Swedish rights to New York Times bestselling author Anne Bishop’s DAUGHTER OF THE BLOOD, the first book in the Black Jewels series, to Milla Emrén and Staffan Emrén, by Jeanine Langenberg at Sebes & Bisseling Literary Agency in association with Michael Curry for Jennifer Jackson.
Italian rights to Robert Sheckley’s THE ALCHEMICAL MARRIAGE OF ALASTAIR COMPTON, to Mondadori, by Stefania Fietta at Donzelli Fietta, on behalf of Katie Shea Boutillier for Cameron McClure.
Hungarian rights to Robert Jackson Bennett’s FOUNDRYSIDE, to Fumax, by Lola Dunton at Prava I Prevodi, on behalf of Katie Shea Boutillier for Cameron McClure.
Skye Warren’s HUGHES series, to Petra Kruijt at April (The Netherlands), in a three-book deal, by Vere Bank at Sebes & Bisseling, on behalf of Katie Shea Boutillier.
Ruthanna Emrys’s WINTER TIDE and DEEP ROOTS, to Infortress (Taiwan) by Gray Tan at The Grayhawk Agency on behalf of Katie Shea Boutillier for Cameron McClure.
Newbery Honor-winning Darcie Little Badger’s SHEINE LENDE, a prequel to the Locus Award-winning ELATSOE, in which a young girl searches for her mother and a lost child – spirited away by a mysterious faery ring – as well as a return to her family’s homeland, again illustrated by Rovina Cai, to Nick Thomas at Levine Querido in an exclusive submission by Michael Curry for publication in spring 2024.
Locus: Cassandra Khaw has cemented their status as horror royalty, once and for all, with their latest novella, The Salt Grows Heavy. All hail and long live! Here’s the thing, though: I’m not even sure how or where to start telling you about The Salt Grows Heavy. Nothing I say can quite capture the creeping body horror, the marvelous disorientation, or the toothy, sumptuous, and marvelously off-putting prose of the thing. Fans of Khaw’s Nothing But Blackened Teeth will be happy to see that Khaw’s vision and aesthetic remain as dark as ever, and relish that—in my opinion—they have managed to push further into the weird and the unsettling….for those of us who find darkness irresistible, especially when beautifully presented, The Salt Grows Heavy is a grotesquely perfect feast.
Fetter was raised to kill, honed as a knife to cut down his sainted father. This gave him plenty to talk about in therapy.
Audio rights to Premee Mohamed’s NO ONE WILL COME BACK FOR US, to Sonia Brand-Fisher at Tantor Media, by Michael Curry.