Donald Maass Literary Agency

School Library Journal: What makes a good unreliable narrator… in a picture book? One might argue that it’s very much the same qualities that make a good unreliable narrator in a work of fiction for older readers. There’s the choice the author must make as to whether or not to show their hand early or leave the reveal right up until the end. Then there are all the little details that appeared earlier in the book, leaving the reader to doubt everything they were told. That may sound a little heavy for a title whose intended audience is probably still a little unclear on the whole tying-your-shoes deal, but believe me when I say that when it comes to a book like Don’t Trust Fish, I feel inclined to pull out all my literary criticism tips and tricks. There are some picture books that you read that make you chuckle when you see the cover. There are some picture books where they might get one legitimate laugh out of the adult reader. There are some picture books that are funny to young readers. Now consider a book that makes everybody, and I do mean everybody, laugh from the cover onwards. THAT, my friends, is a picture book worth celebrating! That is a rarity! That… is I Don’t Trust Fish.

There are animals in this world that you can rely on. It has fur, is warm-blooded, and feeds its babies milk? That’s a mammal. Cold-blooded with scaly skin and lays eggs? Reptile. Feathers? Birds. Easy peasy. Then… there are fish. Fish don’t follow the usual rules, so you know what that means? “Don’t trust fish!” Don’t trust ‘em! Thanks to this book, you will learn the myriad reasons not to trust these sneaky denizens of the deep. Whale sharks? They’re the size of buses. “That is not okay”. Fish watch us. They plan. They scheme. With scintillating details and delightful art, young readers are given ample reasons not to trust our underwater brethren. But who, precisely, is imparting this information?

Publishers Weekly: This animal guidebook send-up starts innocently enough, with a portrait of a dairy cow alongside a simple description of mammalian characteristics: “This animal has fur. This animal is warm-blooded.” Entries for a reptile and bird follow before a page turn reveals an outsize fish. “This is a FISH,” bold-faced type declares. “DON’T TRUST FISH.” Sharpson (When The Sparrow Falls) expands: “Fish don’t follow any rules…. They are rebels and outlaws.” A hint about the screed’s possible source soon appears: “Some fish eat poor, innocent crabs who are just trying to have a nice time in the sea.” Further sins are documented: “The angler fish attracts poor defenseless crabs by glowing. This is called ‘bioluminescence.’ It’s also called ‘cheating.’ ” Caldecott Medalist Santat fires up the comedy with goggle-eyed vignettes of crafty fish, spying fish, disguised fish, and more. “They may already be in your home,” attends an image of a goldfish surveilling a family’s children, then escaping down a tunnel to report to its boss. The claims push ever further into conspiracy territory before the hand-wringing, claw-waving crab is revealed in this rapid-fire comedy of piscine paranoia. Ages 3–7. (Apr.)”

Congratulations to Kate Heartfield and her book, THE TAPESTRY OF TIME, for being part of The Guardian‘s round-up for best recent science fiction, horror, and fantasy!

Set in England and France during the second world war, this novel centres on a family with the gift of second sight. As rational young women, the Sharp sisters dismiss their experiences as coincidence (Kit), imagination (Ivy) or a talent for pattern recognition (Rose), until they realise they may be able to aid the war effort. Their father has a theory that the Bayeux Tapestry was begun before 1066, to be used as a predictive tool in warfare. In the summer of 1944, Ivy is an undercover agent in France, and art historian Kit has stayed on in Paris, when they learn of a Nazi plan to take the tapestry, leaving Paris to burn. The sisters are the only ones who can stop them – if they survive long enough. Paranormal elements are expertly woven with real history to create a convincing and exciting tale.