Locus: If I were a TV producer who wanted to take on an epic fantasy story à la Game of Thrones or Wheel of Time, I would look no further than Elizabeth Bear’s Lotus Kingdom books. To be honest, I’d much rather see an interpretation of Bear’s work over yet another Euro-based, medieval-esque retread of dudes fighting over who will be king.
The Origin of Storms is a rich and satisfying conclusion to the trilogy, which began with The Stone in the Skull and The Red-Stained Wings. This trilogy is linked to and set in the same universe as Bear’s earlier Eternal Sky books – but these three titles make for a satisfying arc all on their own. If you want more in this world, however, there are three more books worth of epic goodness to pick from.
In the Lotus Kingdom arc, the driving question is about who will rule this loosely stitched-together amalgam of worlds that inhabit one planet, which makes more sense in context. The worldbuilding is Persian-influenced and deep. This is a place that feels lived in and that has texture.
The same is true for Bear’s characters. Despite this epic including a cast of dozens, each is three-dimensional and stands on his, her, or their own. Himadra could not be confused with his cousin and rival Mrithuri. Sayeh (perhaps my favorite) is an enduring source of wit and calculation. And then there’s the dragon, who is impossible to confuse with the mere mortals and who is also full of bleak wisdom. ‘‘’Life is pain,’ said the dragon. ‘Fortunately, it’s also very interesting.’’’
With The Origin of Storms, Bear lands this particular plane – and does it in such a way that questions our genre’s love of empire in fantasy epics while also tangibly demonstrating why readers still respond to them. Now it’s time for the same questions about empires and their rulers to bleed into other forms of pop culture.
Brazilian rights to Shaun David Hutchinson’s WE ARE THE ANTS, to Record, by Flavia Sala at International Editors’, on behalf of Katie Shea Boutillier.
Library Journal: In the aftermath of the troubles from the previous book, The Queen’s Weapons, three young women must make decisions which will affect not only themselves, but those around them, as Witch provides them with guidance. Queen-in-training Zoey may now be safe within the walls of SaDiablo Hall, but she is still vulnerable to those with sharp tongues and dark thoughts. When a stranger arrives at the hall looking for sanctuary, Zoey’s attempts at friendship could put everyone around her in danger. Meanwhile, Jillian is preparing for her rite of passage that ensures she’ll keep her witch power and the jewels she wears, but a heart secret means facing her powerful family members and their lethally protective natures. Then there’s Saetien, who travels away to discover information, which may finally let her face her own truths as daughter of the High Lord of Hell.
Audio rights to Alexander Dan Vilhjálmsson’s THE STORM BENEATH A MIDNIGHT SUN, to Kim Budnick at Tantor Media, by Michael Curry for Jennifer Jackson.
New York Times bestselling author Kim Harrison sold a new Hollows novel, DEMONS BLUFF, to follow Summer 2023’s DEMONS OF GOOD AND EVIL, featuring witch-born demon Rachel Morgan in an alternate United States where humans and supernatural beings exist side-by-side. Anne Sowards at Ace Books acquired world rights in a six-figure deal for two books negotiated with Jennifer Jackson.
