Alison Romig at Delacorte has bought, in a preempt, debut author Matthew Hubbard’s Last Boyfriends, a YA coming of age novel pitched as Heartstopper meets The First Wives Club, featuring three queer teenage boys in small-town Alabama who set out to get revenge on their ex-boyfriends and end up fighting their school’s anti-LGBTQ+ initiatives, and a second untitled book. Publication is slated for summer 2024; Katie Shea Boutillier brokered the deal for world English rights.
Kirkus: A thoughtful meditation on some weighty questions wrapped in a well-drawn romance.
Credit: Gracemarie Photography
Liz Alterman’s SAD SACKED, originally published by Audible Originals, a humorous, poignant memoir that chronicles the 17-month period after both the author and her husband, long-time media professionals, unexpectedly lost their jobs within six weeks of one another, to Jessica Bell at Vine Leaves, by Katie Shea Boutillier.
New Orleans: live music, endless drinks, brightly-coloured attractions, the perfect place for a party…
The bride-to-be
The best friend
The cousin
The mother-in-law
The sister
The groom’s friend
The bachelorette begins on a Friday night; all six women are excited for a chance to escape their everyday lives. But then friendly rivalries turn vicious, and a game of truth or dare turns deadly.
By the end of the weekend one of them will be dead…
Audio rights to LJ Andrews’s GAME OF HATE AND LIES and DANCE OF KINGS AND THIEVES, Book 5 and 6 of Broken Kingdom series, to Kate Runde at Podium Audio, in a two-book deal, by Katie Shea Boutillier (world English).
Audio rights to S.B. Divya’s novella RUNTIME, to Brian Sweany at Recorded Books, at auction, by Katie Shea Boutillie on behalf of Cameron McClure.
Photo credit: Sue Grubman
Authors of THE ROUGHEST DRAFT Emily Wibberley and Austin Siegemund-Broka’s THE BREAK-UP TOUR, pitched as a Taylor Swift-inspired romance about a singer whose breakout album is about all of her ex-boyfriends, including the one from college she never got over, and who is now joining her on tour, to Kristine Swartz at Berkley, in a two-book deal, for publication in spring 2024, by Katie Shea Boutillier.
Audio rights to N.S. Perkins’s THE INFINITY BETWEEN US, to Cassie Hanjian at Podium Audio, by Katie Shea Boutillier.
One warm summer night twenty-five years ago, Liza Gold and her friends celebrated their high school graduation with a party on the beach. It should have been the best night of their lives, only one of them never came back out of the ocean.
The tragedy haunted Liza Gold for years. Now, she’s a recently divorced working mom struggling to connect with her standoffish teenager daughter Zoe when history repeats itself. Another young woman has drowned at Beach Week, and this time the victim is Zoe’s secret best friend.
Liza begins to suspect that the two deaths are somehow related, which causes her to face hard truths and take an unflinching look at the people she’s called her closest friends for the past two decades. She must discover what really happened to both women before it’s too late.
Audio rights to Emily Childs’s THE VEGAS KINGS series, to Kate Runde at Podium Audio, in a three-book deal, by Katie Shea Boutillier.
Audio rights to Iori Kusano’s debut novella HYBRID HEART, to Kim Budnick at Tantor Media, by Michael Curry for Jennifer Jackson.
From critically acclaimed Shaun David Hutchinson comes a gritty and raw portrayal of the oftentimes traumatic experience of growing up.
Virgil Knox was attacked by a monster.
Of course, no one in Merritt believes him. Not even after he stumbled into the busy town center, bleeding, battered, and bruised, for everyone to see. He’d been drinking, they said. He was hanging out where he wasn’t supposed to, they said. It must’ve been a bear, or a badger, or a gator—definitely no monster.
Virgil doesn’t think it was any of those things. He’s positive it was a monster. But being the new kid in a town where everybody knows everybody is hard enough as it is without being the kid who’s afraid of monsters, so he tries to keep a low profile.
Except he knows the monster is still out there. And if he isn’t careful, Virgil’s afraid it’ll come back to finish him off, or worse—that he’ll become one himself.