Sep 272024
 

Locus: Kerstin Hall writes sharp, fierce stories with precise and visceral prose, and with worldbuilding that possesses a keen sense for the weird, the haunting, the marvellous, and the twistedly strange. Asunder is only her fourth long-form work, her second novel (after 2021’s Star Eater and the novella duo The Border Keeper and Second Spear) and it is every bit as vividly compelling as I’ve come to expect from Hall – indeed, even more so.

Karys Eska is an independent deathspeaker, locked into an irrevocable compact with Sabaster, a terrifying and unforgiving otherworldly being. She won’t survive her compact being called in – not, at least, in any form recognisable as Karys Eska – and while she doesn’t know exactly when that will be, her time is running short.

Karys makes her money, though not very much of it, by using her abilities to answer questions about the dead in the city she calls home. When a job finding out what happened to some smugglers goes suddenly, terribly, dangerously wrong, she stumbles over a dying stranger. Ferain Taliade is the last survivor of a slaughtered embassy, and he’s willing to pay what to Karys is a practically unimaginable amount of money for her help. In trying to preserve his life, she accidentally binds him in a way that she has no idea how to undo. This binding may be the death of them both, rather than Ferain’s salvation: He now exists in the material world only as Karys’s shadow, and as a voice in her head, and every bit of received wisdom suggests that this binding will eventually destabilise in a fatal fashion.

Asunder strikes me as a novel interested in the consequences of desperate choices. All of the major characters have made choices that they were driven to by their circumstances: All of them have been, or are, trapped in some way by the consequences (foreseen or otherwise) of those choices. Many of those choices had no real good outcome. Karys – prickly, foul-mouthed, fighting with her last breath to be a survivor, determined to find some way around the compact with Sabaster that, she’s just learned, will lead to personal consequences even more horrifying than she’d previously imagined – is a deeply compelling protagonist. Her relationships with Ferain, with Winola, and with figures from her past – and the relationships of the other characters in the novel with each other – are all fraught and complicated things, filled with the silences, the secrets, and the partial understandings that undergird real relationships between real, complicated people.

Asunder is a thoughtful novel, complex and deep. It’s also a fast-paced, tense ride through a world that doesn’t hold back from glittering weirdness. Luxury travel in the bellies of dimension-hopping spiders, weapons that turn a person inside out, trains that run on rails made of light, drugs made from the corpses of dead gods, godlike beings with hundreds of wings and faces in their groins: Hall holds back neither wonder nor horror. But throughout, Hall’s skill and control of the narrative never falters. All the moving pieces slot into place, building into a nail-biting climax.

The ending leaves open as many questions as it answers, but although I would desperately love to see a sequel, Asunder is a complete narrative just as it is. A phenomenal one: I can’t recommend it highly enough

Aug 312024
 

a pair of black ear budsAudio rights to Christopher Rowe’s THE NAVIGATING FOX, a fantastical fable of “knowledgeable creatures,” to Kim Budnick at Tantor Media, by Michael Curry for Jennifer Jackson.

Audio rights to J. Alexander Cohen’s TALIO CODEX,  an epic fantasy and legal thriller in a city of canals and holy magic, where a secret relationship between a disgraced legal advocate and a member of an ostracized religious group may shake the foundations of the city, to Kim Budnick at Tantor Media by Katie Shea Boutillier.

Audio rights to A.Z. Rozkillis’s SPACE STATION X, debut scifi tale about an engineer who runs away to the farthest space station from Earth to live in peace but soon discovers there are some problems that can’t be fixed by swinging an absurdly large murder-wrench, to Kim Budnick at Tantor Media by Katie Shea Boutillier.

Audio rights to Alex Kingsley’s EXPRESS OF DUST, a post-apocalyptic fantasy about a young transman and his team of scavengers who find there’s more to the monsters roaming the deserts than they thought and he must choose between saving his crew or allying with the “monsters” who rescued him, to Kim Budnick at Tantor Media by Katie Shea Boutillier.

Aug 232024
 

Locus: Petra Grady has the kind of dirty magical job that no one ever talks about when crafting big novels about monsters and mayhem and magic. As a sweeper, she cleans up the ‘‘dross’’ or magic detritus that is created when powerful folks (mages) cast spells. In Kim Harrison’s urban fantasy THREE KINDS OF LUCKY, Petra is eighteen, working hard for a living at a magic university outside of Tucson, Arizona, and trying not to get overly annoyed at the obnoxious mages who treat her like a janitor. She knows, and they know, that if sweepers don’t do their job the dross will become malevolent, shadows will be created and all sorts of chaos will ensue. (I am hugely simplifying the situation but you get the drift.)

What keeps Petra going while surrounded by some first class academic snobs is her colleagues, her nice-enough roommate, and her dog, Pluck. (As someone who survived watching Old Yeller on Wonderful World of Disney, I am honor bound to advise that you do not bond strongly with Pluck. This is a spoiler that I will not apologize for.) But Petra’s old friend, now professor, Benedict Storm has been trying to figure out a way for spells to be cast that mitigates the dross problem, thus negating the need for sweepers. As much as Petra isn’t happy about the ramifications of such research, (primarily because she doesn’t think they know enough about what they are doing to be tampering with powerful magic, but when has that ever stopped a determined bunch of scientists?), she grudgingly agrees to work with Benedict. It all seems academic until an explosion that might involve Petra and then a lot (A LOT) of magical waste erupts from the campus. (There’s a storage facility. Picture Ghostbusters and you get the idea of how badly this can go.) Folks are killed, the existence of magic might be revealed to the non-magic world, a lot of people in authority-type positions want Petra dead or imprisoned. Ditto Benedict. Ditto other folks they care about. Who do you trust? Where do you run? And what in the world does Petra have to do with the explosion? Well, buckle up as Harrison answers all these questions and more while taking her characters through an onslaught of tough situations (both physical and emotional) until they get to the truth and save the world. (Or at least save Tucson.)

THREE KINDS OF LUCKY is the first in Harrison’s new Shadow Age series and she sets things up very nicely for sequels. The core group, good and bad, is established, the worldbuilding is fantastic, and Petra is more than capable of anchoring a long run of books. I saw the villain coming a bit but enjoyed the ride to get to that first confrontation (and all those that followed) way too much to complain. This is solid urban fantasy and a fun read (mostly – remember Pluck!). Harrison fans will be delighted.

Aug 212024
 

The finalists for the 2023 World Fantasy Awards have been announced, and many congratulations to the following DMLA authors on their nominated titles!

Best Novel

  • The Reformatory, Tananarive Due (Saga; Titan UK)
  • Witch King, Martha Wells (Tordotcom)

Best Collection

  • No One Will Come Back for Us and Other Stories, Premee Mohamed (Undertow)

Aug 202024
 

We choose our own gods here.

Karys Eska is a deathspeaker, locked into an irrevocable compact with Sabaster, a terrifying eldritch being―three-faced, hundred-winged, unforgiving―who has granted her the ability to communicate with the newly departed. She pays the rent by using her abilities to investigate suspicious deaths around the troubled city she calls home. When a job goes sideways and connects her to a dying stranger with some very dangerous secrets, her entire world is upended.

Ferain is willing to pay a ludicrous sum of money for her help. To save him, Karys inadvertently binds him to her shadow, an act that may doom them both. If they want to survive, they will need to learn to trust one another. Together, they must journey to the heart of a faded empire, all the while haunted by arcane horrors, and the unquiet ghosts of their pasts.

And all too soon, Karys knows her debts will come due.

Aug 202024
 

An inheritance filled with riddles…

Could love be the answer?

When her Amish grandmother passes away, Englisch police officer Jenna Shetler returns to her family’s farm on Maryland’s eastern shore to carry out her grandmother’s unusual last request. A series of letters with specific instructions forces her to seek help from Amish bachelor Abe Bontranger—and confront her teenage heartbreak. Working together brings them closer than they’ve been in years, but with Jenna’s commitment to the police force and Abe’s plans for his Amish life, is a second chance possible for the two of them?

Aug 152024
 

Congratulations to the following DMLA titles for making the final ballot for the 2024 Dragon Awards!

Best Science Fiction Novel

  • System Collapse by Martha Wells
  • The Saint of Bright Doors by Vajra Chandrasekera

Best Fantasy Novel (Including Paranormal)

  • Three Kinds of Lucky by Kim Harrison

Best Horror Novel

  • The Dead Take the A Train by Richard Kadrey, Cassandra Khaw
  • The Reformatory by Tananarive Due

Aug 022024
 

Photo of Elizabeth BearHugo Award-winning author Elizabeth Bear sold rights to two novels in her White Space setting. For new readers, her next science fiction epic, THE FOLDED SKY, stands alone. For returning readers, this is an indirect sequel to Ancestral Night, and takes place more or less concurrently and a little bit after Machine.

In THE FOLDED SKY, Dr. Sunyata Song must travel across the Milky Way to learn to communicate with the greatest discovery of her century: an artificial intelligence the size of a stellar system, an ancient abandoned matrioshka brain called the Baomind. It orbits a dying red giant, and the star’s time has nearly ended. The remote research station and its small fleet of ships come under attack by fanatic Freeport pirates who believe that artificial intelligence is an abomination that must be  destroyed, putting the lives of Sunya and her family at risk. Tens of thousands of light years from home, isolated from all help, Sunya is the only one who can save them all.

In negotiations with Jennifer Jackson, U.S. rights were acquired by Joe Monti at Saga Press / Simon & Schuster; Gillian Redfearn at Gollancz will release the UK edition — both with plans to publish in 2025.

Jul 312024
 

Chinese (simplified) rights to New York Times bestselling author Martha Wells’ WITCH KING, to Science Fiction World, by Gray Tan at Grayhawk Agency in association with Michael Curry for Jennifer Jackson.

Chinese (complex) rights to New York Times bestselling author Martha Wells’ WITCH KING, to Gaea, by Gray Tan at Grayhawk Agency in association with Michael Curry for Jennifer Jackson.

LJ Andrews’s THE EVER SEAS series, in a three-book deal, to Kossuth (HUNGARY); also to Artline Studios (BULGARIA), by Milena Kaplarevic at Prava I Prevodi, on behalf of Katie Shea Boutillier.

Spanish rights to Jo Walton’s AMONG OTHERS, to Duermevela, by Amaiur Fernandez at International Editors’, on behalf of Katie Shea Boutillier for Cameron McClure.

Turkish rights to Nnedi Okorafor’s WHO FEARS DEATH and AKATA WOMAN, to Ithaki, by Merve Ongen at Anatolialit Agency, on behalf of Katie Shea Boutillier for Donald Maass.

French rights to Robert Jackson Bennett’s novella TO BE READ UPON YOUR WAKING, to Le Belial, by Sarah Dray at Anna Jarota Agency, on behalf of Katie Shea Boutillier for Cameron McClure.

Jul 262024
 

Reactor: I had no idea what to expect when I opened to the first page of Asunder. Kerstin Hall has cemented herself as a brilliantly unpredictable writer. Her surrealist concepts are unlike any other, and she’s unafraid to go to the darkest, weirdest places. Asunder shines as a uniquely ambitious accomplishment among her stellar catalog, and I need you to know that the description I’m about to give pales in comparison to the vibrancy of the actual text. In a world of many gods and demons, we meet Karys, a death speaker, an ability which allows her to peer beyond the veil and recall the whispers of those that have passed. She uses this in a sort of freelance detective capacity, and is on a gig when the Constructs—translucent monsters that eat humans whole—find her. While running from the Constructs she collides with Ferain Taliade, a dying man who has managed to stay just slightly out of reach of the monsters and desperately needs her help. She agrees to magically bind him to her so he’ll stay alive, but he’s sort of living inside her now, which is inconvenient in a lot of ways. Especially considering she’s secretly the vassal for a very powerful eldritch being, not to mention the type of person who keeps getting pulled into dangerous situations. This is a complex, emotional rollercoaster from Hall that grabs you from the first page and never lets go. Oh and also, in this one they use big dogs like taxis.