Sep 222016
 

photo of author Shaun David HutchinsonSimon Pulse has acquired, with Liesa Abrams to edit, We Are the Ants author Shaun David Hutchinson’s new YA book, The Apocalypse of Elena Mendoza, about a teen who was the first scientifically confirmed “virgin birth.” At 16 she discovers she can heal with a touch; simultaneously, people all over the world start disappearing in beams of light, making her wonder if she is bringing about the Apocalypse. Publication is scheduled for spring 2018; Amy Boggs at Donald Maass Literary Agency brokered the two-book deal for World English rights.

Sep 202016
 

Photo of author Yoon Ha Lee.World Fantasy Award nominee Yoon Ha Lee’s story collection, to include the current short fiction from the Hexarachate setting of NINEFOX GAMBIT along with new previously unpublished stories, to be published in 2018, sold to Jonathan Oliver at Solaris via Jennifer Jackson.

Sep 202016
 

Cover for Cherie Priest's The Family Plot.Chuck Dutton built Music City Salvage with patience and expertise, stripping historic properties and reselling their bones. Inventory is running low, so he’s thrilled when Augusta Withrow appears in his office offering salvage rights to her entire property. This could be a gold mine, so he assigns his daughter Dahlia to personally oversee the project.

The crew finds a handful of surprises right away. Firstly, the place is in unexpectedly good shape. And then there’s the cemetery, about thirty fallen and overgrown graves dating to the early 1900s, Augusta insists that the cemetery is just a fake, a Halloween prank, so the city gives the go-ahead, the bulldozer revs up, and it turns up human remains. Augusta says she doesn’t know whose body it is or how many others might be present and refuses to answer any more questions. Then she stops answering the phone.

But Dahlia’s concerns about the corpse and Augusta’s disappearance are overshadowed when she begins to realize that she and her crew are not alone, and they’re not welcome at the Withrow estate. They have no idea how much danger they’re in, but they’re starting to get an idea. On the crew’s third night in the house, a storm shuts down the only road to the property. The power goes out. Cell signals are iffy. There’s nowhere to go and no one Dahlia can call for help, even if anyone would believe that she and her crew are being stalked by a murderous phantom. Something at the Withrow mansion is angry and lost, and this is its last chance to raise hell before the house is gone forever. And it seems to be seeking permanent company.

Sep 192016
 

Cover for Cherie Priest's The Family Plot.RT Book Reviews: Priest continues to cement her reputation as a master of modern gothic with a haunted house tale that’s a slow burn with an utterly addictive finale. Though it feels like more could be done with the ghosts of the Withrow house, the living characters do more than their fair share of lifting with interactions that are charming and funny. That said, fans and new readers should walk away satisfied and just a little bit worried when in the house alone.

Read RT Book Reviews’ full review of The Family Plot here.

Sep 162016
 

Photo of author Mariah MacCarthyJoy Peskin at Farrar, Straus Children’s has acquired award-winning playwright Mariah MacCarthy’s Squad, about a cheerleader who suddenly becomes alienated by her best friend and cheer squad and is set out to discover who she is without the things that always defined her. It’s planned to publish in Fall 2018; Katie Shea Boutillier of Donald Maass Literary Agency brokered the deal for world rights.

Sep 152016
 

photo of author Shaun David HutchinsonSimon Pulse has pre-empted, with Liesa Abrams to edit, world English rights to Feral Youth, a novel with 10 authors edited by Shaun David Hutchinson, in the same vein as his previous Violent Ends. The book is a modern YA retelling of The Canterbury Tales, set during the last three days at a survival camp for “troubled youth” with 10 teens trying to win $100 by telling the best story, with stories from Brandy Colbert, Tim Floreen, Ellen Hopkins, Justina Ireland, Alaya Dawn Johnson, Stephanie Kuehn, E.C. Myers, Marieke Nijkamp, and Robin Talley. Fall 2017 is the projected pub date.

Sep 142016
 

Cover for Mary Robinette Kowal's Ghost Talkers.NPR: But it was that rare ability of Kowal’s to make what could have been a completely goofy add-on to the British war effort into something that felt completely wedded and solid that sold me ­ that spark of a great idea, well-executed. It is a story that just works. That lays out a presumption (ghosts are real), builds a plot architecture around it (they might be useful intelligence assets), and then grounds it with emotional weight (those forced to talk to the ghosts of the young and dead might not come out of it unscathed).

Read NPR’s full review of Ghost Talkers here.

Sep 132016
 

Cover for Ronald Malfi's The Night Parade.Booklist: The destruction or ending of the world as we know it is a common backdrop for examining elements of humanity. The numerous ways in which humanity and our world are going to crash and burn are terrifying and fascinating. Malfi adds an interesting new angle to the mix by placing the story in a world infected by the Wanderer’s Folly, a disease that blurs the lines between dreams and reality. While the disease and its impact on the human race are interesting, moving, and effective, the story’s real drive is the relationship between a father, David, and his daughter, Ellie. Ellie is a special girl; she is able to calm her parents when they are angry and cause people pain by merely touching them. Ellie’s abilities and the fact that her mother was immune to the Folly draw unwanted attention to the pair. David’s drive to protect his daughter at all costs and Ellie’s developing skills make for an emotionally compelling and interesting read.

Sep 122016
 

Cover for Cherie Priest's The Family Plot.Booklist: In Priest’s gothic haunted-house story, workers at failing architectural salvage company are given a once-in-a-lifetime chance to reverse their fortunes, if they can survive the ghosts plaguing the property. Dahlia Dutton, the daughter of Music City Salvage’s owner, loves old houses. She’s still sore over losing her own beautifully restored home in her divorce. Once Dahlia arrives at the grand, well-preserved Withrow estate in the Tennessee mountains, she wishes she could save it; instead, she and her crew­ — her estranged cousin Bobby; his lovable son, Gabe; and salvage rookie Brad­ — have mere days to rescue the valuables before demolition. To save money, they sleep on-site, when the mansion’s romantic charm turns menacing. Strange occurrences and spectral sightings increase as the crew dismantles the house, exposing the With row family’s secrets. Priest spices up a standard haunting with an irresistible premise focused on the “hidden treasure” aspect of salvage work. Careful character building accentuates the novel’s slow build, so by the time the salvagers are in real danger, they feel like real people, too. Despite lulls in pacing, the final scenes are terrifying. Highly recommended for fans of contemporary ghost stories.

Sep 092016
 

Cover for Mary Robinette Kowal's Ghost Talkers.Kirkus: A novel of unsung voices and alternate World War I history, Ghost Talkers by Mary Robinette Kowal is a wonderful, fraught, and heart-wrenching read. Set against the backdrop of World War I, it reinvents history to allow unheard stories to be told, whilst at the same creating a marvellous piece of romantic speculative fiction.

And then we have the unsung voices: the voices of those who we often don’t talk about when we remember WWI. The voices of women, people of colour, the disabled: the heroes in this novel. Ginger is a heroic, resourceful, determined, and complex character aware of her privileges (intersection feminism is a thing here), just like most of the characters – ­Helen, the person with the real power here is wonderful­in the novel are. The people in power dismiss them off-hand because of who they are, and the social injustices of the day are hard to read – reality often is and we oughtn’t to just brush them off.  The point here is that the reader is satisfyingly rewarded by the examination of those, by the strong implication of their wrongness and by having the unsung heroes becoming the ones to save the day.

Read Kirkus’ full review of Ghost Talkers here.