From the darkness of a plagued and war-torn Middle Ages, the Renaissance (we’re told) heralds the dawning of a new world—a halcyon age of art, prosperity, and rebirth. Hogwash! or so says award-winning novelist and historian Ada Palmer. In Inventing the Renaissance, Palmer turns her witty and irreverent eye on the fantasies we’ve told ourselves about Europe’s not-so-golden age, myths she sets right with sharp clarity.
Palmer’s Renaissance is altogether desperate. Troubled by centuries of conflict, she argues, Europe looked to a long-lost Roman Empire (even its education practices) to save them from unending war. Later historians met their own political challenges with a similarly nostalgic vision, only now they looked to the Renaissance and told a partial story. To right this wrong, Palmer offers fifteen provocative portraits of Renaissance men and women (some famous, some obscure) whose lives reveal a far more diverse, fragile, and wild Renaissance than its glowing reputation suggests.
Reactor
Thara Celehar has lost his ability to speak with the dead. When that title of Witness for the Dead is gone, what defines him?
Audio rights to David Jones’ MISS UNIVERSE, to Kim Budnick at Tantor Media, by Katie Shea Boutillier for Jennie Goloboy (World English).
Chinese (complex) rights to Nebula and World Fantasy Award winner Premee Mohamed’s NO ONE WILL COME BACK FOR US, to Apex, by Gray Tan at Grayhawk Agency in association with Michael Curry.
The chosen one is dead, the powerful have abandoned their subjects, and Death has come for them all.