Nov 062023
 

Kirkus: When bullying triggers Hector’s unsuspected ability to turn invisible, it seems like a superpower—but he’s not invisible to the monster lurking at school.

At home, sixth grader Hector faces bullying stepbrothers and a stepfather who values sports over piano. He was reconciled to his Catholic boys’ school thanks to best friend Blake—until Hector asked Blake to be his boyfriend, and Blake (despite having two moms) turned into a homophobic bully. After Hector discovers his power of invisibility while hiding from Blake, he encounters former pupil Orson, who’s been stuck there for years being invisible and pursued by the tentacled gelim, who entraps vulnerable students and feeds on their fears. As a gay boy and a Black boy (respectively) in a predominantly white school, Hector and Orson are easy targets. Wanting to save Orson and defeat the gelim, Hector finds allies in school librarian Mr. Morhill and Samantha, Mr. Morhill’s niece, a fellow student others perceive as a boy; Orson is also an active participant who supports Hector. Throughout his ordeals, Hector still hopes Blake will return to normal. This well-structured story is threaded with themes of misjudgment, misunderstanding, forgetting, and forgiveness. Both the visible and invisible worlds are evocatively described, and the characters are believably flawed. Despite mitigating circumstances, Hector’s swift forgiveness of Blake may sit uneasily with some readers, and while the gelim is suitably terrifying, the convoluted details about how it functions may be confusing.

Invisibility offers no protection in this well-paced, multilayered horror story.

Oct 312023
 

James Scott Bell’s POWER UP YOUR FICTION, to 21st Century Culture Center (Korea), by Sue Yang at Eric Yang Agency on behalf of Katie Shea Boutillier for Donald Maass.

Micaiah Johnson’s THE SPACE BETWEEN WORLDS, to Editora 14 (Brazil), by Flavia Sala at International Editors’, on behalf of Katie Shea Boutillier for Cameron McClure.

Shaun David Hutchinson’s THE SCHOOL FOR INVISIBLE BOYS, to Nube de Tinta (Spain), by Amaiur Fernandez at International Editors’, on behalf of Katie Shea Boutillier.

K. Webster’s TRIPLE THREAT and DEATH WISH, to Grupo Portal (Brazil), by Cristina Purchio at International Editors’, on behalf of Katie Shea Boutillier.

Czech rights to Seth Dickinson’s EXORDIA, to Host, by Milena Kaplarević at Prava i prevodi in association with Michael Curry for Jennifer Jackson.

Portuguese rights to New York Times bestselling author Anne Bishop’s THE QUEEN’S PRICE, the latest book in her Black Jewels series, to Saída de Emergência, by Amaiur Fernández at International Editors’ Co. in association with Michael Curry for Jennifer Jackson.

Portuguese (Brazil) rights to New York Times bestselling author Martha Wells’ ALL SYSTEMS RED, the first book in the Murderbot Diaries series, to Editora Aleph, by Cristina Purchio at International Editors’ Co. in association with Michael Curry for Jennifer Jackson.

LJ Andrew’s CROWN OF BLOOD AND RUIN and THE EVER KING, to City Editions (France), in a two-book deal, by Sarah Dray at Anna Jarota Agency, on behalf of Katie Shea Boutillier.

Melissa K. Roehrich’s LADY OF DARKNESS and LADY OF SHADOWS, to Heyne (Germany), in a two-book deal, by Sarah Knofius at Thomas Schlueck Agency, on behalf of Katie Shea Boutillier.

Oct 122023
 

Booklist: In their third adult contemporary romance, following Never Vacation with Your Ex (2023), married writing duo Wibberley and Siegemund-Broka explore the relationship between a famous pop star and the man who inspired her greatest hit. Riley Wynn has finally attained mainstream success with her newest album and its lead single, but everyone thinks the song is about her famous ex-husband. Determined to reclaim the narrative, she asks her ex-college-boyfriend, Max Harcourt, to go public as its real inspiration. Max agrees only if he can come on tour with her band, and soon he and Riley realize there may be more than break-up songs in their future. Wibberley and Siegemund-Broka prove they are masters of the second-chance romance, getting the essentials just right—lingering chemistry, intense longing, and two people who have regrets about the past and one more chance to make it right. Max and Riley are believable as both romantic leads and fully formed characters with conflicting desires, and readers will laugh and swoon as they find their way back to each other through music.

Oct 042023
 

Library Journal: Riley Winn is one of the biggest names in music after her breakup album becomes an instant hit. The world thinks the lead single from the album is about her ex-husband, but it is actually about her college flame, Max Harcourt, whom she hasn’t seen in a decade. Riley decides to reclaim the narrative by asking Max if he will play in her tour band. Max loves music, but he decided to give up his dream of playing professionally to take over his family’s business. While he is happy enough with his decision, he sees the opportunity to perform with Riley as a chance to prove to himself that he made the correct decision to let go of his musical aspirations, and of her. Riley and Max have to work out the awkwardness of playing together again, but as they find their rhythm, they realize that the spark is still there—along with another chance for a future together. VERDICT Fans of Taylor Swift and author Bridget Morrissey will especially enjoy this emotional second-chance romance from married writing duo Wibberley and Siegemund-Broka (Do I Know You?).

Sep 302023
 

a pair of black ear budsAudio rights to Caye Marsh’s novella PEACE IN THE SKY, a mother with amnesia must transport her daughter across a dangerous post-apocalyptic land, while learning her past is not what she thinks it is, to Kim Budnick at Tantor Media, by Katie Shea Boutillier (world English).

Audio rights to William C. Tracy’s FRUITS OF THE GODS, in a land where four seasonal fruits give magic, two sisters find a box with a seed for a fifth seed, and hope to bring harmony to their world, to Kim Budnick at Tantor Media, by Katie Shea Boutillier (world English).

Audio rights to Robin C.M. Duncan’s THE RIGEL REDEMPTION, the third book in Quirk and Moth’s adventure, to Kim Budnick at Tantor Media, by Katie Shea Boutillier (world English).

Audio rights to Cassandra Khaw’s Bram Stoker Award-winning BREAKABLE THINGS, to Kim Budnick at Tantor Media, by Michael Curry.

Audio rights to Alex Bledsoe’s GIVE THE PEOPLE WHAT THEY WANT AND OTHER STORIES OF SHARP WIT, CUNNING WOMEN, AND WILD MAGIC, an original collection of short stories about witches, big game hunters, dinosaurs, faery folk, and zombies, to Stefan Rudnicki at Skyboat Media, by Katie Shea Boutillier for Cameron McClure.

Sep 302023
 

Czech rights to Ronald Malfi’s GHOSTWRITTEN, to Dobrovsky, by Lola Dunton at Prava I Prevodi, on behalf of Katie Shea Boutillier, for Cameron McClure.

Spanish rights to Melissa K. Roehrich’s LADY OF DARKNESS, to Anaya, by Elena Rodriguez at International Editors’, on behalf of Katie Shea Boutillier.

Czech audio rights to New York Times bestselling author Martha Wells’ ALL SYSTEMS RED and ARTIFICIAL CONDITION, the first and second titles in the Murderbot Diaries series, to OneHotBook, by Milena Kaplarević at Prava i prevodi in association with Michael Curry for Jennifer Jackson.

Jul 312023
 

a pair of black ear budsLJ Andrews’s SONG OF SORROWS AND FATE, book nine in The Broken Kingdom series, to Kate Runde at Podium Audio, by Katie Shea Boutillier (world English).

LJ Andrews’s THE EVER KING, to Kate Runde at Podium Audio, in a three-book deal, by Katie Shea Boutillier (world English).

Emily Childs’s THE FASTBALL, book four in The Vegas Kings series, to Kate Runde at Podium Audio, by Katie Shea Boutillier (world English).

Audio rights to Premee Mohamed’s Nebula Award-winning NO ONE WILL COME BACK FOR US, to Jen Albert at ECW Press, by Michael Curry.
Jul 312023
 

Swedish rights to New York Times bestselling author Anne Bishop’s DAUGHTER OF THE BLOOD, the first book in the Black Jewels series, to Milla Emrén and Staffan Emrén, by Jeanine Langenberg at Sebes & Bisseling Literary Agency in association with Michael Curry for Jennifer Jackson.

Italian rights to Robert Sheckley’s THE ALCHEMICAL MARRIAGE OF ALASTAIR COMPTON, to Mondadori, by Stefania Fietta at Donzelli Fietta, on behalf of Katie Shea Boutillier for Cameron McClure.

Hungarian rights to Robert Jackson Bennett’s FOUNDRYSIDE, to Fumax, by Lola Dunton at Prava I Prevodi, on behalf of Katie Shea Boutillier for Cameron McClure.

Skye Warren’s HUGHES series, to Petra Kruijt at April (The Netherlands), in a three-book deal, by Vere Bank at Sebes & Bisseling, on behalf of Katie Shea Boutillier.

Ruthanna Emrys’s WINTER TIDE and  DEEP ROOTS, to Infortress (Taiwan) by Gray Tan at The Grayhawk Agency on behalf of Katie Shea Boutillier for Cameron McClure.

Jun 282023
 
Author photo of Austin Siegemund-Broka and Emily Wibberley.

Photo credit: Sue Grubman

Emily Wibberley and Austin Siegemund-Broka’s HEIRESS TAKES ALL, pitched as The Inheritance Games meets Ocean’s 11, in which a teen plots revenge against her father, after she’s cheated out of her rightful inheritance, by staging the perfect heist—in the midst of his latest wedding, to Caitlyn Averett while at Little, Brown Children’s, with Samantha Gentry editing, in a pre-empt, in a two-book deal, for publication in summer 2024, by Katie Shea Boutillier. Film/TV: Mary Pender at United Talent Agency