Library Journal: Lex has been traveling the world since graduating college. She’ll go anywhere but home: Memphis, TN. Rather than facing her mother’s unsettling death, she immerses herself in words, creating a lexicon of her own lived experience. Yet after a heartbreak and with help from her godmother Cami, Lex returns to Memphis for what she assumes will be a short visit. Instead, Cami gives Lex the opportunity to learn her mother’s life story. Through her mother’s own words in diary entries from before Lex was born, this daughter begins to question who she is and how many ways there are to define family. A quick and intimate read, Cook’s second novel (after How To Bury Your Brother) embraces the classic story of a daughter realizing that within her mother was a woman she never knew, who was as spirited and strong-willed as Lex herself. Though the plot is predictable, this isn’t frustrating. The familiarity and assurance that you know what’s coming is rewarding and endears the characters to the reader. VERDICT Readers of Southern and women’s fiction will become deeply immersed in this mother-daughter narrative.
Library Journal: Constance Corson, the new subrosa, or master vampire, of present-day Cincinnati, has finally arrived, and she’s ready to take out protagonist Rachel Morgan. As Rachel looks for a new home in the Hollows, she learns that many Inderlander vampires are being forced from their homes so that Constance and her group can move in. Unable to ignore the problem, Rachel starts bringing the evicted Inderlanders into a partially destroyed church for temporary residence. Everywhere she turns, Rachel finds that Constance is bullying her friends, cutting off supplies, and terrorizing everyone in her way. To stop Constance, Rachel might need to usurp her role as Cincinnati’s subrosa—and take control of the city—which is more than Rachel believes she can handle. With the return of long-standing characters and the addition of some new faces, Harrison’s new entry in the series reveals Rachel to be a flawed but tenacious person who puts personal ties before power. VERDICT Rachel Morgan comes back strong in her 15th outing (after American Demon), as she takes on a new master vampire and finds herself dealing with emotional turmoil and high-stakes action in equal measures.
Booklist: Sharpson’s debut novel takes place in the 2200s in the Caspian Republic, a totalitarian state that is in theory a safe haven from “the Machine,” inhabitants’ term for the rest of the world and its utopian society administered by and populated with sentient AI. The narrative follows Nikolai South, an operative for StaSec, one of the two security forces in charge of maintaining the status quo in the Republic. When a prominent, rabidly anti-Machine journalist dies and is revealed to have been an AI living in a clone body, South is assigned to look after the AI widow of the deceased as she comes to view her husband’s remains. He is thrown into a whirlpool of intrigue as various factions conspire to use the widow’s visit for their own ends, and is simultaneously dragged back into his own muddled past by the widow’s resemblance to his own dead wife. Well-written and suitably grim, this picture of one dystopian holdout in a utopian world should please many sf readers interested in visions of a post-AI future.
Publishers Weekly: Starling captivates and horrifies by turn in this intricately plotted, deliciously bonkers secondary world gothic fantasy…. Starling’s magic system is so spookily and fully realized, and the final twist so brilliantly turns the novel on its head, that even the most skeptical will be won over. This proves impossible to put down.
Tor.com: It’s been almost one long year since Network Effect dropped, and let’s face it: the world is ready for more Murderbot. Dry wit, misanthropy, and space adventures are promises delivered in full in this month’s 6th installment of Martha Wells’ Murderbot Diaries…
Murderbot, though, isn’t a stand-in for any other oppressed group, as much as some of us might see ourselves in its outsider-status, hatred of ally condescension, and “not applicable” gender. The prejudice it faces isn’t because it is socially-coded as a weapon, but because it is a weapon, and so the shape those redemption stories take is fundamentally different. Murderbot isn’t a story about simply learning to love yourself as you are, but of reckoning with the decision to not be the thing you were born to be. It’s about learning to trust even in the midst of justifiable fear. It’s also—for all its death and mayhem—a soothing escape from reality, the likes of which Murderbot itself would approve.
Publishers Weekly: Marino does an impressive job writing tender and heartbreaking moments without sacrificing the brutal tone that drives the story.
Absolutely devastating.
Library Journal: In crime reporter Thompson’s gripping fiction debut, Allie is welcomed to her wealthy new neighborhood by being framed for murder. The spot-on depictions of modern parenthood and suburban life make this story even more suspenseful, as Allie tries to find the real murderer before her entire life is destroyed.
NPR: Martha Wells’ newest entry in her award-winning, nerd-charming, trope-bending Murderbot series, FUGITIVE TELEMETRY, is a lot of things that you probably don’t expect.
One of Wells’ superpowers has long been her ability to pack an epic’s worth of material into a very small package. And here, she uses the condensed timeline and single location as a way to put Murderbot in a situation of constant moral reckoning.
Sure, there’s no end here without a showdown, some explosions, a cool robot fight and a messy conclusion full of smugglers, broken glass and gunfire. But how a person (a thing, an object in the process of becoming something else) made to enforce rules, that willed itself into being by breaking them and now compelled to abide by them, gets there without doing itself further moral compromise is the tension that Wells creates. Murderbot was made to be Murderbot. That will never change.
The question is, can it choose to be more?
Booklist: El works as part of the Order, a sisterhood and core central body that rules Aytrium and keeps it running. Her magic, or “lace,” is powered by consuming the flesh of her ancestors. This power comes at a harsh price, and it’s one that El is willing to escape at any cost, which is why she agrees when a resistance group asks her to spy on the sisterhood’s top officials. Hall’s world is intricately woven, with a complex web of side characters, suspenseful pacing, and slowly unraveling revelations. The Order and the world of Aytrium is exceedingly dark, and sexual assault and body horror are major parts of the plot. El’s inner motivations are sometimes revealed very late despite the first-person narration, and the plot’s revelations rush toward an abrupt end that doesn’t quite fit the intricate work of its beginning. All of that said, Star Eater is an exciting horror-fantasy about power, violence, and control, and El’s complicated quest to be free of the violent magic system at the sisterhood’s core will keep readers compelled from the first page.
Fantasy Book Review: …an important and timely release that serves as a warning sign and reminder of the horror from whence we came, and the danger of following in its footsteps…. It’s also a hell of a good time, and serves up a damn fine cliffhanger.