Congratulations to Kim Harrison! The newest entry in the Hollows series, DEMON’S BLUFF, debuts at #45 in USA Today!
Chinese (complex) renewal rights to New York Times bestselling author Martha Wells’ ALL SYSTEMS RED, ARTIFICIAL CONDITION, ROGUE PROTOCOL, and EXIT STRATEGY, the first four books in The Murderbot Diaries series, to Global Group, by Lucy Su at Grayhawk Agency in association with Michael Curry for Jennifer Jackson.
Czech rights to Katherine Addison’s THE GOBLIN EMPEROR, to Dobrovsky (Czech Republic), by Milena Kaplarevic at Prava i Prevodi, on behalf of Katie Shea Boutillier for Cameron McClure.
Danish rights to Vonda N. McIntyre’s DREAMSNAKE, to A Mock Book (Denmark), by Vere Bank at Sebes & Bisseling on behalf of Katie Shea Boutillier for Jennie Goloboy.
French rights to Miranda Lyn’s TILL DEATH, to Eilean Books, in a preempt, by Sarah Dray at Anna Jarota Agency, on behalf of Katie Shea Boutillier.
French renewal rights to New York Times bestselling author Anne Bishop’s MURDER OF CROWS, the second book in the Others series, to Bragelonne, by Sarah Dray at Anna Jarota Agency in association with Michael Curry for Jennifer Jackson.
French rights to LJ Andrews’s THE EVER QUEEN and THE MIST THIEF, to City Editions, in a two-book deal, by Sarah Dray at Anna Jarota Agency, on behalf of Katie Shea Boutillier.
German rights to Margaret Doody’s ARISTOTLE DETECTIVE, to Kampa, by Bastian Schluck at Thomas Schlueck Agency on behalf of Katie Shea Boutillier for Donald Maass.
Italian rights to New York Times bestselling author Tamsyn Muir’s PRINCESS FLORALINDA AND THE FORTY-FLIGHT TOWER, to Mondadori, by Stefania Fietta at Donzelli Fietta Agency in association with Michael Curry for Jennifer Jackson.
Swedish audio rights to New York Times bestselling author Martha Wells’ ALL SYSTEMS RED, ARTIFICIAL CONDITION, ROGUE PROTOCOL, EXIT STRATEGY, NETWORK EFFECT, FUGITIVE TELEMETRY, and SYSTEM COLLAPSE, the first seven books in The Murderbot Diaries series, to Recorded Books, by Vere Bank at Sebes & Bisseling in association with Michael Curry for Jennifer Jackson.
What’s a witch to do when the coven of moral and ethical standards demands she untwist a curse—but an essential spell component no longer exists? There’s only one choice: go back in time.
Caught between self-exile and an Alcatraz cell, Rachel must find an Atlantean mirror to reverse the curse and prove to Cincinnati’s brand-new witch coven that, no, she does not practice illicit magic. Unfortunately, the only mirror of its kind in existence belonged to the insane demon Newt, forcing Rachel to go to the past to bargain with her for it.
But the time-travel spell goes awry, dragging Elyse, the young leader of the coven, into the past with Rachel. They expect to land five years in the past but instead arrive two days before Rachel’s long-lost love, Kisten, dies. Heartbroken and torn, Rachel knows she can’t change the past.
Even with no allies, Rachel still has one thing going for her: Cincinnati is her city, now and forever. If she can find a way to work with Newt and prevent Elyse from becoming the demon’s next familiar, they might all get home.
Reactor: As with her debut novel, the immersive and compelling Star Eater, Kerstin Hall chucks you straight into Asunder and asks you to keep up. She is a master of consistent, sometimes subtle worldbuilding; anything she needs you to understand, Karys sees, or interacts with, or has cause to explain or have explained to her, succinctly and elegantly.
This story sits just under the skin, a tangle of questions about faith and shame and what a person does with the power they have—or that is given to them. It is, immersively and emotionally, about survival: how a person survives, what they do to survive, what they endure while surviving, and where the choices they make in order to survive wind up taking them. I can’t shake Karys and her choices out of my head, and frankly, I don’t want to.
This world deserves more story, and more time, and more readers, and I hope it gets all three.
Audio rights to Miranda Lyn’s Fae Rising series, to Kerri Buckley at Dreamscape Media, in a four-book deal, by Katie Shea Boutillier (NA).
Audio rights to Nicky Drayden and Matthew Bey’s DEEP AUSTIN: CASE OF THE WEIRD CARNIVOROUS SKY, a tale of gonzo horror chock full of ghosts and other weirdness, plus a sequel, to Kim Budnick at Tantor Media, by Michael Curry for Jennifer Jackson.
Audio rights to Caitlin Starling’s THE OBLIVION BRIDE, to Kim Budnick at Tantor Media, by Katie Shea Boutillier on behalf of Caitlin McDonald (World English).
Audio rights to Camilla Raines’s THE HOLLOW AND THE HAUNTED, to Kim Budnick at Tantor Media, in an exclusive submission, by Katie Shea Boutillier on behalf of Kat Kerr (NA).
Korean renewal rights to New York Times bestselling author Martha Wells’ ALL SYSTEMS RED, ARTIFICIAL CONDITION, ROGUE PROTOCOL, and EXIT STRATEGY, the first four books in The Murderbot Diaries series, to Alma Publishing Co., by Yujung Kim at the Eric Yang Agency in association with Michael Curry for Jennifer Jackson.
Camilla Raines’s THE HOLLOW AND THE HAUNTED, to Eilean Books (France), at auction, in a two-book deal, by Sarah Dray at Anna Jarota Agency, on behalf of Katie Shea Boutillier for Kat Kerr.
Locus: Kerstin Hall writes sharp, fierce stories with precise and visceral prose, and with worldbuilding that possesses a keen sense for the weird, the haunting, the marvellous, and the twistedly strange. Asunder is only her fourth long-form work, her second novel (after 2021’s Star Eater and the novella duo The Border Keeper and Second Spear) and it is every bit as vividly compelling as I’ve come to expect from Hall – indeed, even more so.
Karys Eska is an independent deathspeaker, locked into an irrevocable compact with Sabaster, a terrifying and unforgiving otherworldly being. She won’t survive her compact being called in – not, at least, in any form recognisable as Karys Eska – and while she doesn’t know exactly when that will be, her time is running short.
Karys makes her money, though not very much of it, by using her abilities to answer questions about the dead in the city she calls home. When a job finding out what happened to some smugglers goes suddenly, terribly, dangerously wrong, she stumbles over a dying stranger. Ferain Taliade is the last survivor of a slaughtered embassy, and he’s willing to pay what to Karys is a practically unimaginable amount of money for her help. In trying to preserve his life, she accidentally binds him in a way that she has no idea how to undo. This binding may be the death of them both, rather than Ferain’s salvation: He now exists in the material world only as Karys’s shadow, and as a voice in her head, and every bit of received wisdom suggests that this binding will eventually destabilise in a fatal fashion.
Asunder strikes me as a novel interested in the consequences of desperate choices. All of the major characters have made choices that they were driven to by their circumstances: All of them have been, or are, trapped in some way by the consequences (foreseen or otherwise) of those choices. Many of those choices had no real good outcome. Karys – prickly, foul-mouthed, fighting with her last breath to be a survivor, determined to find some way around the compact with Sabaster that, she’s just learned, will lead to personal consequences even more horrifying than she’d previously imagined – is a deeply compelling protagonist. Her relationships with Ferain, with Winola, and with figures from her past – and the relationships of the other characters in the novel with each other – are all fraught and complicated things, filled with the silences, the secrets, and the partial understandings that undergird real relationships between real, complicated people.
Asunder is a thoughtful novel, complex and deep. It’s also a fast-paced, tense ride through a world that doesn’t hold back from glittering weirdness. Luxury travel in the bellies of dimension-hopping spiders, weapons that turn a person inside out, trains that run on rails made of light, drugs made from the corpses of dead gods, godlike beings with hundreds of wings and faces in their groins: Hall holds back neither wonder nor horror. But throughout, Hall’s skill and control of the narrative never falters. All the moving pieces slot into place, building into a nail-biting climax.
The ending leaves open as many questions as it answers, but although I would desperately love to see a sequel, Asunder is a complete narrative just as it is. A phenomenal one: I can’t recommend it highly enough
Audio rights to Christopher Rowe’s THE NAVIGATING FOX, a fantastical fable of “knowledgeable creatures,” to Kim Budnick at Tantor Media, by Michael Curry for Jennifer Jackson.
Audio rights to J. Alexander Cohen’s TALIO CODEX, an epic fantasy and legal thriller in a city of canals and holy magic, where a secret relationship between a disgraced legal advocate and a member of an ostracized religious group may shake the foundations of the city, to Kim Budnick at Tantor Media by Katie Shea Boutillier.
Audio rights to A.Z. Rozkillis’s SPACE STATION X, debut scifi tale about an engineer who runs away to the farthest space station from Earth to live in peace but soon discovers there are some problems that can’t be fixed by swinging an absurdly large murder-wrench, to Kim Budnick at Tantor Media by Katie Shea Boutillier.
Audio rights to Alex Kingsley’s EXPRESS OF DUST, a post-apocalyptic fantasy about a young transman and his team of scavengers who find there’s more to the monsters roaming the deserts than they thought and he must choose between saving his crew or allying with the “monsters” who rescued him, to Kim Budnick at Tantor Media by Katie Shea Boutillier.
Locus: Petra Grady has the kind of dirty magical job that no one ever talks about when crafting big novels about monsters and mayhem and magic. As a sweeper, she cleans up the ‘‘dross’’ or magic detritus that is created when powerful folks (mages) cast spells. In Kim Harrison’s urban fantasy THREE KINDS OF LUCKY, Petra is eighteen, working hard for a living at a magic university outside of Tucson, Arizona, and trying not to get overly annoyed at the obnoxious mages who treat her like a janitor. She knows, and they know, that if sweepers don’t do their job the dross will become malevolent, shadows will be created and all sorts of chaos will ensue. (I am hugely simplifying the situation but you get the drift.)
What keeps Petra going while surrounded by some first class academic snobs is her colleagues, her nice-enough roommate, and her dog, Pluck. (As someone who survived watching Old Yeller on Wonderful World of Disney, I am honor bound to advise that you do not bond strongly with Pluck. This is a spoiler that I will not apologize for.) But Petra’s old friend, now professor, Benedict Storm has been trying to figure out a way for spells to be cast that mitigates the dross problem, thus negating the need for sweepers. As much as Petra isn’t happy about the ramifications of such research, (primarily because she doesn’t think they know enough about what they are doing to be tampering with powerful magic, but when has that ever stopped a determined bunch of scientists?), she grudgingly agrees to work with Benedict. It all seems academic until an explosion that might involve Petra and then a lot (A LOT) of magical waste erupts from the campus. (There’s a storage facility. Picture Ghostbusters and you get the idea of how badly this can go.) Folks are killed, the existence of magic might be revealed to the non-magic world, a lot of people in authority-type positions want Petra dead or imprisoned. Ditto Benedict. Ditto other folks they care about. Who do you trust? Where do you run? And what in the world does Petra have to do with the explosion? Well, buckle up as Harrison answers all these questions and more while taking her characters through an onslaught of tough situations (both physical and emotional) until they get to the truth and save the world. (Or at least save Tucson.)
THREE KINDS OF LUCKY is the first in Harrison’s new Shadow Age series and she sets things up very nicely for sequels. The core group, good and bad, is established, the worldbuilding is fantastic, and Petra is more than capable of anchoring a long run of books. I saw the villain coming a bit but enjoyed the ride to get to that first confrontation (and all those that followed) way too much to complain. This is solid urban fantasy and a fun read (mostly – remember Pluck!). Harrison fans will be delighted.
The finalists for the 2023 World Fantasy Awards have been announced, and many congratulations to the following DMLA authors on their nominated titles!
Best Novel
- The Reformatory, Tananarive Due (Saga; Titan UK)
- Witch King, Martha Wells (Tordotcom)
Best Collection
- No One Will Come Back for Us and Other Stories, Premee Mohamed (Undertow)