Driving home late one night, Etain Larkin finds a corpse on a pitch-black country road deep in the Irish countryside. She takes the corpse to a remote farmhouse. So begins a night of unspeakable horror that will take her to the very brink of sanity.
She will never speak of it again.
Two decades later, Betty Fitzpatrick, newly arrived at college in Dublin, has already fallen in love with the drama society, and the beautiful but troubled Ashling Mallen. As their relationship blossoms, Ashling goes to great lengths to keep Betty away from her family, especially her alcoholic mother, Etain.
As their relationship blossoms, Betty learns her lover’s terrifying family history, and Ashling’s secret obsession. Ashling has become convinced that the horrors inflicted on her family are connected to a seemingly innocent children’s TV show. Everyone in Ireland watched this show in their youth, but Ash soon discovers that no one remembers it quite the same way. And only Ashling seems to remember its star: a small black goat puppet who lives in a box and only comes out if you don’t behave. They say he’s never come out.
Almost never.
When the door between the known and unknown opens, it can never close again.
Congratulations to DMLA author, Eugen Bacon, in winning a 
Created by historian and futurist sibling authors, A Second Chance for Yesterday is a clever and time-twisting story exploring life, redemption and quantum entanglements.
The year is 1328 and Bruges is under siege by the Chatelaine of Hell and her army of chimeras – —creatures forged in the deep fires of the Hellbeast.
Publishers Weekly: Heartfield (The Chatelaine) injects some magic into European history with this lush and enchanting outing. In 1768, close-knit sisters Charlotte and Antoine, daughters of the Habsburg emperor, are sent their separate ways to marry powerful husbands: Charlotte to Naples and the brutish King Ferdinand, and Antoine to France, where she is renamed Marie Antoinette and weds the future King Louis XVI. Isolated and alone, the two rely on lessons from a book of spells they discovered as children to reclaim power over their lives while trying to do right for their respective nations. As tension mounts both politically and in the magical world, the sisters find themselves on opposing sides, turning from close confidants to bitter rivals. Heartfield’s accounts of both queens are detailed and insightful, with a fresh take on Marie Antoinette and a fascinating look at her less famous sister. The magic system, which demands a sacrifice for each spell cast, is a cool concept, but in execution it’s a bit murky and occasionally feels like an afterthought to the story at hand. Still, fans of historical novels looking for just a touch of the fantastic are sure to be sucked in.
Cairo, 1869.