Locus: Cassandra Khaw has cemented their status as horror royalty, once and for all, with their latest novella, The Salt Grows Heavy. All hail and long live! Here’s the thing, though: I’m not even sure how or where to start telling you about The Salt Grows Heavy. Nothing I say can quite capture the creeping body horror, the marvelous disorientation, or the toothy, sumptuous, and marvelously off-putting prose of the thing. Fans of Khaw’s Nothing But Blackened Teeth will be happy to see that Khaw’s vision and aesthetic remain as dark as ever, and relish that—in my opinion—they have managed to push further into the weird and the unsettling….for those of us who find darkness irresistible, especially when beautifully presented, The Salt Grows Heavy is a grotesquely perfect feast.
Jul 172023
Publishers Weekly: Heartfield (The Chatelaine) injects some magic into European history with this lush and enchanting outing. In 1768, close-knit sisters Charlotte and Antoine, daughters of the Habsburg emperor, are sent their separate ways to marry powerful husbands: Charlotte to Naples and the brutish King Ferdinand, and Antoine to France, where she is renamed Marie Antoinette and weds the future King Louis XVI. Isolated and alone, the two rely on lessons from a book of spells they discovered as children to reclaim power over their lives while trying to do right for their respective nations. As tension mounts both politically and in the magical world, the sisters find themselves on opposing sides, turning from close confidants to bitter rivals. Heartfield’s accounts of both queens are detailed and insightful, with a fresh take on Marie Antoinette and a fascinating look at her less famous sister. The magic system, which demands a sacrifice for each spell cast, is a cool concept, but in execution it’s a bit murky and occasionally feels like an afterthought to the story at hand. Still, fans of historical novels looking for just a touch of the fantastic are sure to be sucked in.
Booklist: Fetter is enmeshed in a cycle of violence as his mother severs his shadow from him at birth and forges him into a weapon to murder his messianic father and dismantle his religion. As an adult, Fetter rejects her indoctrination. He physically and ideologically distances himself from both parents by settling in Luriat, the urban antithesis to his rural hometown, and recalibrating his raison d’être to peace: he assists fellow refugees, heals his trauma through therapy, cultivates intimate relationships, and investigates Luriat’s mysterious, unopenable, brightly painted doors. Nonetheless, Fetter is reeled back into his family’s conflict and becomes entangled in discord arising from government-endorsed systematic oppression, causing him to lose his place in society and calling into question his life’s purpose. The story line unravels in the final arc, paralleling Fetter’s unmoored state… However, the lyrical, precise prose, the original, organic nature of the world building, and the complex themes of purpose, identity, and the biased, often violent, incomplete nature of history-telling will engage readers long after finishing.
New York Times: Reversing that trajectory, Martha Wells has followed up her best-selling series of Murderbot novellas with a return to full-length, epic fantasy. WITCH KING (Tordotcom, $28.99, 414 pp.), a deeply immersive throwback to a beloved (and for me, foundational) species of 1990s fantasy doorstop, is full of cataclysmic intrigues between mostly immortal families, complete with map and dramatis personae.
Publishers Weekly: Shirley (Halo: Broken Circle) veers from gaming fiction to near-future military techno-thriller in this competent, straightforward novel of U.S. Army Rangers in space. Lt. Art Burkett’s marriage is failing due to his wife’s worries over his continuous insertion into dangerous missions, when he is yanked away yet again, this time into a hostage rescue that involves a drop from space. The mission runs into complications: an undercover agent is killed by friendly fire, the agent’s brother vows vengeance, and the Russians look to solidify their hold on near-Earth orbit by finishing off the spacecraft carrying Burkett and company back to safety. Shirley includes most of the archetypes common to military adventure fiction, including the officer torn between public and private duty, the spy whose suspicions are not mere paranoia, the gruff leader who stands up to the Big Brass, and the Big Brass themselves, whose pettiness is paid for by personal sacrifice. Sure-footed descriptions of spaceflight and the toils of working without gravity enhance the plot without the technobabble ever pulling focus from the soldiers as they fight for their lives and honor. Shirley’s fans will be pleased.
Publishers Weekly
Publishers Weekly
Publishers Weekly