New York Times: Reversing that trajectory, Martha Wells has followed up her best-selling series of Murderbot novellas with a return to full-length, epic fantasy. WITCH KING (Tordotcom, $28.99, 414 pp.), a deeply immersive throwback to a beloved (and for me, foundational) species of 1990s fantasy doorstop, is full of cataclysmic intrigues between mostly immortal families, complete with map and dramatis personae.
The titular Witch King, Kaiisteron, or Kai, wakes from an enchanted sleep to find that he and his best friend, Ziede, have been betrayed and imprisoned by someone close to them. Kai is a demon, able to wield magic and possess the bodies of the living; Ziede is a witch, able to converse with the elemental world. They use their powers to subdue and escape their would-be captor, but discover that Ziede’s wife, Tahren, is missing.
Together — gathering waifs and strays along the way — they embark on a quest to find her and root out the conspiracy that separated them. As they search for answers, Kai remembers his early life fighting necromantic wizards called Hierarchs and rebuilding the world they broke.
Kai is very good at protecting those he has chosen to care for, and part of the pleasure of “Witch King” comes from seeing his keen-edged competence at work, contrasted with moments of profound, bewildered vulnerability. Kai’s timelines play off each other wonderfully: Elements introduced in a dizzying rush of world building become welcome context for the flashbacks, which in turn escalate tension in the present. Wells is working at the height of her powers here, and it’s relaxing to be carried along for a ride in the company of such a phenomenal storyteller.
Publishers Weekly: Shirley (Halo: Broken Circle) veers from gaming fiction to near-future military techno-thriller in this competent, straightforward novel of U.S. Army Rangers in space. Lt. Art Burkett’s marriage is failing due to his wife’s worries over his continuous insertion into dangerous missions, when he is yanked away yet again, this time into a hostage rescue that involves a drop from space. The mission runs into complications: an undercover agent is killed by friendly fire, the agent’s brother vows vengeance, and the Russians look to solidify their hold on near-Earth orbit by finishing off the spacecraft carrying Burkett and company back to safety. Shirley includes most of the archetypes common to military adventure fiction, including the officer torn between public and private duty, the spy whose suspicions are not mere paranoia, the gruff leader who stands up to the Big Brass, and the Big Brass themselves, whose pettiness is paid for by personal sacrifice. Sure-footed descriptions of spaceflight and the toils of working without gravity enhance the plot without the technobabble ever pulling focus from the soldiers as they fight for their lives and honor. Shirley’s fans will be pleased.
Publishers Weekly
Publishers Weekly
Publishers Weekly
