Kirkus: When magic and illusion collide, anything is possible.
Sixteen-year-old Jack, magician’s assistant and pickpocket, is ready to steal the show—and anything else he can get his hands on—when the Enchantress, aka Evangeline Dubois, magician, con artist, and his guardian, sets her eyes on the 1909 Seattle World’s Fair. At the same time, 16-year-old Wilhelm, a boy with the ability to magically transport himself and others, is forced to perform there by Teddy, his abusive captor. Teddy has plans to use Wil’s gifts to pull off the ultimate heist, and his desire for notoriety results in a plan in which the two masquerade as a magician and his assistant, causing Jack’s and Wil’s worlds to collide. With the help of street-smart dancer Ruth and clever Jessamy, the boys examine the abuses they suffer and work to build a stable life together. Like all good magic acts, the novel will keep readers on the edges of their seats as they follow the twists and double-crosses that fill the lives of con artists and magicians. The book flawlessly combines magic and suspense in a well-crafted heist story that’s sweetly sprinkled with queer romances. A final unanswered question hints at a sequel and will have readers shouting for an encore. Ruth is Black; all other main characters are White. Jack, Wil, Ruth, and Jessamy are openly queer.
A delight.


Audio rights to Molly O’Keefe’s Riverview Inn series, to Lorna Henry at Dreamscape Media, in a five-book deal, by Katie Shea Boutillier.
Chinese rights to Robert McCammon’s THE LISTENER, to Yilin Press, in a nice deal, by Gray Tan at The Grayhawk Agency, on behalf of Katie Shea Boutillier for Cameron McClure.
In the game of love, there’s always room for extra credit
Wendy Loggia at Underlined has bought Horror Hotel by Victoria Fulton and Faith McClaren; Alison Romig will edit. Pitched as The Blair Witch Project for a new generation, this YA horror novel features a group of amateur YouTuber teen ghost hunters who travel to a haunted hotel, the site of an infamous L.A. tragedy, to spend the night and secretly film after dark. When they stumble upon a dead body, they realize that the most terrifying horror stories aren’t always paranormal. Publication is set for spring 2022; Katie Shea Boutillier did the deal for world rights.