in a sphere that is beginning to collapse. While the dense prose may be rough going for some readers, the eloquence of Palmer’s reflections on social issues cannot be denied.
The world is at peace; there has been no war for as long as anyone can remember. Automation is in play, the global Hives have replaced most nationalities, and gender and religious identities have not only dissipated but been forbidden. Yet the full depths of humanity cannot be subsumed completely. Something new has arisen, a power that can bring inanimate objects to life. A force that will be hidden, used, and fought over. The power of a child named Bridger.
School Library Journal: VERDICT A closing revelation may frustrate some, but this smartly written, profound look at the wells of human despair will stay with readers. Recommended for all YA collections where Hutchinson’s work circulates heavily.
Oswald “Ozzie” Pinkerton is facing a gauntlet of problems: his parents are divorcing; his older brother is skipping college to join the military, and Ozzie is afraid he’ll be killed; and Ozzie’s boyfriend since eighth grade, Tommy, has vanished. To make matters worse, everyone in the town of Cloud Lake seems to have erased Tommy from their memories, even Ozzie and Tommy’s best friends, gender-fluid punk rocker Lua and quiet valedictorian Dustin. Also, the universe is shrinking, and Ozzie appears to be the only person who realizes it. Ozzie has no idea how to function without Tommy, but when he’s paired with solitary Calvin for a physics project and Calvin mentions Tommy’s name, Ozzie begins to hope that Tommy is still out there. Hutchinson follows up We Are the Ants with a deep and introspective novel full of angst and suffering. Readers will feel Ozzie’s nearly radiant pain, but Universe isn’t singularly focused. All of the characters are neatly fleshed out and have their own personal anguish: Lua deals with being gender-fluid in a small town; Dustin, whose father loses the family fortune, has to confront a future where his dreams cannot be attained; and Ozzie’s trials serve as a lens through which readers can examine the scope of human experience in this (shrinking) universe.
Library Journal: VERDICT While the human vs. Others conflict was mostly resolved in Marked in Flesh, the long-unresolved romantic tension between Simon and Meg remained. Fans will be pleased Bishop finally has the pair addressing their feelings.
After the uprising from the Humans First and Last movement left the Others with no choice but to take action, there is tentative peace in Thaisia; the Elders now must decide if they should allow any humans at all in their lands. The Courtyard where Simon Wolfgard and Meg Corbyn live is their test case. The Elders watch Meg and her “human” friends and wait to see if they can be trusted. Into this fragile blend comes a dangerous man accustomed to taking what he wants and using everyone around him. While Simon and the Others who live at the Courtyard would prefer to take care of him their own way (teeth and claws would do the job), the Elders want to wait and see what happens. The world of the Others is as compelling as ever.
Booklist: Self-styled drama queen, Kathleen’s phantom pain in her feet and mouth is anything but artifice; it is the same kind of inexplicable, excruciating pain that drove her mother to suicide. The only thing that affords Kathleen relief is immersion in water, preferably the sea, though it is the sea that generations of women in her Irish family, which seems to be cursed, have chosen as their means of suicide. Now, on a vacation trip to Florida with her girlfriend, Harry, she begins hearing mysterious voices from the sea calling, “Come home. Come home.” Angrily denying their summons, she returns home with Harry return to Boston, where Kathleen suffers a debilitating attack that leaves her hospitalized. Harry and Kathleen’s father agree that an end to her pain might be found if she is taken to Ireland. But will it? Claycomb’s fine first novel is told from multiple points of view, even that of mermaids, for, yes, the novel is a loose retelling of Hans Christian Andersen’s fairy tale The Little Mermaid. And, like its source, it is numinous and lovely.
Kirkus Reviews: The first of a two-book series concerning a future Earth society patterned after the principles of the Enlightenment.
In 2454, nations are no longer tied to geography; instead, people ally themselves to Hives, according to their philosophical and intellectual inclinations. Discussion of gender and gender roles is essentially taboo, and organized religion is extinct. Instead, everyone is allotted a sensayer to discuss all of one’s spiritual concerns. In a world where there is no collective belief in God, what does it mean when a child appears who can do miracles? This is only one strand of the complexly webbed plot of this debut novel, written by a historian who has clearly brought all her knowledge and research to bear upon her fiction. […] Alas, the reader will apparently have to wait until Volume 2 to receive most of these answers, but the questions raised are at once thought-provoking, disturbing, occasionally perverted, and always entertaining.