Donald Maass Literary Agency

Tor.com: This is a fast, fun, and funny novella that, at its heart, is about personhood, independence, and selfhood: about autonomy, trust, and kindness, as well as anxiety, frustration, and anger. At its heart, Exit Strategy is a kind story, and a hopeful one. I deeply enjoyed it. I heartily recommend the entire Murderbot Diaries series.

Don’t start with Exit Strategy: start with All Systems Red. But you’ll find that Exit Strategy is worth the build-up.

B&N SFF Blog: With The Traitor Baru Cormorant, Dickinson showed an impressive talent for executing an epic fantasy rich in worldbuilding, complex in character, and brutally exacting in its clockwork plotting.

Baru Cormorant rose off the page as one of the most flawed, fascinating characters to come out of fantasy in a long time, her incandescent rage and patient desire for revenge but a few of her visceral qualities. In the first book, she survived the destruction of her culture and death of her loved ones at the hands of the Empire of Masks and feigned obedience in order to rise within its ranks and orchestrate its epic downfall from the inside. As The Monster Baru Cormorant opens, she finds herself, finally, a powerful member of the empire she’s vowed to destroy, yet psychically damaged by the effort it took to get there, to the point that she can no longer trust her own motivations.

With this second of a planned four-volume epic, Dickinson has done something incredible by deepening our understanding of a fabulously complex, compelling character.

Publishers Weekly: The challenging second installment of this sweeping fantasy trilogy picks up where 2016’s The Traitor Baru Cormorant left off. Baru, intent on bringing down the Empire of Masks from within, has finally ascended to her new role as one of the Empire’s secretive, all-powerful cryptarchs, but only by betraying those who believed in her.

To cement her position and eliminate visible weaknesses, she even has her lover executed for treason, a heinous act that affects her more than she can afford to reveal. Now swept up in the affairs of state, dealing with conspiracies, enemies, and potential war at every turn, Baru risks losing her soul in the pursuit of her goal: freeing her island home from the Empire’s grip. Dickinson packs a lot into this dense, multilayered, complicated epic, letting the story unfold through multiple perspectives, flashbacks, tense shifts, and other narrative devices.

As Baru juggles increasing amounts of trauma with an unrelenting focus on the endgame, she continually proves herself as a fascinating, morally grey protagonist in a complex world where conflicts take place on the high seas, in the ballroom, and in the marketplace. It all builds to a powerful cliff-hanger, with hints of much more to come.