Donald Maass Literary Agency

Locus: In the latest title from the Rick Riordan Presents imprint, Korean-American author Yoon Ha Lee transports traditional Korean animal folklore to space in an interplanetary adventure with all the thrills, spills, and surprises that younger teens could want.

It’s an obvious page-turner, and Yoon Ha Lee has nailed what the younger action crowd craves.

There are some very funny moments in Dragon Pearl and plenty of angsty ones as well. There is no romance at all which fits well with the needs of the likely younger audience (and would have spoiled all the action bits, so is not missed).

For good clean outer space fun with the nice addition of Korean folklore and plenty of engaging characters, (both good and evil), Dragon Pearl gets the job done. Also, a shout out to Vivienne To for the stunning cover art – it’s impossible not to love that shot of Min in all her glory, getting ready to take on the universe to find out the truth.

B&N Sci-Fi & Fantasy Blog: A Fantastic New Space Opera Saga Dawns in Elizabeth Bear’s Ancestral Night

Elizabeth Bear is a master of disguise. If you’ve spent any time with her enormous back catalog, you know that the only thing you can expect from her is to be surprised and delighted by how different each new book is from the one that preceded it. Since winning the 2005 John W. Campbell Award for Best New Writer, she has published dozens of novels and even more short stories, jumping between genres and styles with apparent ease. Certainly not just any writer can publish one of the best epic fantasy series of the past decade (The Eternal Sky trilogy and its ongoing pseudo-sequel series, which began with The Stone in the Skull), take a pitstop in steampunk for a book or two, and then follow up with a big, bold science fiction saga poised to fill the void left by the James S.A. Corey’s soon-to-conclude series The Expanse.

Bear’s latest, the chunky space opera Ancestral Night, does just that. It travels familiar trade routes, but does so with aplomb, effortlessly separating itself from the crowd of new books in a resurgent subgenre.

Ancestral Night is chock full of great worldbuilding, supported by thematic explorations of politics, humanity, society, and individualism.

As it does in all of her work, Bear’s prose does double-duty, using exposition to worldbuild, inject humor, shape the characters, and establish the monumental stakes.

Ancestral Night’s tropes are the basic building blocks of genre­—galaxy-spanning mysteries, pirates and rogues, long-lost alien tech, hyperspace travel, harrowing space combat—­but Bear deploys them with expert precision. Imagine James S.A. Corey at his snarkiest, plus the bold sci-fi invention of Peter F. Hamilton’s Night’s Dawn trilogy, topped off with the rich characterization of Lois McMaster Bujold. The result is both familiar and wholly unique, managing a precarious balance between huge SFnal ideas—just wait until you find out about the Ativahika, an alien species whose abilities and appearance will boggle your mind—and an imminently approachable style, thanks to Haimey’s roguish narrative voice.

Bear’s first sci-fi novel in more than a decade has everything going for it: big space battles, thrilling action, a scrappy crew, and huge mysteries with galaxy-wide implications. Ancestral Night is space opera at its best and boldest, making you think hard even as it gets your blood pumping and your imagination flowing.