Review: HEIRESS TAKES ALL by Emily Wibberley & Austin Siegemund-Broka

Mar 252024
 

Kirkus: A Rhode Island teen who went from riches to rags when her parents divorced masterminds a scheme to get even with her father.

After her mom leaves her philandering dad, 17-year-old Olivia Owens and her principled, loving mother are left broke. Swimming in medical debt after her exhausted mom falls asleep at the wheel in between jobs and is injured in a car crash, Olivia assembles a madcap cast of peers, plus a former teacher, each of whose skills are required for her plan to steal the codes for her dad’s offshore accounts. She intends to execute the heist during her father’s lavish wedding to his third wife, who’s only 25. Tom Pham, Deonte Jones, Cassidy Cross, and Mr. McCoy each have their own basically noble reasons for needing their cut of the money, though Jackson Roese, Olivia’s recent ex, still tries to convince her to abandon her potentially dangerous plan when he shows up at the wedding in a bid to win her back. Twists, obstacles, and double-crossing abound in this totally fun, over-the-top novel featuring smart, witty characters whose first impressions belie their more complex selves. Olivia’s frenetic inner thoughts as she navigates each successive snag balance her ongoing hurt feelings from being abandoned by her dad. Most central characters read white; Tom’s surname cues Vietnamese heritage, and Deonte is Black.

Goofy, poignant, and wildly entertaining.

Review: THE BUTCHER OF THE FOREST by Premee Mohamed

Mar 212024
 

Washington Post: Fairies have starred in some terrific books of late, but in Mohamed’s novella they pack a lot more menace. In “The Butcher of the Forest,” the children of a despot known only as the Tyrant wander into an enchanted forest from which nobody has ever emerged, except a woman named Veris. Naturally, the Tyrant forces Veris to go rescue his kids, using her nimbleness to evade the snares and dangers in the woods, while grappling with the ethics of saving the children of a monster. Mohamed excels at telling the stories of ordinary people trapped by dark forces, and she infuses these characters with astounding tenderness and compassion. “The Butcher of the Forest” shows exactly why Mohamed is one of fantasy’s rising stars.

Review: EXORDIA by Seth Dickinson in the New York Times

Mar 152024
 

New York Times: EXORDIA (Tordotcom, 532 pp., $29.99) is Seth Dickinson’s fourth novel and first work of science fiction, following three installments of the excellent Baru Cormorant fantasy series, and it revisits many of those novels’ themes and structures: empire, war and sacrifice.

Set in 2013, “Exordia” is a first-contact story: Anna, a Kurdish survivor of genocide who is fostered in the United States, meets a many-headed snake alien named Ssrin in Central Park. Anna and Ssrin become friends and roommates; Ssrin explains that she comes from a galaxy-conquering empire called the Exordia, and needs Anna’s help to rebel against it.

Anna, Dickinson writes, “is all in, the way only a woman chased out of her home by sarin gas can be all in. Her adult life began at age 7, with an act of alien intrusion, with the roar of Saddam’s helicopters. This is nothing new to her. She’s ready to risk it all, because no part of her life since that first alien invasion has felt real.”

There is a version of this book that might be more palatable to a broad readership: a version in which a traumatized war orphan’s friendship with a warmongering alien heals and redeems them both. This is very decisively not that book. It deliberately withholds what its first three chapters (and dust jacket) seem to promise: a “narratively complete” story centering Anna and Ssrin. Instead, “Exordia” compounds, enlarges and repeats their wounds — the ones inflicted on them, and the ones they inflict on the world and each other — as Dickinson uses a host of other characters to scrutinize ethics, fractal mathematics, theoretical physics and the military-industrial complexes of several nations. The result is agonizing and mesmerizing, a devastating and extraordinary achievement, as well as dizzyingly unsatisfying, given where it ends.

The publisher of “Exordia” claims it is a stand-alone novel. This is baffling. If you stop a play after its first act, it does not become a one-act play. “Exordia” is structured and paced like Book 1 of a series; Dickinson has stated in interviews that a sequel is “absolutely” intended. The word “Exordia” itself — the plural of “exordium” — suggests beginnings and introductions, a throat-clearing before the main work, and I sincerely hope Dickinson gets the opportunity to continue it.

Review: THE LAST BOYFRIENDS RULE FOR REVENGE by Matthew Hubbard

Mar 132024
 

Booklist: Ezra feels like a third wheel. His two best friends, Lucas and Finley, have boyfriends, while Ezra is single. Or is he? Well, no, he does have a boyfriend, golden boy Presley, but it’s a secret since Presley is deeply closeted. The status quo is shattered when Lucas’ and Finley’s boyfriends dump them, and Presley turns out to be a player, using Ezra to make his intended jealous. It’s Ezra who suggests exacting revenge. He begins secretly posting anonymous videos of their machinations to TikTok, where they go viral, attracting millions of views as the boys fight their school’s homophobic Watch What You Say policy. Will they succeed and will Ezra find true love? Stay tuned. Hubbard’s first novel is an agreeable success, though it sometimes requires a willing suspension of disbelief. But it is well plotted, even inspirational in the boys’ idealized fight for visibility. The characters are empathic, including Ezra’s father, who is a supportive sweetheart who wisely declares, “Believing in yourself is the best revenge.”

Review: THREE KINDS OF LUCKY by Kim Harrison

Mar 082024
 

Bookpage: Kim Harrison’s THREE KINDS OF LUCKY is an immediately compelling urban fantasy with an intricate magic system and complex world. In THREE KINDS OF LUCKY by Kim Harrison, author of the bestselling Hollows series, magic has its own specialized sanitation service: Sweepers, who pick up a byproduct of magic called dross. If left unattended, dross can attract shadow, a dangerous, somewhat intelligent life-form that can easily kill mages, sweepers and normal humans alike. THREE KINDS OF LUCKY will immediately pull readers in with its fast pace and efficient storytelling; the entirety of its nearly city-shattering events all happen within a few days…  the mechanically intricate magic system and complex world Harrison has created makes this series opener well worth the read.

Review: THE BUTCHER OF THE FOREST by Premee Mohamed

Mar 072024
 

New York Times: Premee Mohamed’s THE BUTCHER OF THE FOREST is a genre-blending adventure full of bizarre creatures and dark magic. At the center of this novel is a forbidden forest that sits at the northern edge of a nameless town. No one who sets foot in the wood returns, with the exception of Veris Thorn, who once entered, somehow survived and came back. Now, the ruthless foreign tyrant who rules the region has pulled Veris from her home and given her a task: Go back into the forest and retrieve his children who are ensnared there. The tyrant gives Veris only one day to recover them, and if she fails, he will kill her family.

Fast-paced, tense, fantastical and uncanny, “The Butcher of the Forest” is a perfect mix of horror and fantasy. The perilous dimension hidden inside the forest is full of wicked shape-shifting beings, undead deer and other monstrosities, but it’s Mohamed’s beautiful prose and endearing characters that make this a powerful story.

Review: BENNY RAMIREZ AND THE NEARLY DEPARTED by Jose Pablo Iriarte

Mar 062024
 

School Library Journal: Benny is not talented—not like his sister, the dancer; or his brother, the actor;  or his recently deceased abuelo, the famous musician Ignacio Ramirez. He is forced to reckon with this when he and his family move into his grandpa’s Miami mansion and Benny attends arts school. He discovers Abuelo is actually a ghost who has some unfinished business! Ignacio decides to help Benny become a star, so that the performer can go to the eternal party that is the afterlife. This debut title explores the complexities of family dynamics in a way that shows a love for the characters, including those who are not always the most sympathetic. Arguably the least relatable character, Ignacio, is the funniest to read about, with his wildly colorful outfits and his lack of self-awareness. As such, he may remind readers of their own weird relatives who are beloved. Though some of the humor falls flat, each emotional scene will riff on readers’ souls. Children who are ­going through the pain of barely-there parents or family will ­relate to Benny and ­Ignacio’s ­relationship. This pleasant title is best for young fantasy readers who like the paranormal, but do not want the scares. ­VERDICT Benny’s story is a ­charming, not-scary ghost story with ­moments of joy, ­sadness, and wishing-you-were-there in ­Miami eating a delicious ­Cubano sandwich.

Review: EXORDIA by Seth Dickinson

Mar 042024
 

Reactor: Where Dickinson succeeds—where he turns Exordia into a truly exhilarating, dizzying work—is that he can take these human stories, human choices on the personal and on the international scale, and set them against a deeply alien intelligence.   

Exordia is a book that grabs your attention and doesn’t let it go: Dickinson creates a world that feels twice as vivid as normal and does it without ever slowing down the frenetic pace of the plot. It can be a lot to handle—Exordia certainly isn’t light bedside reading—but it’s an incredible work and an enthralling way to kick off your 2024 reading.

Review: FAKE FLAME by Adele Buck

Feb 282024
 

Publishers Weekly: Buck (Fast Acting) brings the heat in this scorching rom-com. After professor Eva Campbell’s ex, Darren, stages a ridiculous romantic gesture at her place of work to try to get her back, Eva snaps and tries to fend him off with an improvised flamethrower created from the combination of a cigarette lighter and a can of bug spray—and the fire department is called. Hunky firefighter Sean Hannigan, 36, is immediately attracted to Eva, 41, and when Darren tries to intimidate Eva in her office, Sean commits to being her fake boyfriend to keep him at bay. What starts as just pretend quickly becomes all too real and Buck makes it easy to see how perfect these two are for each other. Swoony Sean is an avid reader who isn’t ashamed to love a romance novel, which endears Eva—a professor of literature and pop culture—to him immediately. When Eva witnesses him interacting with his numerous nieces and nephews, she realizes he’d be a great dad, but worries it’s too late for her to give him that. The result is a refreshingly grounded conflict that Buck handles with a great deal of sensitivity. The steamy sex scenes are just a bonus. Readers will have no trouble rooting for the chivalrous firefighter and the plucky professor to get their happily ever after. (Apr.)

Review: The Misdirection of Fault Lines by Anna Gracia

Feb 262024
 

The Bulletin: At the prestigious Bastille Invitational, three Asian American would-be teen tennis stars vie for the title under enormous pressure to win: newbie Alice Wu, who’s anxious to show she’s worth her family’s sacrifices; Lê “Leylah” Ha, determined to prove the viability of a tennis career to her high-achieving immigrant parents; and Violetta Masuda, rising social media star, desperate to please her former champion mother. Assigned to share a room, these should-be rivals soon turn could-be friends. Past betrayals, however, cause Leylah to clash with former bestie Violetta, and as challenges mount on and off the court, each teen wrangles with personal demons, from disordered eating and a growing drug habit to self-destructive anger and overwhelming grief and guilt. The world of competitive tennis provides a wealthy, white backdrop to explore the impact of race on the pursuit of pro-career dreams, but like many a sports story, athletics are the least important part here, a supporting player to the young women’s personal crises and interpersonal drama. As the narrative volleys between the trio’s perspectives, individual stories sometimes lose traction, but as tournament action picks up, so does the pace, providing a strong finish. The girls are all eminently likable, learning that it’s okay for girls to be loud, take up space, and direct their own lives and readers will root for them to get the love, help, and wins they deserve. Give this to sports-hungry readers, but also to fans of the 2000 film Center Stage, who like their heroines vulnerable, strong-willed, and ambitious.

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