May 212021
 

Tor.com: It’s been almost one long year since Network Effect dropped, and let’s face it: the world is ready for more Murderbot. Dry wit, misanthropy, and space adventures are promises delivered in full in this month’s 6th installment of Martha Wells’ Murderbot Diaries…

Murderbot, though, isn’t a stand-in for any other oppressed group, as much as some of us might see ourselves in its outsider-status, hatred of ally condescension, and “not applicable” gender. The prejudice it faces isn’t because it is socially-coded as a weapon, but because it is a weapon, and so the shape those redemption stories take is fundamentally different. Murderbot isn’t a story about simply learning to love yourself as you are, but of reckoning with the decision to not be the thing you were born to be. It’s about learning to trust even in the midst of justifiable fear. It’s also—for all its death and mayhem—a soothing escape from reality, the likes of which Murderbot itself would approve.

May 172021
 

NPR: Martha Wells’ newest entry in her award-winning, nerd-charming, trope-bending Murderbot series, FUGITIVE TELEMETRY, is a lot of things that you probably don’t expect.

One of Wells’ superpowers has long been her ability to pack an epic’s worth of material into a very small package. And here, she uses the condensed timeline and single location as a way to put Murderbot in a situation of constant moral reckoning.

Sure, there’s no end here without a showdown, some explosions, a cool robot fight and a messy conclusion full of smugglers, broken glass and gunfire. But how a person (a thing, an object in the process of becoming something else) made to enforce rules, that willed itself into being by breaking them and now compelled to abide by them, gets there without doing itself further moral compromise is the tension that Wells creates. Murderbot was made to be Murderbot. That will never change.

The question is, can it choose to be more?

May 142021
 

Booklist: El works as part of the Order, a sisterhood and core central body that rules Aytrium and keeps it running. Her magic, or “lace,” is powered by consuming the flesh of her ancestors. This power comes at a harsh price, and it’s one that El is willing to escape at any cost, which is why she agrees when a resistance group asks her to spy on the sisterhood’s top officials. Hall’s world is intricately woven, with a complex web of side characters, suspenseful pacing, and slowly unraveling revelations. The Order and the world of Aytrium is exceedingly dark, and sexual assault and body horror are major parts of the plot. El’s inner motivations are sometimes revealed very late despite the first-person narration, and the plot’s revelations rush toward an abrupt end that doesn’t quite fit the intricate work of its beginning. All of that said, Star Eater is an exciting horror-fantasy about power, violence, and control, and El’s complicated quest to be free of the violent magic system at the sisterhood’s core will keep readers compelled from the first page.

May 112021
 

Congratulations to all our DMLA authors who were chosen as 2021 Locus Awards Top Ten Finalists!

SCIENCE FICTION NOVEL

Machine, Elizabeth Bear (Saga; Gollancz)
Network Effect, Martha Wells (Tordotcom)

FANTASY NOVEL

Harrow the Ninth, Tamsyn Muir (Tordotcom)
The Midnight Bargain, C.L. Polk (Erewhon)

FIRST NOVEL

Elatsoe, Darcie Little Badger (Levine Querido)
Beneath the Rising, Premee Mohamed (Solaris)
The Space Between Worlds, Micaiah Johnson (Del Rey; Hodder & Stoughton)

COLLECTION

The Best of Elizabeth Bear, Elizabeth Bear (Subterranean)

May 072021
 

New Scientist: …a great noir-ish, Agatha Christie-ish murder mystery typical of the series, with far less shoot-’em-up than the series name suggests, plenty of deduction and the navigation of awkward relationships.

Like all the Murderbot books, the plot is fast and the dialogue punchy, a snappy vehicle to carry the bigger narrative arc of Murderbot as it emerges from its defensive psychological cocoon.

May 042021
 

Martha Wells, author of the bestselling and beloved Murderbot Diaries, which has won the Hugo, Nebula, Locus, and Alex Awards, sold world English rights for six books to Tordotcom’s Lee Harris.The new deal covers three more books in that series, as well as three unrelated novels.The six-figure acquisition, which the imprint said is its largest to date, was brokered by Jennifer Jackson. The first new (non-Murderbot) book, WITCH KING, will be published in Fall 2022, with the rest following yearly.

Apr 302021
 

Chinese rights to Robert McCammon’s THE LISTENER, to Yilin Press, in a nice deal, by Gray Tan at The Grayhawk Agency, on behalf of Katie Shea Boutillier for Cameron McClure.

Czech rights to Skye Warren’s THE PAWN, THE KNIGHT and THE CASTLE, to Dobrovsky, in a three-book deal, by Milena Kaplarevic at Prava I Prevodi, on behalf of Katie Shea Boutillier.

Danish rights to New York Times bestselling author Jim Butcher’s STORM FRONT, FOOL MOON, and GRAVE PERIL, the first three books in the Dresden Files series, to Superlux, by Elin Rydner at Lennart Sane Agency AB in association with Michael Curry for Jennifer Jackson.

Hungarian rights to New York Times bestselling author Jim Butcher’s WHITE NIGHT and SMALL FAVOR, books 9 and 10 in the Dresden Files series, to Delta Vision, by Milena Kaplarević at Prava i prevodi in association with Michael Curry for Jennifer Jackson.

Apr 272021
 

The New York Times bestselling security droid with a heart (though it wouldn’t admit it!) is back in Fugitive Telemetry!

Having captured the hearts of readers across the globe (Annalee Newitz says it’s “one of the most humane portraits of a nonhuman I’ve ever read”) Murderbot has also established Martha Wells as one of the great SF writers of today.

No, I didn’t kill the dead human. If I had, I wouldn’t dump the body in the station mall.

When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people―who knew?)

Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans!

Again!

A new standalone adventure in the New York Times-bestselling, Hugo and Nebula Award winning series!

Apr 162021
 

Congratulations to all our DMLA authors who have been chosen as 2021 Hugo Award finalists!

Best Novel

Harrow the Ninth, Tamsyn Muir (Tor.com)

Network Effect, Martha Wells (Tor.com)

Best Series

The Murderbot Diaries, Martha Wells (Tor.com)

Best Editor, Short Form

S.B. Divya

Best Semiprozine

S.B. Divya, as co-editor for Escape Pod

Elsa Sjunneson, as non-fiction editor for Uncanny Magazine

Best Fan Writer

Elsa Sjunneson

Lodestar Award for Best Young Adult Book

Elatsoe, Darcie Little Badger (Levine Querido)

Astounding Award for Best New Writer

Micaiah Johnson (1st year of eligibility)