Washington Post: Nicky Drayden’s debut novel “The Prey of Gods” (Harper Voyager) is delightfully unlike most science fiction out there. Drayden mixes folklore, urban fantasy and science fiction in her futuristic South Africa to dazzling effect.
In this entertaining tale, a new drug called Godspeed hits the street. It causes users to hallucinate, to see themselves as animal creatures; sometimes it draws out peculiar powers. Teenage Muzi, grappling with his sexuality and his heritage, finds that the drug lets him manipulate people. His path, and that of his personal AI bot, crosses that of a pop star at the pinnacle of her career, a young politician who dreams of stardom and a little girl from a poor village learning to control her awesome power. Together, they must stop a goddess hungry for world-domination. The plot can get a bit (too) twisty and complex—memories! gods! AI revolutions! But it showcases characters not often seen in popular fiction, and amid the fast-paced action, touches on relevant race and class issues.
Ultimately, it’s a book about coming to terms with your true self.
Hugo and World Fantasy Award nominee Yoon Ha Lee’s next science fiction novel in which two scrappy investigators are hired to find a stolen starship which may be used to reignite an old interstellar war to Jonathan Oliver at Solaris by Jennifer Jackson.
Spanish rights to Nalo Hopkinson’s Locus Award-winning BROWN GIRL IN THE RING, to Apache Libros, by Maru de Montserrat at International Editors in association with Katie Shea Boutillier and Michael Curry.
Audio rights to Nebula-nominated Martha Wells’ ALL SYSTEMS RED and ARTIFICIAL CONDITION, the first two installments in The Murderbot Diaries, to Brian Sweany at Recorded Books, by Jennifer Jackson and Michael Curry.
B&N SFF Blog: Veteran fantasist Wells proves her sure hand at sci-fi as she imagines a future dominated by corporations, in which the twin imperatives of bureaucratic adherence to policies and the need to award all contracts to the lowest bidder result in every planetary mission being required to be accompanied by a company-supplied SecUnit, an artificially intelligent android built from cheap parts, and as likely to malfunction as all of the other shoddy equipment the expeditions are counting on to, oh, keep them breathing. The SecUnit narrating the story has hacked its own Governor Module, attaining sentience and free will; it would despise the humans it protects if it didn’t find them so boring, but it nevertheless refers to itself as Murderbot. When its humans are attacked by something outside of the experience provided by its data banks, however, Murderbot must turn its prickly, near-omniscient mind towards not just the survival of its humans, but itself. This slim read is both surprisingly funny and packed with intriguing future worldbuilding, all the more reason to celebrate the sequel due later in the year.
Publishers Weekly: This stunning sequel to the Hugo-and Nebula-nominated Ninefox Gambit contains a satisfying mixture of interstellar battles, politics, intrigue, and arcane technology.
Yoon Ha Lee’s NINEFOX GAMBIT (already a nominee for this year’s Hugo and Nebula Awards) is one of six finalists for the Arthur C. Clarke Award!