Jul 012014
 

Cover for Amy Alkon's Good Manners for Nice People Who Sometimes Say Fuck. Plain white cover with black and red text above a silverware setting of a knife, spoon, and fork. The fork's middle tine is longer than the rest, so it's flipping the bird.The New York Times has a profile of Amy Alkon and her book Good Manners for Nice People Who Sometimes Say F*ck.

We live in a world that’s very different from the one in which Emily Post came of age. Many of us who are nice (but who also sometimes say “f*ck”) are frequently at a loss for guidelines about how to be a good person who deals effectively with the increasing onslaught of rudeness we all encounter. 

To lead us out of the miasma of modern mannerlessness, science-based and bitingly funny syndicated advice columnist Amy Alkon rips the doily off the manners genre and gives us a new set of rules for our twenty-first century lives. 

With wit, style, and a dash of snark, Alkon explains that we now live in societies too big for our brains, lacking the constraints on bad behavior that we had in the small bands we evolved in. Alkon shows us how we can reimpose those constraints, how we can avoid being one of the rude, and how to stand up to those who are. 

Jun 302014
 

cover for Anatomy of a Misfit by Andrea Portes. A bright teal background with the title in yellow handwriting. Across the bottom are a half dozen chairs, most of them yellow but one bright blue.Kirkus: Anika Dragomir, the third most popular girl at her high school in 1980s Nebraska, is pursued by two different boys, both off-limits to her, in a romance filled with seriously funny dark humor and tragedy.

When, toward the end of this unconventional novel, Anika realizes that she may have inherited her tendency toward mental imbalance from her loving and smart but eccentric mother, it’s an epiphany for her. It might not be similarly revelatory for readers, given the first-person window they’ve been given into her thoughts throughout. Nevertheless, Anika will already have won most of them over, even in the face of some questionable moral lapses, such as dosing her (albeit obnoxious and, it turns out, racist) boss’s coffee with Valium and pilfering money from the register. She worries that, inside, she’s “spider soup,” but it’s clear that Anika’s a good soul, though she’s terrified of her supposed friend, the most popular girl in school. Continue reading »

Jun 252014
 

Cover for The Longest Night by Kara Braden. A white woman with brown hair leans down, nose-to-nose with a white man with brown hair and a couple days stubble. Her hand cups his jaw, thumb along his cheekline. Below them is a secluded winterscape, a lone cabin in snow-covered pines.Library Journal: Watching this romance unfold from Ian’s point of view is refreshing and insightful. A stock womanizer soon unfolds into a complex hero. But as with all heroes, Ian has flaws and is all the more lovable for them. Savoring each page of this novel, this reviewer found the end unfolding a bit too quickly; still, with this first-time effort, Braden will soon amass a strong readership.

Debut author Braden introduces us to Ian Fairchild, a Manhattan playboy forced to take a break from his law firm after a rough case results in an accident and an addiction to painkillers. Ian’s brother, Preston, a military contractor, calls on the one person he can trust—former U.S. Marine captain Cecily Knight—to take Ian in and give him the help the treatment centers could not provide. With that setup, readers might look to the traditional plot of the female caretaker saving the damaged philanderer; however, Braden soon reveals why Cecily is beholden to Preston Fairchild. Preston defied military codes of conduct to rescue Cecily after three days of torture and captivity in the Middle East, after which Cecily withdrew from society and retreated to the Canadian wilderness. Perhaps the wounded player can take on the role of caretaker to heal both of their hearts.

Jun 232014
 

Cover for Amy Alkon's Good Manners for Nice People Who Sometimes Say Fuck. Plain white cover with black and red text above a silverware setting of a knife, spoon, and fork. The fork's middle tine is longer than the rest, so it's flipping the bird.Wall Street Journal: Ms. Alkon delivers sound advice on navigating social-networking sites (she calls them “giant parasites targeting your personal information like tapeworms waiting for a move-in special on your large intestine.”), on observing email etiquette and on texting at the dinner table: “If you’re going to invite somebody to dinner and ignore them, at least have the decency to get married first and build up years of bitterness and resentment.”

To read the full article on Ms. Alkon’s book, click here.

Jun 192014
 

Cover for Deadout by Jon McGoran. Dark red color background with title in intense red letters; honeycomb imprints "DEAD" and there is an x-ray of a bee as the middle of the O in OUT.Publishers Weekly: McGoran fluidly blends science and suspense in his outstanding second eco-thriller starring Philly cop Doyle Carrick (after 2013’s Drift). Because Doyle’s significant other, Nola Watkins, who’s showing signs of rethinking their relationship, needs a break from city life, the couple take a weekend trip to Martha’s Vineyard. On the resort island, their friend Moose is worried about the dwindling bee population, which may be due to a phenomenon, known as Colony Collapse Disorder, that inexplicably leads to disappearances of whole hives. Even as Moose spearheads a research project on CCD, a corporation has received permission to introduce genetically modified bees into the island’s ecosystem. After they return to Philadelphia, Nola decides to take a job on the Vineyard. When Nola misses her train, Doyle drives her to the ferry and accompanies her to the island, where he agrees to lend Moose a hand. This second visit, predictably, ends up being a busman’s holiday for the detective, who finds himself involved in multiple murder investigations. Top-notch plotting enhances McGoran’s sympathetic, flawed lead.

Jun 182014
 

cover for Anatomy of a Misfit by Andrea Portes. A bright teal background with the title in yellow handwriting. Across the bottom are a half dozen chairs, most of them yellow but one bright blue.Publishers Weekly: As the third most popular girl in school, 15-year-old Anika Dragomir worries a lot about her precarious social rank, which means tolerating the casual cruelties of Becky Vilhauer, who rules their Nebraska high school with an iron fist. Morally conflicted, Anika surreptitiously tries to undo some of Becky’s damage (such as dismantling an invented pregnancy rumor), but Anika’s secret relationship with geek-turned-hottie Logan McDonough only adds to her problems. This nascent romance is further complicated when Jared Kline, “the biggest stone-cold fox in the city, possibly in the state,” unexpectedly starts courting Becky and she gets disturbing glimpses of Logan’s home life. In this YA debut, adult author Portes (Hick; Bury This) serves up a self-deprecating and highly memorable heroine whose bawdy, laceratingly funny narration makes her instantly endearing while also revealing her flaws, uncertainties, and ethical quandaries. Throughout, Portes hints that tragedy is in the cards, and while the final chapters flirt with melodrama, the novel will leave many readers dwelling on missed opportunities to take a stand in their own lives.

Jun 172014
 

Cover for City of Stairs by Robert Jackson Bennett. A grey, hooded figure looms in a cloudy sky. Below him is a city at night, full of skyscrapers and lighted windows.Publishers Weekly: Bennett (American Elsewhere) ventures into secondary-world fantasy in this action-packed, occasionally numinous, noir-like novel, which combines metaphysical and geopolitical observations. The city of Bulikov, once the sacred seat of a brutal, miracle-fueled empire, now stagnates under the administration of its former colony Saypur, which has become a technology-driven superpower. Exiled operative Ashara Komayd is the privileged great-granddaughter of the last Kaj of Saypur, the man who killed the Divinities, thereby both literally and politically destabilizing an entire continent. While investigating the politically inflammatory murder of a Saypuri professor who was studying Bulikov’s censored history, she finds disquieting evidence that some Divinities—and their legacy—may yet survive. Bennett largely sidesteps questions of colonialism and cultural appropriation in his tightly paced mystery, but supporting characters like Ashara’s indestructible aide, Sigrud, and conflicted ex-lover Vohannes Votrov flesh out the otherwise narrowly focused setting. The open ending promises a sequel.

Jun 162014
 

cover of Graduation Day by Joelle Charbonneau. Rich, purple background, and slight to the left is a silver medal with two crossed lightning bolts on it.Shelf Awareness: Just when you thought Cia’s journey couldn’t get any better, it does, in this finale to the Testing trilogy, which recounts the culmination of Cia’s studies and battles in the dystopian United Commonwealth.

Joelle Charbonneau ends her first young adult series on a high note. Cia’s love story with Tomas takes a back seat to the hero’s journey. Much of Cia’s role in the revolt involves a mechanical and technical knowledge that allows her to build devices out of scrap to aid the revolt. It’s this attention to detail in Charbonneau’s writing that engages readers in the action and draws them into Cia’s world.

Jun 122014
 
cover of The Shibboleth by John Hornor Jacobs. Behind dark silhouettes of pine trees looms a great red skull, wisps of blue mist traveling through it.This is a book like no other. Shreve, a teenage delinquent who is a thief and a dealer of contraband candy, has an enormous power for which he struggles to find a place. His telepathy eventually causes him to join the Society of Extranaturals, and his journey is all mental, an exploration of the human psyche that turns his entire world upside down. This novel is a superb telling of what it means to be different, existing physically and mentally on the outskirts of society. Jacobs is a master of the supernatural story, leading readers along dark and winding paths containing secrets, evil, and unimaginable power. Told from a male point of view, The Shibboleth will appeal mostly to boys and any reader who loves dark tales of action, adventure, and the supernatural.
Fifteen-year-old Shreve Cannon has the ability to read people’s minds and absorb their memories. It is a dangerous power, one that pushes him to the brink of insanity. In the second installment of the Twelve-Fingered Boy trilogy, Shreve is back in the custody of the state of Arkansas, this time in a mental institution for juvenile delinquents. His friend Jack, the twelve-fingered boy, is held captive by Mr. Quincrux, the strange man who possesses the same telepathic ability as Shreve. Shreve sees Quincrux as a murderer and a demon who gets into people’s minds and manipulates their thoughts and memories for evil purposes. Shreve is summoned by Quincrux to join him and Jack on the east coast and put a stop to the contagious wave of insomnia spreading across the country. Quincrux fears the slumbering beast that resides in Maryland, a group of “impenetrables” who have unknown powers. Quincrux needs Shreve’s abilities to harness this unknown power for his own benefit. —Lindsay Grattan.
Jun 092014
 

Cover for Amy Alkon's Good Manners for Nice People Who Sometimes Say Fuck. Plain white cover with black and red text above a silverware setting of a knife, spoon, and fork. The fork's middle tine is longer than the rest, so it's flipping the bird.L.A. Times: Out this week from St. Martin’s Griffin, the book breezy and funny, with the sort of joking modernity you’d suspect of an advice columnist who, when asked whether it’s OK to pet on the first date, first responds, “Your dog, or your girlfriend?” – only to quip, “I’m a fan of sex on the first date, actually.” Miss Manners, she ain’t.

She is, though, endlessly engaging.

Read more about Good Manners for Nice People Who Sometimes Say F*ck at the L.A. Times.