In the canton of Yarrowdale, at the very edge of the Empire’s reach, a Treasury officer has disappeared into thin air—vanishing from a room within a heavily guarded tower, its door and windows locked from the inside.
To solve the case, the Empire calls on its most brilliant and mercurial detective, the great Ana Dolabra. At her side, as always, is her bemused assistant Dinios Kol.
Ana soon discovers that they are investigating not a disappearance but a murder—and one of surpassing cunning, carried out by an opponent who can pass through warded doors like a ghost.
Worse still, the killer may be targeting the high-security compound known as the Shroud, where the Empire harvests fallen titans for the volatile magic found in their blood. Should it fall, the Empire itself will grind to a halt, robbed of the magic that allows its wheels of power to turn.
Din has seen his superior solve impossible cases before. But as the death toll grows and their quarry predicts each of Ana’s moves with uncanny foresight, he fears that she has at last met an enemy she can’t defeat.
Audio rights to Emily Blackwood’s new MYSTICS OF ASHORA SERIES, plus CROWN SO CRUEL, book three of Golden City series, to Julie Constantine at Podium Audio, in an exclusive submission, in a five-book deal, by Katie Shea Boutillier (NA).
Bulgarian rights to New York Times bestselling author Martha Wells’ NETWORK EFFECT and FUGITIVE TELEMETRY, the fifth and sixth books in The Murderbot Diaries, plus “Home: Habitat, Range, Niche, Territory,” to Studio of A, by Milena Kaplarević at Prava i prevodi in association with Michael Curry for Jennifer Jackson.
From the darkness of a plagued and war-torn Middle Ages, the Renaissance (we’re told) heralds the dawning of a new world—a halcyon age of art, prosperity, and rebirth. Hogwash! or so says award-winning novelist and historian Ada Palmer. In Inventing the Renaissance, Palmer turns her witty and irreverent eye on the fantasies we’ve told ourselves about Europe’s not-so-golden age, myths she sets right with sharp clarity.
Reactor
Thara Celehar has lost his ability to speak with the dead. When that title of Witness for the Dead is gone, what defines him?