Donald Maass Literary Agency

Booklist: In a novel that works both as stand-alone and sequel, Bennett returns to the same postapocalyptic fantasy world he created to much critical and reader acclaim in City of Stairs (2014), but this time, the setting is a ruined city where the ruling god is dead and lawlessness abounds. The retired General Mulaghesh is forced back into the fray in the city of Voortyashtan, so named for defeated god Voortya, who had promised her army of supporters a glorious afterlife before they were all destroyed. While Mulaghesh’s cover story is to assist the military commander, her real assignment is to investigate the disappearance of another officer who had uncovered a dangerous secret about Voortya and her defeated army. Like the very best speculative fiction, the novel immerses readers in a made-up world, only to force us take a harder look at the real one in which we are currently living. Give this to fans of other strong world-building, high-fantasy series with political-military intrigue like those by Brian Staveley, Kameron Hurley, or even George R. R. Martin.

Kirkus: “Don’t forget, it was their choice to get involved in this war”: Fantasian Bennett builds another world, convincingly, in which empires rise and fall and blood flows. Bennett clearly has fun doing all the scene-setting and complicating that his tale involves, and while in the end this is a warning against the totalitarian impulse, it makes all kinds of detours into the dark hearts of men—and women, too. Sometimes too talky but richly detailed and expertly plotted. A grand entertainment.

Kirkus: I missed Stinger when in first came out in the late 1980s, but the new reprint from Subterranean Press is the perfect chance to correct that oversight. The story takes place over a 24-hour period in Inferno, Texas—a town that’s already primed for trouble because of racial tension, a poor economy, and gang violence. Things ignite when two unidentified flying objects land nearby, thus beginning a battle in an interstellar war that spells trouble for the small Texas town. The unidentified objects are actually visitors from another world. One of them is an alien bounty hunter known as Stinger, and the complete destruction of an alien town is a small price to pay to capture his deadly prey. Stinger may be science fictional, but, much like the film The Blob, it taps into 1950s pulp-style B-movie horror tropes. It also contains a large cast of fully realized characters and a plot that never slows down.