School Library Journal: A fresh and thought-provoking take on a disturbing but relevant topic. Seventeen chapters, each from a different point of view, tell the story of Kirby Matheson, a teenager who walks into school and opens fire on a pep rally before committing suicide. Narrators vary from those close to Kirby, like his sister, to more removed observers, such as his childhood next-door neighbor. While readers never enter Kirby’s mind, his environment, upbringing, family, and social interactions breathe life into his character. He is dynamic, at times sympathetic and loyal, while also angry, lashing out or isolating himself. Kirby’s various relationships emphasize his humanity and help to avoid stereotyping him as a pure villain. Each chapter becomes a window, slowly revealing what, perhaps, could have driven him to such a heinous act. Ultimately, no concrete reason is defined. Motive is left for teens to determine after exploring Kirby’s experiences with bullying, family drama, and the suggestion of a predatory teacher. Although each chapter is written by a different already established YA author, the narrative is cohesive. Using different voices opens a dialogue on a topic that is too often prevalent in young people’s lives. Kirby’s story is one of how instead of why.
Ben Benjamin, psi-tech Navigator, and Cara Carlinni, Telepath, can never go home again. To the Trust and Alphacorp alike, they are wanted criminals. Murder, terrorism, armed insurrection, hijacking, grand theft, and kidnapping are just the top of a long list of charges they’ll face if they’re caught.
So they better not get caught.
These are the people who defied the megacorporations and saved a colony by selling the platinum mining rights and relocating ten thousand colonists somewhere safe, and they’re not saying where that is.
They take refuge on crimelord-run Crossways Station with the remnants of their team of renegade psi-techs and the Solar Wind, their state-of-the-art jump-drive ship. They’ve made a promise to find a missing space ark with thirty thousand settlers aboard. But to do that, Ben and Cara have to confront old enemies.
Alphacorp and the Trust: separately they are dangerous, united they are unstoppable. They want to silence Ben and Cara more than they want to upstage each other. If they have to get rid of Crossways in order to do it, they can live with that. In fact, this might be the excuse they’ve been looking for….
Jacey Bedford’s NIMBUS, book 3 in the psi-tech space opera series (book 2, CROSSWAYS, coming August 4, 2015) and SILVERWOLF, sequel to the February 2016 book WINTERWOOD, a Napoleonic-era fantasy following the adventures of a cross-dressing lady privateer, to Sheila Gilbert at DAW by Amy Boggs.
Polish rights to Michael R. Fletcher’s BEYOND REDEMPTION to Papierowy Ksiezyc, by Milena Kaplarevic at Prava I Prevodi in association with Katie Shea Boutillier on behalf of Cameron McClure.
Russian rights to Michael R. Fletcher’s BEYOND REDEMPTION, to AST, by Alexander Korzhenevski Agency in association with Katie Shea Boutillier on behalf of Cameron McClure.
Italian rights to Thea Harrison’s ORACLE’S MOON, Book 4 of the Elder Races series, to Fanucci, by Stefania Fietta at Agenzia Letteraria Internazionale, in association with Katie Shea Boutillier on behalf of Amy Boggs.
Italian renewal rights to Margaret Doody’s MYSTERY OF ELEUSIS, to Sellerio, by Stefania Fietta at Agenzia Letteraria Internazionale, in association with Katie Shea Boutillier.
Turkish rights to Shaun David Hutchinson’s THE FIVE STAGES OF ANDREW BRAWLEY, to Yabanci, by Nazli Cokdu at ONK Agency, in association with Katie Shea Boutillier on behalf of Amy Boggs.
Kirkus: This collection of stories provocatively and effectively illustrates the multidimensionality of someone considered to be a monster, and readers will find much of it fascinating and moving. A variety of characters affected by a school shooting offer their perspectives in this work of realistic fiction penned by 17 different authors and coordinated by Hutchinson. When Kirby Matheson, a high school student with a history both of being bullied and of coming to the aid of others being maltreated, kills six of his fellow students and then himself, everyone searches for answers. A vignette from the point of view of his childhood tormentor is deeply troubling. The most experimental section is narrated by the gun Kirby used to commit the murders. However, the sheer number of perspectives feels unwieldy at times. Engaging and heart-wrenching but spread a bit too thin.
Ever since their scorching affair ended years ago, Julian, the Nightkind King, and Melisande, daughter of the Light Fae Queen, have tried to put the past behind them—and distance between them. But when a war breaks out between Julian and Justine, a powerful Vampyre of the Nightkind council, they find themselves thrown together under treacherous circumstances…
Kidnapped as leverage against Julian, Melly is convinced that her former lover won’t be rushing to her rescue. But when Julian gives himself up to save her, they both end up Justine’s captives. Armed only with their wits and their anger, Melly and Julian must work together to escape. But will they be able to ignore their complicated history, or will the fiery passion that once burned them blaze again?
Holly Messinger’s forthcoming debut THE CURSE OF JACOB TRACY, to Steve Feldberg at Audible, by Katie Shea Boutillier , on behalf of Amy Boggs.
RT Book Reviews: Top Pick! The vampyre (aka Nightkind) world is once again at the center of Harrison’s latest fabulous release. Events pick up where the previous book, Night’s Honor, left off as ancient vampyre Justine attempts a coup against Julian, the Nightkind King. Treachery and betrayal, both old and new, place Julian and Melisande (“Melly”), the daughter of Tatiana, the Light Fae Queen, in a desperate fight for their lives. A true gift for storytelling is rare, but Harrison unquestionably has it!
Andrew Brawley was supposed to die that night. His parents did, and so did his sister, but he survived.
Now he lives in the hospital. He serves food in the cafeteria, he hangs out with the nurses, and he sleeps in a forgotten supply closet. Drew blends in to near invisibility, hiding from his past, his guilt, and those who are trying to find him.
Then one night Rusty is wheeled into the ER, burned on half his body by hateful classmates. His agony calls out to Drew like a beacon, pulling them both together through all their pain and grief. In Rusty, Drew sees hope, happiness, and a future for both of them. A future outside the hospital, and away from their pasts.
But Drew knows that life is never that simple. Death roams the hospital, searching for Drew, and now Rusty. Drew lost his family, but he refuses to lose Rusty, too, so he’s determined to make things right. He’s determined to bargain, and to settle his debts once and for all.
But Death is not easily placated, and Drew’s life will have to get worse before there is any chance for things to get better.
School Library Journal: The Five Stages of Andrew Brawley gutted me. The author puts all of Drew’s pain on the page and never lets you look away. … Though Drew is suffering on every page of this story, he is also fumbling his way through the darkness to whatever is on the other side of it. All of the characters are. It’s hard to see that or remember that in the middle of so much pain, but hospitals aren’t just a place for ailing—they’re also a place for healing. … The unique setting, multifaceted plot, strong characters, and raw emotion make this story impossible to put down, even when you really want to. I’ll be thinking about Rusty and Drew for a long time to come.
Read the full Teen Librarian Toolbox review of The Five Stages of Andrew Brawley here.