Donald Maass Literary Agency

Driving home late one night, Etain Larkin finds a corpse on a pitch-black country road deep in the Irish countryside. She takes the corpse to a remote farmhouse. So begins a night of unspeakable horror that will take her to the very brink of sanity.

She will never speak of it again.

Two decades later, Betty Fitzpatrick, newly arrived at college in Dublin, has already fallen in love with the drama society, and the beautiful but troubled Ashling Mallen. As their relationship blossoms, Ashling goes to great lengths to keep Betty away from her family, especially her alcoholic mother, Etain.

As their relationship blossoms, Betty learns her lover’s terrifying family history, and Ashling’s secret obsession. Ashling has become convinced that the horrors inflicted on her family are connected to a seemingly innocent children’s TV show. Everyone in Ireland watched this show in their youth, but Ash soon discovers that no one remembers it quite the same way. And only Ashling seems to remember its star: a small black goat puppet who lives in a box and only comes out if you don’t behave. They say he’s never come out.

Almost never.

When the door between the known and unknown opens, it can never close again.

The year is 1328 and Bruges is under siege by the Chatelaine of Hell and her army of chimeras – —creatures forged in the deep fires of the Hellbeast.

At night, revenants crawl over the walls and bring plague and grief to this city of widows. Margriet de Vos learns she’s a widow herself when her good-for-nothing husband comes home dead from the war. But he didn’t come back for her. The revenant who was her husband pulls a secret treasure of coins and weapons from under his floorboards and goes back through the mouth of the beast called Hell.

Margriet killed her first soldier when she was eleven. She’s buried six of her seven children. She’ll do anything for her daughter, even if it means raiding Hell itself to get her inheritance back.

Margriet’s daughter Beatrix is haunted by a dead husband of her own, and blessed, or cursed, with an enchanted distaff that allows her to control the revenants and see the future.

Together with a transgender man-at-arms who has unfinished business with the Chatelaine, a traumatised widow with a giant water-powered forgehammer at her disposal, and a wealthy alderman’s wife who escapes Bruges with her children, Margriet and Beatrix forge a raiding party the likes of which Hell has never seen…