Donald Maass Literary Agency

B&N SFF Review: Yoon Ha Lee blew up like a supernova last year with the release of his debut novel, Ninefox Gambit, earning a double fistful of award nominations (among them the Hugo, Nebula, and Clarke awards) for a brainy, intricate space opera as much about identity, the politics of empire, and grief, as it is about flashy space battles and a revolution within a mathematically constructed super-empire known as the Hexarchate.

Lee’s ability to balance high science fiction concepts­, worlds, cultures, and weapons­-with a deep examination of character-tragic flaws, noble purpose, and societal ideas ­is nigh unprecedented in space opera.

Raven Stratagem more than lives up to the promise of its predecessor, continuing the intriguing double-sided story of Shuos Jedao, the enigmatic tactician reborn and looking to make things right once and for all. It is a challenging read, but it’s not all philosophizing and waxing poetically about scattering of stars in the Hexarchate. There’s a ton of action, and when it hits, it hits hard. There’s literally a climactic battle in which two space fleets just throw math at each other, and it’s spectacular. Only a mad genius could pull off that maneuver in style­ and that madman’s name is Yoon Ha Lee.

RT Book Reviews: You’ll need to clear your schedule as soon as you get your hands on a copy of Drayden’s debut novel! Taking place in a near-future South Africa, Drayden introduces us to a diverse and endearing cast of characters and mind-blowingly cool concepts. She expertly blends together science fiction and fantasy for a wild ride that gives readers both a robot uprising and a vengeful demigoddess craving power. LGBT characters are also introduced organically, and their personal stories will leave readers cheering. Drayden has certainly made herself an author to watch out for.

Locus: “Murderbot,” as the sardonic first-person narrator in Martha Wells’s All Systems Red refers to itself, would simply prefer to be left in peace to watch serialized entertainments in its own high-tech suit. Sadly, given that the planetary expedition Murderbot is part of goes horribly wrong when one of the scientists is almost eaten by the local fauna, it isn’t going to get its wish.

All Systems Red is a light but interesting story about a creation that is half human (maybe) and half non-organic parts, who is learning to deal with actual humans. Murderbot resists being pulled into the circle of fleshy creatures around it. Really, it would just as soon stay on the outside.

The humans, too, aren’t so sure what to make of Murderbot, who was foisted upon them by the corporation who owns exploration rights to the planet they are on. They don’t trust it or its motivations, all of which are complicated by its unreadable responses. Add to that inherent tension Wells’s brisk pacing, an intriguing enough mystery, and lucid action sequences, and this story is a great kick-off for a continuing series of Murderbot Diaries, which are being planned. With this novella Wells, who is better known for her fantasy work, proves that she can play in a science fictional world as well.