Nov 042015
 

Cover for This Is Where It Ends by Marieke Nijkamp. Five brightly colored pieces of chalk explode in front of a chalkboard as they are hit with a bullet.Publishers Weekly: Sometimes the most terrifying horrors are not those involving monsters out of fantasy but those taken straight from today’s headlines. Nijkamp’s debut follows four high school students on their first day of the spring semester in Opportunity, Ala. Over the course of 54 minutes—the amount of time a gunman holds their school hostage—their lives collide. Each of the four has an intimate connection to the shooter, and all must find a way to face the unfolding tragedy. While Claire views the event from outside the school, Autumn, Sylv, and Tomás are on the front lines. Love, loyalty, bravery, and loss meld into a chaotic, heart-wrenching mélange of issues that unite some and divide others. A highly diverse cast of characters, paired with vivid imagery and close attention to detail, set the stage for an engrossing, unrelenting tale. The starkly chilling realism and themes of abuse, death, and assault, among others, may prove too much for younger or sensitive readers, but the story unquestionably leaves an indelible mark.

 November 4, 2015  Tagged with: ,
Oct 272015
 

Cover for An Apprentice to Elves by Elizabeth Bear and Sarah Monette. A white woman with long blond hair and dressed in Viking-esque armor looks prepared to go into battle with two vicious wolves as allies.B&N SF&F Blog: This is a rich, complicated, textured world, with a myriad of different people, different creatures, different cultures, coming together in both a hard clash and a harder understanding. This is the kind of fantasy that makes you slow down, sound out the unforgiving consonants of a foreign culture, so you can hear those uncomfortable vowels, both the familiar and the alien. We don’t have to be just one thing, but several, and in fruitful opposition. Winter isn’t coming. It’s already here.

Read B&N’s full review of An Apprentice to Elves here.

 October 27, 2015  Tagged with: ,
Oct 262015
 

Cover for All the Difference by Leah Ferguson. Two engagement rings with boxes, one sitting upright in its box, the other sideways and fallen out.Publishers Weekly:  In her stirring debut, Ferguson takes inspiration from Robert Frost’s “The Road Not Taken” and turns it into a moving story about the consequences of choices. As the story begins, it seems that public relations whiz Molly Sullivan has it all—good friends, a loving boyfriend, a job she loves. But a positive pregnancy test turns her carefully controlled world on its ear. Before she can tell her boyfriend Scott that they’re expecting, he proposes to her at a New Year’s Eve party. The choice to marry, at first, seems as if it has an obvious answer: yes. But for the remainder of the novel, Ferguson leads Molly down two separate paths, with chapters marked “If She’d Said Yes,” or “If She’d Said No,” month by month, as Molly’s body grows with their child. At the end of the book, which wraps up with another New Year’s Eve party, it’s abundantly clear to Molly—and readers—which choice was the right one. Sprinkled in are well-developed, sympathetic characters, including Molly’s best friend, Jen, and her husband, who are trying unsuccessfully to get Jen pregnant, and Scott’s over-the-top mother, Monica, as well as the hero and heroine themselves. Though the alternating parallel universe structure isn’t a new tactic, readers will nevertheless cheer right along with Molly as she finds the path she’s intended to follow. A bittersweet yet satisfying treat.

 October 26, 2015  Tagged with: ,
Oct 232015
 

cover for Amanda Downum's Dreams of Shreds and TattersNew York Times: In Amanda Downum’s novel DREAMS OF SHREDS AND TATTERS, Liz Drake is a young woman living on the East Coast with her devoted boyfriend, whom she seems a bit ambivalent about ­ which probably explains her rather casual attitude toward him, a casualness that extends to other things as well.

One thing she’s not casual about, however, is her psychic connection to Blake Enderly. When Liz has an intuition, she is absolutely certain that her friend Blake, who lives across the continent and has recently gone missing, is in trouble, so she crosses the country, boyfriend in tow, to help find him. The connection between the two is never fully, or even partially, explained ­ it seems ambiguously metaphorical, a symbol of the fervent tribal bonds of postadolescent friendship, and on that level it does have some resonance. Similarly, the connections between Liz and her other friends are more asserted than earned ­ as the story shifts perspectives, many characters feel like profiles or postures more than fleshy humans, an effect that may be symptomatic or intentional on Downum’s part, or both.

There are hints at a deeper story here, one of drugs and addiction, about getting lost and the depths to which you can go to save your friends. And there are moments of promise, in which Downum successfully blurs the boundary between reality and fantasy until the narrative takes on a dreamlike fluidity, resulting in the freedom of possibility, of real surprise.

 October 23, 2015  Tagged with: ,
Oct 232015
 

Cover for The Pleasure Merchant by Molly Tanzer. The Monitor: This fascinating novel subverts Pygmalion, rags-to-riches and boy-meets-girl tropes to memorable effect….The narrative style is a delightful pastiche of Georgian and Victorian suffused with striking sensuality and modern sensibilities, as if Charles Dickens and Jane Austen had a child together and raised her on shojo and yaoi manga.  The voice of the Pleasure Merchant’s apprentice will stay with you for days.

Read The Monitor’s full review of The Pleasure Merchant here.

 October 23, 2015  Tagged with: ,
Oct 222015
 

Cover for Stinger by Robert McCammon. An enormous mutated scorpion creature crashes through a rocky mountain to get at a small car.Kirkus: I missed Stinger when in first came out in the late 1980s, but the new reprint from Subterranean Press is the perfect chance to correct that oversight. The story takes place over a 24-hour period in Inferno, Texas—a town that’s already primed for trouble because of racial tension, a poor economy, and gang violence. Things ignite when two unidentified flying objects land nearby, thus beginning a battle in an interstellar war that spells trouble for the small Texas town. The unidentified objects are actually visitors from another world. One of them is an alien bounty hunter known as Stinger, and the complete destruction of an alien town is a small price to pay to capture his deadly prey. Stinger may be science fictional, but, much like the film The Blob, it taps into 1950s pulp-style B-movie horror tropes. It also contains a large cast of fully realized characters and a plot that never slows down.

 October 22, 2015  Tagged with: ,
Oct 212015
 

Cover for The Traitor Baru Cormorant by Seth Dickinson. A realistic porcelain mask of a feminine mask hits the ground, starting to shatter.Locus: Dickinson has taken the gender concerns of Delany, and Delany’s attention to economic/vocational matters and colonialism/imperialism, all set in a pre-technological milieu, and conflated them with some of the aforementioned Cherryh-esque literary/thematic tactics to create a truly fine and distinctively individual fantasy novel that delivers action and philosophy, economics and warfare, love and hatred, in equal measures. His voice, however originally influenced, rings out strong and clear as a new addition to the chorus of fantasists.

The conclusion to the rebellion leaves her in a highly unanticipated situation, as Dickinson masterfully inverts almost all of the reader’s expectations.

Read Locus’ full review of The Traitor Baru Cormorant here.

 October 21, 2015  Tagged with: ,
Oct 212015
 

Cover for Holly Messinger's The Curse of Jacob Tracy. The title on paper like an Old West wanted poster. Above, bats flying in front of a full moon. Below, the silhouettes of two cowboys surrounded by ghostly figures.Publishers Weekly: Stellar writing and a strong story define Messinger’s amazing debut. After Jacob “Trace” Tracy nearly died at Antietam during the Civil War, he became connected to the spirit world. He tries to hide his ability to see the dead, working as a hired hand guiding wagon trains out West in the late 1880s. When a girl is accused of murder, Trace is lured into using his gifts to protect the innocent, but the cost is high. Messinger’s writing is a clinic on how to immerse the reader in a historic setting (such as his details on how 19th-century newspapers operated) without drowning readers in facts. Psychological and visceral horror mix in set pieces that build to a climax as Trace is forced to confront his fears about his abilities. Trace and his partner, Boz, quickly endear themselves to the reader, bantering and battling in a manner clearly inspired by the old Weird Tales; their interracial friendship (Trace is white and Boz is black) is well written. Though there’s a satisfying closure to Trace’s arc, this should be the start of many more Weird Western adventures.

 October 21, 2015  Tagged with: ,
Oct 202015
 

Cover of Koko the Mighty by Kieran Shea. Pale woman with short blue hair stands set to punch the viewer.Booklist: After barely surviving the events in Koko Takes a Holiday (2014), Koko Martstellar, the world’s most badass mercenary, and her boyfriend, Jedidiah Flynn, are back home trying to live peacefully as the proprietors of the most decadent and violent resort on twenty-sixth-century Earth. Koko wants to leave the killing behind, but there is still a determined bounty hunter out to capture her. So begins Koko’s next cyberpunk adventure, one that is even more dangerous and with bigger stakes than those in her previous outing. Told in an urgent present-tense voice, with alternating viewpoints, this novel is fast paced, action packed, violent, and just plain fun. And since this is a sequel, readers are treated to even more world building and character development, both of which are just as interesting and satisfying as the action-driven plot. Although Koko’s tale is told in words only, it has a graphic-novel storytelling sensibility that will appeal to fans of series like Hellboy or Saga. As the ending implies, we can expect more from Koko in the future, so make sure this crowd-pleasing, well-executed series is on library shelves now.

 October 20, 2015  Tagged with: ,
Oct 162015
 

Cover for Foreign Devils by John Hornor Jacobs.Forbidden Planet: Picking up where ‘The Incorruptibles’ left off, ‘Foreign Devils’ is a fast paced ride through a rough and dangerous world. […] ‘Foreign Devils’ is one hell of a ride – pun fully intended – and I can’t wait to see where Jacobs takes us next.

Read the full review of Foreign Devils at Forbidden Planet.

 October 16, 2015  Tagged with: ,