Publishers Weekly: Butcher shifts gears in his emotional 18th urban fantasy featuring professional wizard Harry Dresden (after 2020’s Battle Ground), focusing on the character’s struggles, over the course of one year, to come to terms with recent devastating events. These include the deaths of tens of thousands of Chicagoans, massive infrastructure damage, Dresden’s expulsion from the White Council of Wizardry, and the murder of his significant other, Karrin Murphy. Unfortunately, the threats to his city and those dear to him haven’t stopped just because Dresden is processing so much trauma; the corpses of the fallen attract ghouls who hunger for human flesh, and the damage to the city’s streets makes supplying its residents with food and other necessities extremely difficult. If that wasn’t enough, Dresden finds that he has another loved one at risk: his half brother Thomas, who is battling a malevolent possessing spirit. The high-stakes plotlines keep the pages turning as rapidly as ever, but this installment’s greatest strength lies in its exploration of Dresden’s mental state as his resilience is tested as never before. It’s not the ideal jumping-in place for newcomers, but those invested will appreciate this more intimate, and ultimately more optimistic, outing for Dresden.
Washington Post: “It’s fun when slight little shows — especially comedies — overperform by improving on a silly premise. In Apple TV’s goofy space dystopia, “Murderbot,” Alexander Skarsgard plays a crabby, semi-obsolete “SecUnit” (or “private security construct” — sort of a computer with human tissue) that started the series by quietly rebelling against its overlords. Specifically, it hacked its “governor module” to watch a bunch of movies and TV, and it must now hide its newfound sentience (and fandom) from the incompetent humans it’s forced to protect. The series was one of the year’s weirder and more successful television experiments. Created by Weitz brothers Paul and Chris (who also made “American Pie” and “About a Boy”) the show, an adaptation of the first book of Martha Wells’s “The Murderbot Diaries,” makes extraordinary — and original, and very funny — use of Skarsgard’s almost inhumanly handsome and distant screen presence.”
Arabic rights to New York Times bestselling author Jim Butcher’s FURIES OF CALDERON, the first book in the Codex Alera series, to Aser Al-Kotob, by Ruqaya Tareq at Bears Factor in association with Michael Curry for Jennifer Jackson.
Czech rights to Kel Kade’s DRAGONS AND DEMONS and KNIGHT OF SHADOWS, to Fantom Print, in a two-book deal, by Nada Popovic at Prava I Prevodi, on behalf of Katie Shea Boutillier at Donald Maass Literary Agency, for Cameron McClure.
Hungarian rights to New York Times bestselling author Martha Wells’ FUGITIVE TELEMETRY and SYSTEM COLLAPSE, the sixth and seventh books in The Murderbot Diaries, to Fumax, by Nada Popovic at Prava i prevodi in association with Michael Curry for Jennifer Jackson.
Italian rights to Caitlin Starling’s THE STARVING SAINTS, to La Bottega dell’Invisibile, by Stefania Fietta at Donzelli Fietta, on behalf of Katie Shea Boutillier at Donald Maass Literary Agency, for Caitlin McDonald.
Italian rights to Melissa K. Roehrich’s TEMPEST OF WRATH AND VENGEANCE and DAWN OF CHAOS AND FURY, to Sperling & Kupfer, in a two-book deal, by Stefania Fietta at Donzelli Fietta, on behalf of Katie Shea Boutillier at Donald Maass Literary Agency.
Could their unexpected arrangement lead to a forever love?
Amish schoolteacher Ruthanne Geer never expected her role as part-time housekeeper for her friend Kolton Lehman to turn into a pretend romance. But with her grandfather worried for her reputation and Kolton’s mother stressed about his bachelorhood, she knows that this fake arrangement is for the best. As they spend more time together, she begins to see a different side to the dependable farmer—and genuine feelings start to blossom. But do they have the courage to drop the pretenses…and trust in a relationship that’s becoming undeniably real?
Locus: I didn’t know that I needed another book about Karen Memery, the main character in Elizabeth Bear’s take on steampunk (Restoration-era Northwestern U.S. flavor) that launched in 2015 with Karen Memory and was followed up by Stone Mad in 2018. Those rain-soaked, gear-full days feel like a hazy moment when we all wondered if we should be investing in goggles and corsets for a much more whimsical future. Here we are, ten years on. Is there still a place for a story about a former teenage sex worker with moxie and smarts who uses both to right wrongs and solve crimes?
Oh yes there is a place. Bear shows us. Angel Maker picks up where Memery’s story left off in Stone Mad, with Karen and Priya out of the business and carving out a life in the countryside. But Bear herself isn’t stuck in their past. The seven years between books two and three has deepened her voice as a writer and added resonance to the relationships between the characters and within themselves.
The movie business has come to Rapid City, and Karen finds herself the stunt double for a trick-shootin’ gal who Bear sets up as an Annie Oakley analogue in this world. Priya finds work with the crew, too, and both see the extra income as an opportunity to get ahead. Then a double murder occurs, Priya is accused, and Karen is forced to clear her beloved’s name.
Bear gives you all you’d expect from a steampunk Western on a movie set. There is a mechanical cowboy. There’s a horse no one can tame. There are divas and gold mines and Mad Scientists. Characters like Madame Damnable are still around, but have moved into new phases of their lives, too. A well-known Illinois lawyer shows up – but in a surprising kind of way that makes total sense in this world.
But Angel Maker is really a book about relationships, both romantic and non. It’s about how we interact with each other as humans, told in Karen’s poetically blunt voice:
‘‘You got to be who you got to be, and you got to not be who you ain’t, and somehow you got to bend that around the person your lover needs you to be and that person, too – at least acceptably well – and you got to make room for your lover to be who they is while still not giving up your own self, and it ain’t half a wonder we don’t all live in caves and meet once a year to trade hides and salt and onions.’’
Bear salts these nuggets of wisdom throughout Angel Maker’s brisk plot and is clearly having great fun doing so. It’s contagious, that joy, and I’m glad Bear revisited this particular world of hers seven years on.
Sharon Lee sold CONSTELLATION SIX by Sharon Lee and Steve Miller, a new volume collecting recent short stories set in the nationally best-selling Liaden Universe® series, to Toni Weisskopf at Baen Books via Jennifer Jackson.
Congratulations to all the DMLA authors selected to be on Library Journal’s Stellar Selections Best Books of 2025!
SUSPENSE
Thompson, Aggie Blum. You Deserve To Know. Forge. Mar. 2025.
HORROR
Starling, Caitlin. The Graceview Patient. St. Martin’s. Oct. 2025.
Starling, Caitlin. The Starving Saints. Harper Voyager. May 2025.
SCIENCE FICTION
Bear, Elizabeth. The Folded Sky. (White Space, bk. 3). Saga. Jun. 2025.
FANTASY
Addison, Katherine. The Tomb of Dragons. (Chronicles of Osreth, bk. 3). Tor. Mar. 2025.
Bennett, Robert Jackson. A Drop of Corruption: An Ana and Din Mystery. (Shadow of the Leviathan, bk. 2). Del Rey. Apr. 2025.
Bishop, Anne. Turns of Fate. (Isle of Wyrd, bk. 1). Ace. Nov. 2025.
Brazilian Portuguese rights to Ursula K. Le Guin Prize for Fiction winner Vajra Chandrasekera’s RAKESFALL, to Editora Companhia das Letras, by Cristina Purchio at International Editors’ Co. in association with Michael Curry.
Chinese (simplified) rights to New York Times bestselling author Martha Wells’ ALL SYSTEMS RED, ARTIFICIAL CONDITION, ROGUE PROTOCOL, EXIT STRATEGY, NETWORK EFFECT, FUGITIVE TELEMETRY, SYSTEM COLLAPSE, and PLATFORM DECAY, eight books in The Murderbot Diaries, to Yilin, by Yichan Peng at Grayhawk Agency in association with Michael Curry for Jennifer Jackson.
German rights to New York Times bestselling author Martha Wells’ PLATFORM DECAY, the eighth installment in the Murderbot Diaries series, to Heyne, by Sarah Knofius at the Thomas Schlueck Agency in association with Michael Curry for Jennifer Jackson.
German rights to Emily Blackwood’s Golden City series, to Mondlicht Verlag, in a three-book deal, by Sarah Knofius at Thomas Schlueck Agency, on behalf of Katie Shea Boutillier.
German rights to New York Times bestselling author Jim Butcher’s TWELVE MONTHS and MIRROR MIRROR, Books 18-19 in the Dresden Files series, to Blanvalet, by Sarah Knofius at the Thomas Schlueck Agency in association with Michael Curry for Jennifer Jackson.
German rights to Melissa K. Roehrich’s The Legacy series to Vajona, at auction, in a four-book deal, by Sarah Knofius at Thomas Schlueck Agency,on behalf of Katie Shea Boutillier.
Spanish rights to Vonda N. McIntyre’s DREAMSNAKE to Crononauta, by Elena Rodriguez at International Editors & Yanez, on behalf of Katie Shea Boutillier for Jennie Goloboy.
Spanish rights to Robert McCammon’s SWAN SONG to RBA by Elena Rodriguez at International Editors & Yanez, on behalf of Katie Shea Boutillier for Cameron McClure (world Spanish).
Booklist: It has been three weeks since the devastating magical attack on Chicago (Battle Ground, 2020), leaving the city in complete disarray and wizard Harry Dresden’s life in shambles. He is mourning the loss of a loved one, has been banished from the White Council of Wizards—although he is not as upset about that—and has been forced by the ruthless Queen Mab into an engagement to the provocative leader of the White Vampires. Harry is grieving and exhausted but nevertheless providing food and shelter for neighbors left homeless by the battle. He is not sure how, or even if, he will recover. What he needs is time, but Mab has given him the impossible task of resolving a conflict with the sovereign of another magical nation, the same king who wants Harry’s brother dead. And an overzealous new White Council warden is out for Harry’s literal head. His friends and, oddly, his new fiancée are trying to help, offering support, a new apprentice, and a Valkyrie bodyguard, but the heartbreak and anguish may still be too much. Series fans will be intrigued by the new characters and changes in Harry’s life as Butcher deftly explores the impacts of loss and grief.
AudioFile: Eric Mok returns to narrate this sequel to WITCH KING, bringing back all of his wonderfully varied British accents for the large cast. The narrative jumps back and forth between two timelines: In the past, immortal demon Kaiisteron and Prince-heir Bishasha advance against the powerful, subjugating Heirarchs; years later in the present day, long after the war is over, Kai and his found family investigate whether any Heirarchs might still survive. While some close listening is required to keep the two timelines straight, Mok ensures that each character, past and present, is instantly recognizable. Listeners are rewarded with a sweeping, immersive story full of fascinating details and studded with small, intimate, moving moments between characters we come to care deeply about.