May 312020
 

German rights to Annika Martin’s THE BILLIONAIRE’S FAKE FIANCEE, to Lyx, by Sarah Knofius at Thomas Schlueck Agency, on behalf of Katie Shea Boutillier for Cameron McClure.

Greek rights to Martha Wells’ Nebula and Hugo Award-winning ALL SYSTEMS RED, the first book in the New York Times bestselling Murderbot Diaries series, to Fantastikos Kosmos, by Milena Kaplarevic at Prava i Prevodi in association with Michael Curry for Jennifer Jackson.

Spanish rights to USA Today bestselling author Tamsyn Muir’s The Locked Tomb trilogy (GIDEON THE NINTH, HARROW THE NINTH, ALECTO THE NINTH), to Nova, by Amaiur Fernández at International Editors’ Co. in association with Michael Curry for Jennifer Jackson.

Spanish rights to Jo Walton’s THE JUST CITY, to Duermevela, by Amaiur Fernandez at International Editors’, on behalf of Katie Shea Boutillier, for Cameron McClure.

Turkish rights to Martha Wells’ NETWORK EFFECT, the first full-length novel in the New York Times bestselling Murderbot Diaries series, to Ithaki, by Merve Öngen at ONK Agency in association with Michael Curry for Jennifer Jackson.

May 292020
 

Publishers Weekly: Lee (Hexarchate Stories) sets an arresting tale of loyalty, identity, and the power of art in a skillfully rendered fantasy world inspired by the Japanese occupation of Korea. The Empire of Razan conquered Hwaguk six years earlier, transforming it into Administrative Territory Fourteen. When Gyen Jebi, a nonbinary struggling artist, registers for a Razanei name to enhance their job prospects, their sister, Bongsunga, calls Jebi a traitor to their Hwagugin heritage and cuts off the financial support she had been providing. Jebi is left in no position to turn down a job offer from the Razan government’s defense sector, especially not when the recruiter threatens to arrest Bongsunga for her revolutionary ties should Jebi refuse. Jebi’s task is to destroy classic Hwagugin artworks, reducing them to a powder with magical properties that can be used as a pigment to paint codes onto automatons of war and program their behaviors. When Jebi secretly teaches the mechanical dragon they’re working on to speak, Jebi learns the devastating truth behind a recent massacre. But will Jebi be able to save their people and regain their sister’s trust? Readers need not be history buffs to appreciate Lee’s rich worldbuilding, but those with knowledge of Korean history will find the nuance and detail especially rewarding. Lee’s masterful storytelling is sure to wow.

May 272020
 

Congratulations to Martha Wells! THE MURDERBOT DIARIES, translated by Naoya Nakahara (Tokyo Sogensha), has been selected as a 2020 Seiun Awards finalist in the Best Translated Novel section by the The Science Fiction Fan Groups’ Association of Nippon.

May 222020
 

Booklist: Everyone’s favorite Murderbot is now working as a security consultant for Preservation Station. While accompanying several members of Dr. Mensah’s family on a research outing, they’re attacked by a ship that looks a lot like their old friend, the transport ship ART. Murderbot and Amena, Mensah’s daughter, are kidnapped and taken aboard, where they uncover a plot that leads back to a strange planet, corporate machinations, and a possible alien contagion. The Murderbot novellas were perfectly paced to fit a ton of action into a short form. Network Effect is just as action-packed, but the pace is now calibrated to fill a full novel, which gives it more breathing room and opportunities to explore the characters and the setting in greater depth. Relationships between all the characters are richer and more nuanced. Wells reveals more about Dr. Mensah’s family and some surprises about ART and establishes more details about how the Corporations function, the contrasts between the Corporate Rim and Preservation Station, the politics at play, and some of the history of pre-Corporate planetary colonization attempts. It’s a welcome expansion of this universe and lays the groundwork for more stories to come in a series that continues to grow and impress.

May 192020
 

Congratulations to Kerstin Hall! THE BORDER KEEPER has been shortlisted in the novella category for the 2020 Nommo Awards from the African Speculative Fiction Society.

May 182020
 

Publishers Weekly: The enjoyable 15th installment to Harrison’s the Hollows series picks up shortly after the events of 2014’s The Witch with No Name as witch-born demon Rachel Mariana Morgan again confronts supernatural threats to her beloved Cincinnati. An unknown and terrifying creature is stalking both Rachel and her former enemy, elven Trent Kalamack, in their dreams, while in the waking world, Hodin, a mysterious new demon in town, offers Rachel an opportunity to fine-tune her magical abilities. Afraid to sleep, Rachel places her trust in Hodin to help her find a way to defeat a nightmarish foe she can’t even touch. Harrison makes a skillful return to her urban fantasy world, recapturing her signature blend of magical mayhem and soap operatics, though the dwindling presence of Rachel’s vampire partner, Ivy, suggests a shift in focus as the series evolves. Narrative momentum is disrupted by several lengthy scenes of Rachel exploring her magic with Hodin through elaborately described rituals and slogging metaphysical discussion, but the expansion of magic’s possibilities in this universe could spell good things to come. Despite a detailed introductory preface, new readers will likely be lost in the sea of returning faces, but existing fans will be pleased by this promising continuation of the series.

May 112020
 

Photo of Elizabeth BearSpyglass Media has acquired dramatic rights to “Covenant”, a short story by Elizabeth Bear, via Sylvie Rabineau at WME in association with Jennifer Jackson.

Set to be adapted by screenwriters Josh Campbell and Matt Suecken, who wrote the screenplay for 10 Cloverfield Lane, the project will be produced by Arts District Entertainment and Spyglass VP Productions. Bear’s story first appeared in Ed Finn and Kathryn Cramer’s 2014 anthology Hieroglyph: Stories and Visions for a Better Future.

May 052020
 

Martha Wells’ New York Times and USA Today bestselling Murderbot series exploded onto the scene in 2017, and the world has not been the same, since.

Murderbot returns in its highly-anticipated, first, full-length standalone novel, Network Effect.

You know that feeling when you’re at work, and you’ve had enough of people, and then the boss walks in with yet another job that needs to be done right this second or the world will end, but all you want to do is go home and binge your favorite shows? And you’re a sentient murder machine programmed for destruction? Congratulations, you’re Murderbot.

Come for the pew-pew space battles, stay for the most relatable A.I. you’ll read this century.