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Publishers Weekly: Priest (The Family Plot) spins a small, swampy urban legend into a riveting, swelteringly atmospheric story that questions just how far the residents of a Southern town will go to forget, or appease, a past they cannot bear to confront. Cameron Spratford has lived with his elderly cousins Claire and Daisy in Staywater, Ga., since his parents abandoned him there as a toddler. Although everyone in Staywater encourages Cam to leave, he is content to remain­until Titus Bell arrives. Titus and his wife, Melanie, are traveling through the Okefenokee Swamp when they arrive at a strange, one-lane bridge. Sometime later, Titus wakes up in the middle of the road, alone. He makes his way to Staywater and, while awaiting news of Melanie, begins to shake the secrets of the town loose. Cameron gradually discovers the truth about the bridge outside Staywater, the role Claire and Daisy played in bringing peace there once, and what they are willing to do to keep Cameron safe. Priest keeps the supernatural elements grounded by developing nuanced characters who feel as though they could walk off the page. Moody and mysterious, this gothic tale touches the heart even as it wraps chilly fingers around the spine.

Publishers Weekly: Queer necromancers vie for power, solve ancient puzzles, and cross rapiers while exploring haunted deep-space ruins in this madcap science fantasy romp that manages to be both riotously funny and heartbreaking. Eighteen-year-old orphan Gideon Nav has spent her life devising ways to escape indentured servitude to the Ninth House. When Harrowhark Nonagesimus, the sole daughter and heir to the Ninth, sees a chance to become a Lyctor, right hand to the Necromancer Divine, she needs a cavalier by her side if she hopes to beat out the candidates of the other eight Houses—and only Gideon will do. Much as her necromancers do with human remains, Muir effortlessly compiles macabre humor, body horror, secrets, and tenderness into the stitched-together corpse of a dark universe, then brings it to life with a delightfully chaotic, crackling cast of characters and the connective tissue of their relationships. From the mad science joys of necromantic theory to the deliciously ever-evolving tension between Gideon and Harrow, this adventurous novel not only embraces its strangeness but wrings delight from it. The result is an addictive, genre-bending book that will wow readers with its vibrant energy, endearing cast, and emotional gut-punch of a finale.

B&N Sci-Fi & Fantasy Blog: A Fantastic New Space Opera Saga Dawns in Elizabeth Bear’s Ancestral Night

Elizabeth Bear is a master of disguise. If you’ve spent any time with her enormous back catalog, you know that the only thing you can expect from her is to be surprised and delighted by how different each new book is from the one that preceded it. Since winning the 2005 John W. Campbell Award for Best New Writer, she has published dozens of novels and even more short stories, jumping between genres and styles with apparent ease. Certainly not just any writer can publish one of the best epic fantasy series of the past decade (The Eternal Sky trilogy and its ongoing pseudo-sequel series, which began with The Stone in the Skull), take a pitstop in steampunk for a book or two, and then follow up with a big, bold science fiction saga poised to fill the void left by the James S.A. Corey’s soon-to-conclude series The Expanse.

Bear’s latest, the chunky space opera Ancestral Night, does just that. It travels familiar trade routes, but does so with aplomb, effortlessly separating itself from the crowd of new books in a resurgent subgenre.

Ancestral Night is chock full of great worldbuilding, supported by thematic explorations of politics, humanity, society, and individualism.

As it does in all of her work, Bear’s prose does double-duty, using exposition to worldbuild, inject humor, shape the characters, and establish the monumental stakes.

Ancestral Night’s tropes are the basic building blocks of genre­—galaxy-spanning mysteries, pirates and rogues, long-lost alien tech, hyperspace travel, harrowing space combat—­but Bear deploys them with expert precision. Imagine James S.A. Corey at his snarkiest, plus the bold sci-fi invention of Peter F. Hamilton’s Night’s Dawn trilogy, topped off with the rich characterization of Lois McMaster Bujold. The result is both familiar and wholly unique, managing a precarious balance between huge SFnal ideas—just wait until you find out about the Ativahika, an alien species whose abilities and appearance will boggle your mind—and an imminently approachable style, thanks to Haimey’s roguish narrative voice.

Bear’s first sci-fi novel in more than a decade has everything going for it: big space battles, thrilling action, a scrappy crew, and huge mysteries with galaxy-wide implications. Ancestral Night is space opera at its best and boldest, making you think hard even as it gets your blood pumping and your imagination flowing.