Donald Maass Literary Agency

A down-on-her-luck waitress at a posh New Jersey country club, Kim Valva couldn’t be living a more different life from the carefree socialites she serves. Her live-in boyfriend recently cheated on her, her social life is in shambles, and her dog needs a life-saving surgery that she can’t afford. Then her luck seems to change when a mysterious figure identifying themself only as The Stranger contacts her with an offer she can’t refuse: Put a pill in the new member’s drink and, when he dies, she’ll have enough money to fix her dog and her life.

Her target turns out to be Tony Fiore―Kim’s bad boy ex-boyfriend from high school. Fifteen years have passed, and he now goes by Anthony Fuller. He’s cleaned up, made tens of millions, and his gorgeous fiancée, twenty-two-year-old PJ Walsh, is on his arm.

PJ had her own agenda from the second she met Anthony. Find him, trick him, marry him, kill him. It was supposed to be easy, but she finds that while living her double life, the lines blur between who she is and who she’s pretending to be.

Stunned to see Tony again, Kim can’t bring herself to go through with spiking his drink. Instead, it is PJ who dies horrifically at the table just as dinner ends. Was someone else at the club―member or worker―tasked with poisoning PJ just as she had been instructed to do to Tony? Who would want both of them dead? With no one to trust and The Stranger to answer to, Kim must peel back the layers of deceit to reveal a deeply buried truth, more shocking than she could ever imagine…

Award-winning author Kelly Jacobson (Tink and Wendy, Robin and Her Misfits) delivers her latest fairytale retelling in this cross between the classic Pinocchio and a Stephen King novel like The Gunslinger, Paige (a queer eighteen-year-old girl) is a wooden toymaker’s daughter dragged from state to state as her mother, Petta Vitaly, hawks her creations from their caravan. When they finally return to Petta’s hometown, Paige discovers Toy Palace, her family’s animatronic toy business, but she keeps the discovery from her mother—only to find that she has begun to turn into a wooden marionette.

With the help of two girls who use Paige’s interest in them to pull off the heist, Paige breaks into Toy Palace and finds out some of the family history her mother has been hiding from her. Though Paige is abandoned by the two girls, she discovers a captive fairy in one of the upper rooms of Toy Palace, Prince Alexio, who shows her that an entire realm, the Land of Toys, has been destroyed by fairies called the Deathsprites—and that her family has been using Prince Alexio’s powers to help the evil fairies gain power through the animatronic toys they have been selling for the last eighteen years.

Unable to cope with this new information, Paige runs away from Toy Palace and the captive prince, but her mother and a Toy Palace manager end up rescuing Prince Alexio instead. He finds Paige and takes her to the Land of Toys, where the Deathsprites have been turning sweet toys into terrible monsters determined to kill everything in their path. With the help of the talking cricket and Paige’s newfound strength as a marionette, the two must cross the realm of piled toy parts and frightful creations to stop the Deathsprites from making a portal to Earth that will bring destruction on that planet, too.

Lies of a Toymaker is a queer feminist YA retelling of the classic that reexamines what it means to “lie” for the benefit of others, and how the lines between truth and fiction are not always as clear as they seem. The book is told from several different perspectives, but follows Paige’s journey most centrally. Many classics from the original story make an appearance, such as the whale, the talking cricket, the fox and the cat, and the Fairy with Azure Hair.